Parsons Playlists: Happy Fall, Y’all

Welcome back to Parsons Playlists! Today’s playlist is curated by Music Library student assistant Jillian (class of 2027) and features an autumnal mix of pop and jazz.

Happy Fall, Y’all

happy fall y'all

Start the Fall season off with a comforting and fun mix of pop and funky jazz!

The Cranberries – “Dreams”

Caroline Pennell – “We’re Going To Be Friends”
(Cover of The White Stripes as performed on The Voice)

Earth Wind and Fire – “September”

Midnight Breakfast – “If You Comfort Me”

Vulfpeck – “Wait for the Moment”

Yusuf Islam/Cat Stevens – “Don’t Be Shy”

The Goo Goo Dolls – “Iris”

Jamie Davis – “Isn’t She Lovely”

Noah Kahan – “Stick Season”

Anderson Paak – “The Bird”

The XX – “VCR”

KALEO – “All the Pretty Girls”

Rebby – “Sayonara”

Here is a link to the whole playlist on YouTube: https://youtube.com/playlist?list=PLU94rco57ZezjnT0gVxAWMmDZ4zX-_WEn&si=bTQKuA1A0PBpuI4q

WDCE Charts 9-25-24

WDCE 90.1 Logo

WDCE 90.1: UR Radio is the voice of independent radio in Richmond, VA and has been student-run and operated since 1960.
Students have used it as a launching pad for careers in radio or other mass communications, and also as an engaging extra-curricular activity. Community members and UR alumni also continue to play an important role in the station.

We’re sharing chart information from WDCE as reported to the North American College and Community (NACC) Radio Chart.

Here’s the WDCE Top 30 from September 25, 2024 (click the image to see a larger version):

WDCE 9-25-24

For comparison, here is this week’s national NACC chart (click the image to see a larger version):

NACC 9-25-24

You can stream WDCE live here: https://live365.com/station/WDCE-90-1-FM-a39711

WDCE collage 9-25-24

Arachnophonia: Music and Manipulation

Editor’s note: Arachnophonia (“Arachno” = spider / “-phonia” = sound) is a regular feature on our blog where members of the UR community can share their thoughts about resources from the Parsons Music Library‘s collection.

All links included in these posts will take you to either the library catalog record for the item in question or to additional relevant information from around the web.

Today’s installment of Arachnophonia is by student manager Amy (class of 2025) is a special edition for Banned Books Week and features a book about the ways music is used as a tool for social influence. Thanks, Amy!

Music and Manipulation : On the Social Uses and Social Control of Music
edited by Steven Brown and Ulrik Volgsten

Music and Manipulation

Music and Manipulation, edited by Steven Brown and Ulrik Volgsten, delves into the complex ways in which music is employed as a tool for social influence and control. Through a collection of essays from various scholars, the book explores how music affects human behavior, shapes identities, and is used in contexts of power and manipulation.

The essays in this anthology investigate how music is used both to foster unity and to exert control, depending on the circumstances. For instance, one section of the book delves into the use of music in political propaganda, where governments and regimes leverage music to promote nationalistic sentiments and manipulate public opinion. This can be seen in examples ranging from national anthems to political campaigns, where music serves as a subtle yet powerful force to unite people under a common ideology.

The book also explores music’s role in advertising and commercial contexts, where it is utilized to shape consumer behavior and create emotional connections with products. This type of “manipulation” often goes unnoticed but is incredibly effective in influencing purchasing decisions and brand loyalty.

Another theme covered in Music and Manipulation is the therapeutic use of music. In contrast to the more coercive applications discussed earlier, music therapy is framed as a positive use of music to influence emotions and improve mental health. This section highlights how music can be used to heal and empower individuals, demonstrating its dual capacity for both control and liberation.

Religious and ceremonial uses of music are also examined, revealing how music shapes spiritual experiences and creates a sense of communal identity. In religious contexts, music often serves as a tool for guiding emotions and fostering a sense of unity among believers. The authors also explore how different cultures use music in rituals and ceremonies to reinforce social bonds and cultural values.

The book Music and Manipulation: On the Social Uses and Social Control of Music is available to check out at the Parsons Music Library!

Banned Books Week 2024

Parsons Playlists: Music Censorship

Welcome back to Parsons Playlists — a special Banned Books Week edition! Today’s playlist is curated by Music Library student manager Amy (class of 2025) and features tracks that have been censored over the years.

Music Censorship

For decades, musicians’ artistic liberties have been censored, whether it be because of references to sex, violence, drugs, politics, or religion, it is all a restriction of one’s freedom of speech. In honor of Banned Books Week, here is a list of songs that might be on your playlists that were banned or censored in one way or another.

