{"id":1819,"date":"2018-12-06T15:04:34","date_gmt":"2018-12-06T15:04:34","guid":{"rendered":"http:\/\/blog.richmond.edu\/parsons\/?p=1819"},"modified":"2018-12-06T15:04:34","modified_gmt":"2018-12-06T15:04:34","slug":"arachnophonia-mus-235-edition-prince-parade-music-from-the-motion-picture-under-the-cherry-moon","status":"publish","type":"post","link":"https:\/\/blog.richmond.edu\/parsons\/2018\/12\/arachnophonia-mus-235-edition-prince-parade-music-from-the-motion-picture-under-the-cherry-moon\/","title":{"rendered":"Arachnophonia &#8211; MUS 235 Edition:  Prince &#8220;Parade:  Music from the Motion Picture Under the Cherry Moon&#8221;"},"content":{"rendered":"<p><strong>Editor\u2019s note:<\/strong> <em><a href=\"https:\/\/blog.richmond.edu\/parsons\/tag\/arachnophonia\/\" rel=\"noopener\" target=\"_blank\">Arachnophonia<\/a> is a regular feature on our blog where members of the UR community can share their thoughts about resources from the <a href=\"https:\/\/library.richmond.edu\/music\/index.html\" rel=\"noopener\" target=\"_blank\">Parsons Music Library<\/a>\u2018s collection.<\/p>\n<p>This special edition of <a href=\"https:\/\/blog.richmond.edu\/parsons\/tag\/arachnophonia\/\" rel=\"noopener\" target=\"_blank\">Arachnophonia<\/a> features contributions from students in <a href=\"https:\/\/music.richmond.edu\/faculty\/jlove\/\" rel=\"noopener\" target=\"_blank\">Dr. Joanna Love<\/a>\u2018s MUS 235 class: \u201cI Want My MTV: Music Video and the Transformation of the Music Industry.\u201d<\/p>\n<p>All links included in these posts will take you to either the <a href=\"https:\/\/librarycat.richmond.edu\/vwebv\/holdingsInfo?&#038;bibId=2439840\" rel=\"noopener\" target=\"_blank\">library catalog record for the item in question <\/a> or to <a href=\"https:\/\/www.princeestate.com\/\" rel=\"noopener\" target=\"_blank\">additional relevant<\/a> <a href=\"https:\/\/www.allmusic.com\/album\/parade-music-from-the-motion-picture-under-the-cherry-moon-mw0000650653\" rel=\"noopener\" target=\"_blank\">information from<\/a> <a href=\"https:\/\/pitchfork.com\/reviews\/albums\/21844-parade\/\" rel=\"noopener\" target=\"_blank\">around the web<\/a>.<br \/>\nToday\u2019s installment of <a href=\"https:\/\/blog.richmond.edu\/parsons\/tag\/arachnophonia\/\" rel=\"noopener\" target=\"_blank\">Arachnophonia<\/a> is by MUS 235 student Destiny and features <a href=\"https:\/\/librarycat.richmond.edu\/vwebv\/holdingsInfo?&#038;bibId=2439840\" rel=\"noopener\" target=\"_blank\"><strong>Parade<\/strong>,  the 1986 soundtrack album to Prince&#8217;s second film<\/a> <strong><a href=\"https:\/\/www.imdb.com\/title\/tt0092133\/?ref_=nv_sr_1\" rel=\"noopener\" target=\"_blank\">Under the Cherry Moon<\/a><\/strong>. Thanks, Destiny!<\/em> <\/p>\n<p><strong><a href=\"https:\/\/librarycat.richmond.edu\/vwebv\/holdingsInfo?&#038;bibId=2439840\" rel=\"noopener\" target=\"_blank\">Prince<\/a><\/p>\n<p><em><a href=\"https:\/\/librarycat.richmond.edu\/vwebv\/holdingsInfo?&#038;bibId=2439840\" rel=\"noopener\" target=\"_blank\">Parade: Music from the Motion Picture Under the Cherry Moon<\/a><\/em><\/strong><\/p>\n<div id=\"attachment_1826\" style=\"width: 310px\" class=\"wp-caption aligncenter\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-1826\" src=\"https:\/\/i0.wp.com\/blog.richmond.edu\/parsons\/files\/2018\/12\/ParadeLP.jpg?resize=300%2C300\" alt=\"Prince - Parade album cover (1986)\" width=\"300\" height=\"300\" class=\"size-full wp-image-1826\" srcset=\"https:\/\/i0.wp.com\/blog.richmond.edu\/parsons\/files\/2018\/12\/ParadeLP.jpg?w=300&amp;ssl=1 300w, https:\/\/i0.wp.com\/blog.richmond.edu\/parsons\/files\/2018\/12\/ParadeLP.jpg?resize=150%2C150&amp;ssl=1 150w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><p id=\"caption-attachment-1826\" class=\"wp-caption-text\">Prince &#8211; Parade album cover (1986)<\/p><\/div>\n<p>It\u2019s 1984. Prince has just dominated the music industry with his iconic album, and equally iconic film of the same name <em><a href=\"https:\/\/www.allmusic.com\/album\/purple-rain-mw0000382324\" rel=\"noopener\" target=\"_blank\">Purple Rain<\/a><\/em>. With a top-selling album and film under his belt, Prince has officially solidified himself within the music industry as a creative genius. After