{"id":91,"date":"2020-04-09T01:51:30","date_gmt":"2020-04-09T05:51:30","guid":{"rendered":"http:\/\/blog.richmond.edu\/spring2020-mus235-03\/?page_id=91"},"modified":"2020-04-28T19:50:31","modified_gmt":"2020-04-28T23:50:31","slug":"works-cited","status":"publish","type":"page","link":"https:\/\/blog.richmond.edu\/spring2020-mus235-03\/works-cited\/","title":{"rendered":"Works Cited"},"content":{"rendered":"<p>Aubrey, Jennifer Stevens, and Cynthia M. Frisby. \u201cSexual Objectification in Music Videos: A Content Analysis Comparing Gender and Genre.\u201d <em>Mass Communication and Society<\/em>, vol. 14, no. 4, 2011, pp. 475\u2013501., doi:10.1080\/15205436.2010.513468.<\/p>\n<p>Barrett, Kay. &#8220;Top 5 Chick Flicks That Should Never be Forgotten.&#8221;\u00a0<em>The Student Guidebook.<\/em><\/p>\n<p>Brackett, David. &#8220;Banjos, Biopics, and Compilation Scores: The Movies Go Country.&#8221;<em> American Music<\/em>, vol. 19, no. 3, 2001, pp. 247-290<em>. ProQuest.<\/em><\/p>\n<p>&#8220;Chip Esten Country Music Quote.&#8221;\u00a0<em>AZ Quotes.<\/em><\/p>\n<p><span style=\"display: inline !important; float: none; background-color: #ffffff; color: #333333; font-family: 'Times New Roman',Georgia,Serif; font-size: 12pt; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: 2; orphans: 2; overflow-wrap: break-word; text-align: left; text-decoration: none; text-indent: -22px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\">\u201cCMT VOTE NOW Graphic.\u201d <\/span><i>Cole Swindell<\/i><span style=\"display: inline !important; float: none; background-color: #ffffff; color: #333333; font-family: 'Times New Roman',Georgia,Serif; font-size: 12pt; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: 2; orphans: 2; overflow-wrap: break-word; text-align: left; text-decoration: none; text-indent: -22px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\">, 22 May 2018.<\/span><\/p>\n<p>Country AllStar Band. <i>Classic Country Music from the Movies,<\/i> Tency Music,\u00a0<span style=\"display: inline !important; float: none; background-color: #ffffff; color: #333333; cursor: text; font-family: Georgia,'Times New Roman','Bitstream Charter',Times,serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\">August, 2015.<\/span><\/p>\n<p>&#8220;Country Music Television Europe.&#8221;\u00a0<em>Wikipedia.<\/em><\/p>\n<p>&#8220;Culture in the Old South.&#8221;\u00a0<em>ER Services,\u00a0<\/em>Lumen Learning.<\/p>\n<p>Ehrenreich, Barbara, Elizabeth Hess, and Gloria Jacobs. \u201cBeatlemania: Girls Just Want to Have Fun.\u201d In <em>The Adoring Audience: Fan Culture in Popular Media<\/em>, edited by Lisa Lewis, 84-106. London: Routledge, 1992.<\/p>\n<p>Emerson, Rana A. \u201c\u2018Where My Girls At?&#8221;: Negotiating Black Womanhood in Music Videos.\u201d <em>Gender and Society<\/em>, vol. 16, no. 1, 2002, pp. 115\u2013135. <em>JSTOR<\/em>, www.jstor.org\/stable\/3081879.<\/p>\n<p>Fenster, Mark. \u201cCountry Music Video.\u201d <em>Popular Music<\/em>, vol. 7, no. 3, 1988, pp. 285\u2013302. <em>JSTOR<\/em>.<\/p>\n<p>&#8220;&#8216;Forever Country&#8221; Music Video Promotional Photo.&#8221;\u00a0<em>Facebook,\u00a0<\/em>CMA Country Music Association, 22 Sept. 2016.<\/p>\n<p>Frith, Simon. <em>Sound and Vision: The Music Video Reader<\/em>. Routledge, 2005.<\/p>\n<p>&#8220;&#8216;Grand Ole Opry Live&#8221; to Launch August 18 on CMT: Country Music Television.&#8221;\u00a0<em>Ryman Hospitality Properties Inc.,\u00a0<\/em>July 12, 2001.<\/p>\n<p>Larson, Megan. &#8220;Whistling Dixie at CMT: MTV Networks&#8217; least-known channel is gaining subs ratings and revenue. (Cable TV).&#8221; MEDIAWEEK, Nov. 18, 2002: 10. <em>Business Insights: Global.<\/em><\/p>\n<p>McLaurin, Melton A. and Richard A. Peterson. <em>You Wrote My Life: Lyrical Themes in Country Music. <\/em>Yverdon, Switzerland: Gordon and Breach, 1992.<\/p>\n<p>&#8220;Mother Embracing Children in Kitchen.&#8221;\u00a0<em>Superstock.<\/em><\/p>\n<p>Moss, Linda. &#8220;CMT: a little bit country, a little bit.&#8221; Multichannel News, Apr. 28, 2003. <em>Business <\/em><em>Insights: Global.<\/em><\/p>\n<p>&#8220;MTV Subscriber Growth.&#8221;\u00a0<em>Click Americana.<\/em><\/p>\n<p>Pittman, Robert. \u201cCOVER STORY: The Man Behind the Monster: It May Be Hard to Recall Life before MTV, but Bob Pittman, Who Shaped and Sold the Concept, Remembers It Well.\u201d <em>Los Angeles Times<\/em>, 28 July 1991.<\/p>\n<p>Pollack, Marc. &#8220;&#8216;Bride&#8217; runs away with No. 1.