Billie Holiday – “Strange Fruit”

Billie Holiday’s protest song “Strange Fruit” which was a direct call out of American racism, especially Southern lynchings, was too controversial for most radio stations. The song, originally a poem by Abel Meeropol inspired by the 1930 lynchings of Thomas Ship and Abraham Smith, was performed by Meeropol before Holiday made it her closing act in 1938. Time magazine named it “Song of the Century” in 1999. (1)

Lady Gaga – “Judas”

Christian groups in Lebanon and the Philippines called for a ban on Lady Gaga’s concerts and her album as a whole. Christian and Muslim groups in 2012 worked hard to try to ban Gaga’s shows, calling them the “work of Satan.” (2)

Loretta Lynn – “The Pill”

Loretta Lynn’s song about sexual freedom and birth control, “The Pill” shocked the world in 1975 because of its lyrics discussing birth control, something that was only made legal three years before the song’s release. When the song was released, three years after its initial recording, over 60 radio stations banned the song. Modern country artists like Miranda Lambert and The Chicks were heavily influenced by Lynn’s strength to stray from the norm and talk about important topics not everyone wants to sing about. (3)

The Notorious B.I.G. – “Juicy”

In 1993, a bomb exploded under the North Tower of the World Trade Center, killing six people. Some historians see this attack by Islamic radicals as the start of a two-decade conflict with the West. The Notorious B.I.G., nearby at the time, referenced the event in his 1994 single “Juicy” with the line “blow up like the World Trade,” symbolizing his desire for rapid success. After his 1997 death, his music became iconic in 1990s rap culture. Following 9/11, the lyric was removed from media, and the edited version of the song is still played today. (4)

Britney Spears – “If U Seek Amy”

In 2009, the Parents Television Council urged radio stations across the country not to play Britney Spears’s newest song, “If U Seek Amy,” because of the lyrics’ double meaning. If the title of the song is said quickly, it sounds like one is spelling out F-U-C-K me. (5)

Olivia Newton-John – “Physical”

Olivia Newton-John’s most successful song of her career, “Physical” was banned from many radio and TV stations for being too sexual. However, this didn’t stop the song from its roaring success. Over 40 years later the song’s release, her song is now sampled by modern music artists like Dua Lipa and Doja Cat. (6)

DJ Vadim & Sarah Jones – “Your Revolution”

Sarah Jones’ lyrical poem, “Your Revolution” was a direct call out of the treatment and portrayal of women in hip-hop music. The FCC called out a radio station and Jones for playing the song, and when Jones sued them, the case was dismissed, but many stations didn’t play the song while the case was ongoing. (7)

Parental Advisory label

Eminem – “The Real Slim Shady”

Following up on a listener complaint, the FCC fined a radio station $7000 for airing the radio edit of Eminem’s “The Real Slim Shady.” The FCC complained that the song contained offensive sexual references that were intended to shock audiences. (8)

The Rolling Stones – “(I Can’t Get No) Satisfaction”

The Rolling Stones’ song “(I Can’t Get No) Satisfaction” was initially played only on pirate radio stations in the UK due to its sexually suggestive lyrics. (9)

Madonna – “Like a Prayer”

Madonna’s 1989 hit was censored for its provocative mix of religious imagery and sexual themes. The accompanying music video, which featured depictions of burning crosses and Madonna receiving stigmata, caused outrage among religious groups and led to boycotts and bans. (10)

The Beatles – “Lucy in The Sky With Diamonds”

Though the band denied it, many believed this 1967 track was a reference to LSD due to its initials and psychedelic lyrics. As a result, the song faced bans from radio stations, particularly in the more conservative U.S. and U.K. (11)

Queen – “I Want to Break Free”

The 1984 song was banned by MTV in the U.S. due to its music video, which featured the band members dressed in drag, parodying soap operas. While it was intended humorously, it was deemed inappropriate and sparked controversy in more conservative regions. (12)

N.W.A. – “Fuck Tha Police”

This 1988 protest song against police brutality faced heavy censorship due to its explicit language and perceived incitement of violence against law enforcement. The FBI even sent a warning letter to the group’s record label, leading to bans from mainstream radio. (13)

The Chicks – “Travelin’ Soldier”

Released in 2002, this anti-war ballad was censored after the band spoke out against President George W. Bush and the Iraq War. Country radio stations pulled the song in response to public outrage, severely impacting its airplay. (14)

The Chicks – “Not Ready to Make Nice”

This 2006 track was the band’s response to the backlash they received for their anti-Bush comments. The song’s defiant tone led to continued boycotts from country radio, reflecting the politically charged climate at the time.(14)

Here is a link to the whole playlist on YouTube: https://youtube.com/playlist?list=PLU94rco57Zez6tcIiiPxQ2h-Y7-caO4Al&si=SeQtFDtS3hLMuMLA

Banned Books Week 2024

If you want more information on the censorship of music, join us for a new Arachnophonia post later this week!