the immense success of the album, fans and critics anticipated and longed for his next album to match up sonically. However, Prince\u2019s next album, <em><a href=\"https:\/\/www.allmusic.com\/album\/around-the-world-in-a-day-mw0000191364\" rel=\"noopener\" target=\"_blank\">Around the World in a Day<\/a><\/em>, flopped in every regard &#8211; sales, expectations of fans, and ratings of critics. With the release of his next album, <em><a href=\"http:\/\/www.princevault.com\/index.php?title=Album:_Parade\" rel=\"noopener\" target=\"_blank\">Parade<\/a><\/em>, fans and critics still hoped for an album with the same sound as the iconic <em><a href=\"https:\/\/librarycat.richmond.edu\/vwebv\/holdingsInfo?&#038;bibId=551799\" rel=\"noopener\" target=\"_blank\">Purple Rain<\/a><\/em>. Similarly to <em><a href=\"http:\/\/www.princevault.com\/index.php?title=Album:_Around_The_World_In_A_Day\" rel=\"noopener\" target=\"_blank\">Around the World in a Day<\/a><\/em>, the album did not have the same sound. While <em><a href=\"https:\/\/librarycat.richmond.edu\/vwebv\/holdingsInfo?&#038;bibId=2439840\" rel=\"noopener\" target=\"_blank\">Parade<\/a><\/em>, the source of my current analysis, did not flop in the same way that <em><a href=\"http:\/\/www.princevault.com\/index.php?title=Album:_Around_The_World_In_A_Day\" rel=\"noopener\" target=\"_blank\">Around the World in a Day<\/a><\/em> did, it was released to very mixed reviews. <\/p>\n<p><a href=\"https:\/\/en.wikipedia.org\/wiki\/Prince_(musician)\" rel=\"noopener\" target=\"_blank\">Prince<\/a>, born Prince Rogers Nelson in Minneapolis, Minnesota in 1958, made his initial rise to fame primarily as a rock, pop, and disco artist. Though Prince was always an unpredictable, wild artist, it came as a complete surprise to fans and critics when he practically changed his whole sound to a much more psychedelic sound on <em>Around the World in a Day<\/em>. Similarly to the previous album, <em>Parade<\/em> maintained facets of the 1960s British boy rock-band inspired neo-psychedelia genre with distorted vocals, instruments and synthesizer sounds on songs such as \u201c<a href=\"https:\/\/www.youtube.com\/watch?v=ajFBDxdYz0I\" rel=\"noopener\" target=\"_blank\">I Wonder U<\/a>.\u201d However, this album was also very much Prince\u2019s introduction of the exploration of a genre known as \u201c<a href=\"https:\/\/www.allmusic.com\/style\/baroque-pop-ma0000012101\" rel=\"noopener\" target=\"_blank\">Baroque pop<\/a>.\u201d An infusion of rock and classical music, Baroque pop is a form of rock with a much more orchestral sound, as opposed to heavy guitar riffs. With this genre, the focus is on layered harmonies, as well as dramatic, intense strings and horns. There are also, for the most part, subtle elements of funk on the entire album. With prominent bass guitar, and noticeable drums and synthesizers, Prince and his backing band <a href=\"https:\/\/www.allmusic.com\/artist\/prince-and-the-revolution-mn0000855714\" rel=\"noopener\" target=\"_blank\">The Revolution<\/a> certainly incorporate funk along with the experimentation of Baroque pop. Written as the soundtrack for a black and white romantic drama film, and Prince\u2019s directorial debut, <em><a href=\"https:\/\/en.wikipedia.org\/wiki\/Under_the_Cherry_Moon\" rel=\"noopener\" target=\"_blank\">Under the Cherry Moon<\/a><\/em>, <em><a href=\"https:\/\/librarycat.richmond.edu\/vwebv\/holdingsInfo?&#038;bibId=2439840\" rel=\"noopener\" target=\"_blank\">Parade<\/a><\/em> has a quite equal mix of slow tempo, somber songs (i.e. \u201c<a href=\"https:\/\/www.youtube.com\/watch?v=4VtSl_Fvhuw\" rel=\"noopener\" target=\"_blank\">Under the Cherry Moon<\/a>\u201d and \u201c<a href=\"https:\/\/www.youtube.com\/watch?v=FRaxAVVuqLs\" rel=\"noopener\" target=\"_blank\">Do U Lie?<\/a>\u201d), as well as more upbeat, heavily-textured songs (i.e. \u201c<a href=\"https:\/\/www.youtube.com\/watch?v=ruaeusy4aOE\" rel=\"noopener\" target=\"_blank\">New Position<\/a>\u201d and \u201c<a href=\"https:\/\/www.youtube.com\/watch?v=gQcKgAsQHzs\" rel=\"noopener\" target=\"_blank\">Girls &#038; Boys<\/a>\u201d). To this day, fans and critics discuss the album <em><a href=\"https:\/\/librarycat.richmond.edu\/vwebv\/holdingsInfo?