{"id":44,"date":"2020-04-08T15:27:19","date_gmt":"2020-04-08T19:27:19","guid":{"rendered":"http:\/\/blog.richmond.edu\/spring2020-mus114-07\/?page_id=44"},"modified":"2020-04-29T22:28:01","modified_gmt":"2020-04-30T02:28:01","slug":"reacting-to-past-genres","status":"publish","type":"page","link":"https:\/\/blog.richmond.edu\/spring2020-mus114-07\/reacting-to-past-genres\/","title":{"rendered":"Responding to Other Genres"},"content":{"rendered":"<blockquote>\n<h3><strong>\u201cEach artist sounds the same. Everything sounds the same. It\u2019s all fabricated. It\u2019s moronic\u201d -Johnny Ramone (Sullivan).<\/strong><\/h3>\n<\/blockquote>\n<p><span style=\"font-weight: 400;\">The simplicity and nostalgia of The Ramones&#8217;s brand of punk rock, heard on &#8220;Sheena Is a Punk Rocker,&#8221; deviates from two specific music genres of the two previous decades: prog rock and disco. Prog rock and disco both catered to more mature audiences, as artists playing the former trusted their audience to think through their music and the latter crafted music for dance club partying. By challenging these two more mature contemporary genres, The Ramones\u2019s appeal to teenage audiences solidifies their appeal to younger Americans.<\/span><\/p>\n<h2>Punk vs. prog<\/h2>\n<p><span style=\"font-weight: 400;\">Punk rock is typically seen as a response to prog rock, a line of rock music distinguished from other genres by qualities such as its long song lengths and spiritual song lyrics. Prog became popular in the 1960s and \u201870s, so this music would have been popular as the members of The Ramones came of age and began making music. The Ramones directly challenge prog with their DIY approach to music, as prog musicians were interested in exhibiting virtuosity on long, solo-heavy tracks. \u201cSheena Is a Punk Rocker,\u201d two minutes and forty-eight seconds long, is tied with \u201cHere Today, Gone Tomorrow\u201d for the longest track on The Ramones\u2019s <\/span><i><span style=\"font-weight: 400;\">Rocket to Russia<\/span><\/i><span style=\"font-weight: 400;\">. Their short tracks translated to live sets, with journalist Kris Needs claiming, \u201cI\u2019d heard they were pushing it if they were on for 20 minutes\u201d (Needs). Punk shows focused on the energy and heat of the moment, while prog musicians created music with the album in mind, not live performance. The Ramones also wrote very simple, easy to remember lyrics for their songs. \u201cSheena Is a Punk Rocker\u201d features only one verse, which is sung twice, then the chorus of \u201cSheena is a punk rocker,\u201d which is repeated (along with slight variations) eight times after initially being sung. Prog\u2019s lyrics were notable in that they focused on topics other than love and relationships, such as belief and metaphysics. While The Ramones were proud that they didn\u2019t sing \u201cstupid songs about sex\u201d (Green), their minimalist lyricism starkly contrasts the high-minded lyrics to prog songs.<\/span><\/p>\n<h2>Punk vs. disco<\/h2>\n<p><span style=\"font-weight: 400;\">Disco was especially popular in the United States when The Ramones were formed. Created for dancing settings and originally championed by minority and LGBTQ groups in American cities, disco had become widespread in popular music by the time &#8220;Sheena Is a Punk Rocker&#8221; was released. According to journalist Jim Sullivan of <\/span><i><span style=\"font-weight: 400;\">Sweet Potato<\/span><\/i><span style=\"font-weight: 400;\"> (later of <\/span><i><span style=\"font-weight: 400;\">Hard Noise<\/span><\/i><span style=\"font-weight: 400;\">), \u201cThe Ramones famously hated disco\u201d (Sullivan). When asked about the genre, Johnny Ramone told Jim Sullivan, \u201c<\/span><span style=\"font-weight: 400;\">Each artist sounds the same. Everything sounds the same. It\u2019s all fabricated. It\u2019s moronic\u201d (Sullivan). He added later that he believed disco was why The Ramones didn\u2019t get any radio airplay (Sullivan). In \u201cSheena Is a Punk Rocker,\u201d the band jabs at disco fans by setting their punk protagonist, Sheena, against the kids \u201cgoing to the Discotheque Au Go Go.\u201d This pits punk against disco by making the genres a one-or-the-other choice. The DIY sensibilities of The Ramones\u2019s punk also challenges disco music, as there was less focus on production than would be seen on a disco track. While disco music usually sounds glossy and glitzy with strings, electric piano, and synthesizers, The Ramones\u2019s music has a DIY, garage roughness and its guitars are fuzzy with distortion.<\/span><\/p>\n<p>&nbsp;<\/p>\n<figure id=\"attachment_148\" class=\"thumbnail wp-caption aligncenter\" style=\"width: 621px\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-148 size-full\" src=\"http:\/\/blog.richmond.edu\/spring2020-mus114-07\/files\/2020\/04\/ramones-live.jpg\" alt=\"\" width=\"611\" height=\"404\" \/><figcaption class=\"caption wp-caption-text\">The importance placed on live performance by The Ramones contrasts with prog and disco, both of which focused more on the recorded track and didn&#8217;t translate into live shows (Don Kirshner).<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>\u201cEach artist sounds the same. Everything sounds the same. It\u2019s all fabricated. It\u2019s moronic\u201d -Johnny Ramone (Sullivan). The simplicity and nostalgia of The Ramones&#8217;s brand of punk rock, heard on &#8220;Sheena Is a Punk Rocker,&#8221; deviates from two specific music genres of the two previous decades: prog rock and disco. Prog rock and disco both [&hellip;]<\/p>\n","protected":false},"author":3836,"featured_media":0,"parent":0,"menu_order":5,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"coauthors":[136779,141574],"class_list":["post-44","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/blog.richmond.edu\/spring2020-mus114-07\/wp-json\/wp\/v2\/pages\/44","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.richmond.edu\/spring2020-mus114-07\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/blog.richmond.edu\/spring2020-mus114-07\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/blog.richmond.edu\/spring2020-mus114-07\/wp-json\/wp\/v2\/users\/3836"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.richmond.edu\/spring2020-mus114-07\/wp-json\/wp\/v2\/comments?post=44"}],"version-history":[{"count":0,"href":"https:\/\/blog.richmond.edu\/spring2020-mus114-07\/wp-json\/wp\/v2\/pages\/44\/revisions"}],"wp:attachment":[{"href":"https:\/\/blog.richmond.edu\/spring2020-mus114-07\/wp-json\/wp\/v2\/media?parent=44"}],"wp:term":[{"taxonomy":"author","embeddable":true,"href":"https:\/\/blog.richmond.edu\/spring2020-mus114-07\/wp-json\/wp\/v2\/coauthors?post=44"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}