&#8221; <em>The Hollywood Reporter, <\/em>August 05, 1999.<\/p>\n<p>&#8220;Pretty Woman Soundtracks.&#8221;\u00a0<em>IMDb.<\/em><\/p>\n<p>Raye, Miranda. &#8220;Kid Rock&#8217;s &#8216;Po-Dunk&#8217; Music Video Has a Message for Those Who Oppose Redneck Life.&#8221;\u00a0<em>Country Music Nation.<\/em><\/p>\n<p>Shamshurina, Svetlana. &#8220;Round print with symbols of country music.&#8221;\u00a0<em>Dreamstime.<\/em><\/p>\n<p>&#8220;Snapshots of 1980s MTV Videos.&#8221;\u00a0<em>Click Americana.<\/em><\/p>\n<p>Spraggins, Renee E. \u201cWomen in the United States: A Profile.\u201d United States Census Bureau, March 2000.<\/p>\n<p>Tannenbaum, Rob and Craig Marks, <em>I Want My MTV: The Uncensored Story of the <\/em><em>Music Video Revolution<\/em>. Plume, 2012. Pp. 113-130.<\/p>\n<p>Underwood, Ryan. &#8220;If It Has a Screen, CMT Is on It.&#8221;\u00a0<em>The Tennessean,\u00a0<\/em>15 Apr. 2007, Pp. 1E-2E.<\/p>\n<p>U.S. Census Bureau. &#8220;More Women These Days Live Alone.&#8221;\u00a0<em>Census,\u00a0<\/em>March 2000.<\/p>\n<p>&#8220;Viacom Subsidiaries.&#8221;\u00a0<em>Stock Shark.<\/em><\/p>\n<p>\u201cViacom.\u201d <em>TV Tropes<\/em>.<\/p>\n<p><span style=\"display: inline !important; float: none; background-color: #ffffff; color: #333333; cursor: text; font-family: Georgia,'Times New Roman','Bitstream Charter',Times,serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\">Ward, Amy. &#8220;Wedding Hat, Church Hat.&#8221;\u00a0<\/span><em>Etsy<\/em><\/p>\n<p>Washington Post. &#8220;Country Music Television Evolves While Sticking to Its Core Audience.&#8221; <em>The Denver Post, <\/em>15 Apr. 2016.<\/p>\n<p>&#8220;What Are Church Hats?&#8221;\u00a0<em>Southern Living.<\/em><\/p>\n<p>Wiggins, Dana C. <i>From Countrypolitan to Neotraditional: Gender, Race, Class, and Region in Female Country Music, 1980\u20131989<\/i>. 2009. Georgia State University, PhD dissertation. <em>ProQuest.<\/em><\/p>\n<p>YouTube. \u201cDixie Chicks \u2013 Ready to Run (Video).\u201d 3:46. Posted by dixiechicks, Nov. 13, 2013.<\/p>\n<p>YouTube. &#8220;Kenny Chesney &#8211; She Thinks My Tractor&#8217;s Sexy (2-Channel Stereo Mix).&#8221;\u00a0 4:08. Posted by Kenny Chesney, Nov. 24, 2009.<\/p>\n<p>YouTube. &#8220;Lucinda Williams &amp; Elvis Costello &#8211; Live from 2001 (part 4).&#8221; 11:06. Posted by cinelover, Oct. 2, 2010.<\/p>\n<p>YouTube. \u201cMariah Carey, Jay-Z \u2013 Heartbreaker (Video).\u201d 5:36. Directed by Brett Ratner. Posted by Mariah Carey. March 15, 2014.<\/p>\n<p>YouTube. \u201cRandy Travis \u2013 Forever And Ever, Amen (Official Music Video).\u201d 4:24. Posted by Rady Travis. October 26, 2009.<\/p>\n<p>YouTube. \u201cRunaway Bride 97\/8) Movie CLIP \u2013 The Runaway Bride Does it Again (1999) HD.\u201d 2:42. Posted by Movieclips. October 7, 2011.<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Aubrey, Jennifer Stevens, and Cynthia M. Frisby. \u201cSexual Objectification in Music Videos: A Content Analysis Comparing Gender and Genre.\u201d Mass Communication and Society, vol. 14,&#8230;<\/p>\n<div class=\"more-link-wrapper\"><a class=\"more-link\" href=\"https:\/\/blog.richmond.edu\/spring2020-mus235-03\/works-cited\/\">Continue reading<span class=\"screen-reader-text\">Works Cited<\/span><\/a><\/div>\n","protected":false},"author":3424,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"coauthors":[117707],"class_list":["post-91","page","type-page","status-publish","hentry","entry"],"_links":{"self":[{"href":"https:\/\/blog.richmond.edu\/spring2020-mus235-03\/wp-json\/wp\/v2\/pages\/91","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.richmond.edu\/spring2020-mus235-03\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/blog.richmond.edu\/spring2020-mus235-03\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/blog.richmond.edu\/spring2020-mus235-03\/wp-json\/wp\/v2\/users\/3424"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.richmond.edu\/spring2020-mus235-03\/wp-json\/wp\/v2\/comments?post=91"}],"version-history":[{"count":0,"href":"https:\/\/blog.richmond.edu\/spring2020-mus235-03\/wp-json\/wp\/v2\/pages\/91\/revisions"}],"wp:attachment":[{"href":"https:\/\/blog.richmond.edu\/spring2020-mus235-03\/wp-json\/wp\/v2\/media?parent=91"}],"wp:term":[{"taxonomy":"author","embeddable":true,"href":"https:\/\/blog.richmond.edu\/spring2020-mus235-03\/wp-json\/wp\/v2\/coauthors?post=91"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}