&#038;bibId=2439840\" rel=\"noopener\" target=\"_blank\">Parade<\/a><\/em> with mixed reviews. However, what practically everyone agrees on is that the standout song, and one of the biggest songs of Prince\u2019s nearly four-decade long career, was the iconic \u201c<a href=\"https:\/\/en.wikipedia.org\/wiki\/Kiss_(Prince_song)\" rel=\"noopener\" target=\"_blank\">Kiss<\/a>.\u201d<\/p>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/blog.richmond.edu\/parsons\/files\/2018\/12\/Prince-Kiss.jpg?resize=536%2C720\" alt=\"Prince-Kiss\" width=\"536\" height=\"720\" class=\"aligncenter size-full wp-image-1828\" srcset=\"https:\/\/i0.wp.com\/blog.richmond.edu\/parsons\/files\/2018\/12\/Prince-Kiss.jpg?w=536&amp;ssl=1 536w, https:\/\/i0.wp.com\/blog.richmond.edu\/parsons\/files\/2018\/12\/Prince-Kiss.jpg?resize=223%2C300&amp;ssl=1 223w\" sizes=\"auto, (max-width: 536px) 100vw, 536px\" \/><\/p>\n<p><iframe loading=\"lazy\" width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/H9tEvfIsDyo\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe><br \/>\nArguably the most \u201cfunky\u201dsong on <em><a href=\"https:\/\/librarycat.richmond.edu\/vwebv\/holdingsInfo?&#038;bibId=2439840\" rel=\"noopener\" target=\"_blank\">Parade<\/a><\/em>, Prince\u2019s \u201c<a href=\"https:\/\/www.youtube.com\/watch?v=H9tEvfIsDyo\" rel=\"noopener\" target=\"_blank\">Kiss<\/a>.\u201d <\/p>\n<p>Originating as a short, acoustic demo given to funk band <a href=\"http:\/\/www.princevault.com\/index.php?title=Mazarati\" rel=\"noopener\" target=\"_blank\">Mazarati<\/a>, \u201c<a href=\"https:\/\/www.youtube.com\/watch?v=H9tEvfIsDyo\" rel=\"noopener\" target=\"_blank\">Kiss<\/a>\u201d almost did not make the cut for this Prince album. However, after the band reworked the song into a much funkier tune, Prince decided to take the song back for himself and include it on the album at the last minute. Because of this, it makes sense that, while listening to the album in its entirety, it may seem to the listener that this eventual lead single off of the album does not quite have the same sound as the rest of the songs that make up <em><a href=\"https:\/\/librarycat.richmond.edu\/vwebv\/holdingsInfo?&#038;bibId=2439840\" rel=\"noopener\" target=\"_blank\">Parade<\/a><\/em>. Though the rest of the album did have characteristics of funk, the seemingly \u201cplucked\u201d and distorted bassline and the prominent steady synthesizer-created percussion, along with Prince\u2019s quite soulful and sensual vocals, give this song has a much more funk-inspired vibe. Known for being unconventional, Prince, throughout this song, shatters expectations of women to constantly be beautiful or \u201ccool\u201d to be attractive and appealing to him. Donned in slicked back hair, makeup, and heels, Prince shatters stereotypes and norms even more in the video as he sings the lyrics in a falsetto. Though the rest of the album did not receive <em><a href=\"https:\/\/librarycat.richmond.edu\/vwebv\/holdingsInfo?&#038;bibId=551799\" rel=\"noopener\" target=\"_blank\">Purple Rain<\/a><\/em>-level critical acclaim, the single \u201cKiss\u201d topped charts across the globe, holding the Number 1 spot on the U.S. Billboard Hot 100 Chart for two weeks. The song won the Grammy Award for Best R&#038;B Performance by a Duo or Group with Vocals and has sold over 1,000,000 copies since its release in 1986.<\/p>\n<p>When thinking about this album <em><a href=\"https:\/\/librarycat.richmond.edu\/vwebv\/holdingsInfo?&#038;bibId=2439840\" rel=\"noopener\" target=\"_blank\">Parade<\/a><\/em>, and its iconic single \u201c<a href=\"https:\/\/en.wikipedia.org\/wiki\/Kiss_(Prince_song)\" rel=\"noopener\" target=\"_blank\">Kiss<\/a>,\u201d it is interesting to think about the tensions that arose between the two main reactions to the album. While some think of it as a minimalist masterpiece and an interesting follow up to <em><a href=\"https:\/\/librarycat.richmond.edu\/vwebv\/holdingsInfo?