Parsons Playlists: (Indie) Rock

Welcome back to Parsons Playlists! Today’s playlist is curated by Music Library student manager Torsten (class of 2025) and features some indie rock tunes.

(Indie) Rock Playlist

Indie Rock

A mishmash of some of my favorite songs to play while driving. The playlist is mostly headbangers with strong beats and a heavy guitar presence but there are some less intense songs here and there. I hope you enjoy!

INOHA – “GESHUOU”

Cafuné – “Tek It (I Watch The Moon)”

The Backseat Lovers – “Kilby Girl”

Last Dinosaurs – “Sense”

d4vd – “Feel It”

Two Door Cinema Club – “What You Know”

The Strokes – “Someday”

Two Door Cinema Club – “Undercover Martyn”

Still Woozy – “Again”

Hippo Campus – “baseball”

INOHA – “Seventh Heaven”

Wallows – “Calling After Me”

Joy Again – “Looking Out For You”

INOHA – “Trips”

Last Dinosaurs – “Zoom”

INOHA – “Naomi”

Arctic Monkeys – “If You Were There, Beware”

Arctic Monkeys – “Brianstorm”

Wallows – “Remember When”

The Jungle Giants – “Used to Be in Love”

COIN – “I Want It All”

Still Woozy – “Shotput”

almost monday – “can’t slow down”

Here is a link to the whole playlist on YouTube: https://youtube.com/playlist?list=PLU94rco57ZeweRHIfyL8Gog0-6Ejm3GWC&si=ybiKo2UrmfF2QwHn

And here it is on Spotify:

WDCE Charts 9-18-24

WDCE 90.1 Logo

WDCE 90.1: UR Radio is the voice of independent radio in Richmond, VA and has been student-run and operated since 1960.
Students have used it as a launching pad for careers in radio or other mass communications, and also as an engaging extra-curricular activity. Community members and UR alumni also continue to play an important role in the station.

We’re sharing chart information from WDCE as reported to the North American College and Community (NACC) Radio Chart.

Here’s the WDCE Top 30 from September 18, 2024 (click the image to see a larger version):

WDCE 9-18-24

For comparison, here is this week’s national NACC chart (click the image to see a larger version):

NACC 9-18-24

You can stream WDCE live here: https://live365.com/station/WDCE-90-1-FM-a39711

WDCE collage 9-18-24

Arachnophonia: Velvet Terrorism – Pussy Riot’s Russia

Editor’s note: Arachnophonia (“Arachno” = spider / “-phonia” = sound) is a regular feature on our blog where members of the UR community can share their thoughts about resources from the Parsons Music Library‘s collection.

All links included in these posts will take you to either the library catalog record for the item in question or to additional relevant information from around the web.

Today’s installment of Arachnophonia is by student assistant Rocio (class of 2027) and features a book about the activism of the punk feminist collective Pussy Riot. Thanks, Rocio!

Velvet Terrorism – Pussy Riot’s Russia
edited by Maria Alyokhina, et al

Velvet Terrorism: Pussy Riot's Russia

Maria “Masha” Vladimirovna Alyokhina (Russian: Мария Владимировна Алёхина[a]) is a Russian political activist and member of the anti-Putinist punk rock collective Pussy Riot. Alyokhina was born on June 6, 1988 in Moscow, Russia. Her mother works as a programmer and her father is a mathematics professor.

The book Alyokhina co-edited – Velvet Terrorism – Pussy Riot’s Russia – showcases the largest representation of the Pussy Riot artistic collective’s work up to this date. Alyokhina describes Pussy Riot as a way of life and a form of civic responsibility. Their art is their unique way of engaging in activism and she makes it clear to the audience that her goal is to fight against the oppression of Putin’s tyranny.

Alyokhina was arrested several times (August 2012, February 2014, January 2021, and February of 2022) due to “hooliganism motivated by religious hatred,” along with other acts that where treated as crimes due to her activist ideals and opposition to Putin. Because of her continued arrests and oppression she decided to flee Russia, disguising herself as a delivery driver. In exile she tours around Europe to support victims of the 2022 Russian invasion of Ukraine.

The book Velvet Terrorism – Pussy Riot’s Russia chronicles an exhibit about the group curated by the Louisiana Museum of Modern Art in Denmark. It’s worth a look if you’re interested in learning more about the group and its activism.

Parsons Playlists: End of Summer

Welcome back to Parsons Playlists! Today’s playlist is curated by Music Library student assistant Christine (class of 2025) and features some tunes that capture the vibes of the end of summer.

End of Summer

eos moon

As we near the end of summer weather, trips to the river/beach, and lemonade evenings, there is a both sense of nostalgia and a sigh of reluctance as we prepare ourselves for the upcoming semester. This playlist captures that bittersweet end. Best played at sunset while walking around campus or driving slowly with the windows down.