&#038;bibId=551799\" rel=\"noopener\" target=\"_blank\">Purple Rain<\/a><\/em> and <em><a href=\"https:\/\/www.allmusic.com\/album\/around-the-world-in-a-day-mw0000191364\" rel=\"noopener\" target=\"_blank\">Around the World in a Day<\/a><\/em>, others view it as a disappointment and throwaway album in Prince\u2019s lengthy discography. One question that one may consider is, what do the overwhelming number of negative reactions to this album say about artists, specifically Black artists, and changing their sound? Why is the music industry so restrictive to artists and so reluctant to accept changes in their music? For scholars who may be studying and analyzing questions like these, comparing this album and its reactions to the music and reactions of <em>Purple Rain<\/em> could lead to very interesting analysis. Also, with the extremely prominent facets of Baroque pop present on this album, those interested in studying the genre and its then, new, success in Europe could also use this album as a site of analysis. More related to my research of the shattering of gender and sexuality norms and stereotypes for Black artists in music, one could compare the lyrics of the song \u201cKiss\u201d to its representations in the music video. Analyzing <em><a href=\"https:\/\/librarycat.richmond.edu\/vwebv\/holdingsInfo?&#038;bibId=2439840\" rel=\"noopener\" target=\"_blank\">Parade<\/a><\/em> and \u201c<a href=\"https:\/\/www.youtube.com\/watch?v=H9tEvfIsDyo\" rel=\"noopener\" target=\"_blank\">Kiss<\/a>\u201d will certainly help me in my research, as they both give me insight into Prince\u2019s views on gender and sexuality at the time, with the aural representations of his high-pitched voice, etc. in the music, as well as visual representations in music videos such as \u201c<a href=\"https:\/\/www.youtube.com\/watch?v=H9tEvfIsDyo\" rel=\"noopener\" target=\"_blank\">Kiss<\/a>.\u201d<\/p>\n<p>Though <a href=\"https:\/\/en.wikipedia.org\/wiki\/The_Revolution_(band)\" rel=\"noopener\" target=\"_blank\">Prince and The Revolution<\/a>\u2019s album <em><a href=\"https:\/\/librarycat.richmond.edu\/vwebv\/holdingsInfo?&#038;bibId=2439840\" rel=\"noopener\" target=\"_blank\">Parade<\/a><\/em> still receives mixed reviews, it certainly provides multiple sites for analysis. I\u2019m sure it will assist me in my research of gender and sexuality norms for Black artists in music, as well as numerous other topics of research for other scholars.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Editor\u2019s note: Arachnophonia is a regular feature on our blog where members of the UR community can share their thoughts about resources from the Parsons Music Library\u2018s collection. This special edition of Arachnophonia features contributions from students in Dr. Joanna &hellip; <a href=\"https:\/\/blog.richmond.edu\/parsons\/2018\/12\/arachnophonia-mus-235-edition-prince-parade-music-from-the-motion-picture-under-the-cherry-moon\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":2182,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[61217,15223,15236],"tags":[61385,61217,92868,1351,15236,76176,92864,15334,61206,92865,15274,53121,35898,92867],"class_list":["post-1819","post","type-post","status-publish","format-standard","hentry","category-arachnophonia","category-collection","category-guest-post","tag-1980s","tag-arachnophonia","tag-baroque-pop","tag-funk","tag-guest-post","tag-mus-235","tag-parade","tag-popular-music","tag-prince","tag-prince-and-the-revolution","tag-rb","tag-soundtrack","tag-students","tag-under-the-cherry-moon"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/pgMV3E-tl","jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/blog.richmond.edu\/parsons\/wp-json\/wp\/v2\/posts\/1819","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.richmond.edu\/parsons\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.richmond.edu\/parsons\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.richmond.edu\/parsons\/wp-json\/wp\/v2\/users\/2182"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.richmond.edu\/parsons\/wp-json\/wp\/v2\/comments?post=1819"}],"version-history":[{"count":0,"href":"https:\/\/blog.richmond.edu\/parsons\/wp-json\/wp\/v2\/posts\/1819\/revisions"}],"wp:attachment":[{"href":"https:\/\/blog.richmond.edu\/parsons\/wp-json\/wp\/v2\/media?parent=1819"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.richmond.edu\/parsons\/wp-json\/wp\/v2\/categories?post=1819"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.richmond.edu\/parsons\/wp-json\/wp\/v2\/tags?post=1819"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}