Sports – “You Are The Right One”

Taylor Swift – “august”

Cigarettes After Sex – “Sunsetz”

The 1975 – “About You”

Eyedress (ft. Dent May) – “Something About You”

Lana Del Rey (ft. Bleachers) – “Margaret”

The Arctic Monkeys – “Why’d You Only Call Me When You’re High?”

Big Thief – “Vampire Empire”

The Sacred Souls – “Weak for Your Love”

Dream, Ivory – “welcome and goodbye”

Harry Styles – “Carolina”

Radiohead – “Jigsaw Falling Into Place”

TV Girl – “Louise”

Lana Del Rey – “Chemtrails Over the Country Club”

Mac DeMarco – “My Kind of Woman”

Current Joys – “Blondie”

Cage the Elephant – “Cigarette Daydreams”

Greer – “Connect the Dots”

Mac DeMarco – “Still Beating”

Sydney Ross Mitchell – “Next Time”

Edie McKenna – “Hail Mary”

The Marías – “Ay No Puedo”

Here is a link to the whole playlist on YouTube: https://youtube.com/playlist?list=PLU94rco57ZexlRa_pvBvFeCuRacRjqm65&si=6mtPprvffUFqIafQ

and here it is on Spotify:

WDCE Charts 9-11-24

WDCE 90.1 Logo

WDCE 90.1: UR Radio is the voice of independent radio in Richmond, VA and has been student-run and operated since 1960.
Students have used it as a launching pad for careers in radio or other mass communications, and also as an engaging extra-curricular activity. Community members and UR alumni also continue to play an important role in the station.

We’re sharing chart information from WDCE as reported to the North American College and Community (NACC) Radio Chart.

Here’s the WDCE Top 30 from September 11, 2024 (click the image to see a larger version):

WDCE 9-11-24

For comparison, here is this week’s national NACC chart (click the image to see a larger version):

NACC 9-11-24

You can stream WDCE live here: https://live365.com/station/WDCE-90-1-FM-a39711

WDCE Collage 9-11-24

Arachnophonia: Carmina Burana

Editor’s note: Arachnophonia (“Arachno” = spider / “-phonia” = sound) is a regular feature on our blog where members of the UR community can share their thoughts about resources from the Parsons Music Library‘s collection.

All links included in these posts will take you to either the library catalog record(s) for the item(s) in question or to additional relevant information from around the web.

Today’s installment of Arachnophonia is by Music Library Associate Melanie A. and features a recording of and score for Carl Orff’s secular cantata Carmina Burana.

Carmina Burana by Carl Orff

Carmina Burana score

Carmina Burana is a secular cantata composed in 1936 by German composer Carl Orff (1895-1982).

Orff set 24 medieval texts from a longer manuscript dating to approximately the 12th century CE for his work – which he intended to be both a musical and theatrical piece. Carmina Burana is often performed as a concert work, but it has also become part of the ballet repertoire (productions have been mounted by the Alvin Ailey Dance Theater and Richmond Ballet, among others.

Said manuscript (containing 254 poems) is also known as Carmina Burana. These poems were written by young students/clergy in training known as Goliards, who were known for satirizing the church and society through their poems.

Orff’s Carmina Burana covers a wide variety of topics including the fickleness of fortune and wealth, the ephemeral nature of life, appreciation of spring, the pleasures and perils of drinking, and courtly love. There is even a movement (“Olim lacus colueram“) that is told from the perspective of a swan roasting on a spit over an open fire! (It’s also a metaphor regarding life and perceptions of change, beauty, and freedom.)

Carmina Burana recording - Chicago Symphony Chorus & Orchestra  (1985)

I was lucky enough to get to perform Carmina Burana as an undergraduate as part of my university’s choir and became very interested in it, partly because the music is so vital and evocative and partly because I minored in Medieval & Renaissance studies(!), so it resonated on several levels.
As a college student, I also perceived a few parallels between the interests of medieval and contemporary university students. For example, the joys and woes of young love, enjoyment of being outside on a spring day, or the vicissitudes of good vs. bad fortune!

Highlights for me include:

* “O Fortuna” – Starts and ends the cantata and has appeared in all manner of pop culture media from movies to TV to commercials, so you may find you are a bit familiar with it already!

* “In Taberna Quando Sumus” – An ode to the pleasures and perils of drinking, which switches about midway through to an almost musical theater-y style where I picture people swinging frothy pint glasses around.

* “Amor Volat Undique” – A rather gentler piece about love, featuring some nice woodwind lines, a treble choir representing mischievous cupids flitting in and out and a gorgeous soprano solo.

But you don’t have to take my word for it, come to the music library and check out scores, recordings, and more of Carmina Burana and explore it for yourself!