{"id":70,"date":"2018-12-04T13:21:21","date_gmt":"2018-12-04T18:21:21","guid":{"rendered":"http:\/\/blog.richmond.edu\/mus238-10\/?page_id=70"},"modified":"2018-12-13T01:07:51","modified_gmt":"2018-12-13T06:07:51","slug":"bibliography","status":"publish","type":"page","link":"https:\/\/blog.richmond.edu\/mus238-10\/bibliography\/","title":{"rendered":"Bibliography"},"content":{"rendered":"

Arnold, Jacob. \u201cA Brief History of Techno – Gridface.\u201d\u00a0Gridface: Exploring Deep Electronic Music<\/em>, www.gridface.com\/features\/a_brief_history_of_techno.html.<\/p>\n

\u201cDavid Lee Garza Bio.\u201d\u00a0Los Musicales<\/em>, www.losmusicales.com\/Pg-Bio.html.<\/p>\n

Editors, GP. \u201cRocking Rhythm Guitar: The Roots of Rock’s Rhythmic Foundation.\u201d\u00a0GuitarPlayer.com<\/em>, 18 Sept. 2015, www.guitarplayer.com\/technique\/rocking-rhythm-guitar-the-roots-of-rocks-rhythmic-foundation.<\/p>\n

\u201cFeminine Endings: Music, Gender, and SexualitySusan MacClary.\u201d\u00a0Feminine Endings: Music, Gender, and SexualitySusan MacClary<\/em>, by Susan McClary, University of Minnesota Press, 2002.<\/p>\n

Hernandez, Deborah Pacini.\u00a0Oye Como Va! Hybridity and Identity in Latino Popular Music<\/em>. Temple University Press, 2010.<\/p>\n

Lasala, Angelica. \u201cHow Lydia Mendoza, the First Queen of Tejano Music, Crossed Borders and Shaped a Tradition.\u201d\u00a098.7WFMT<\/em>, 15 May 2017, www.wfmt.com\/2017\/05\/05\/lydia-mendoza-first-queen-tejano-music-crossed-borders-shaped-tradition\/.<\/p>\n

Lim\u00f3n, Jos\u00e9 E. \u201cSelena: Sexuality, Greater Mexico and the Song-and-Dance with Hegemony.\u201d\u00a0Etnofoor<\/em>, vol. 10, no. 1\/2, 1997, pp. 90\u2013111.\u00a0JSTOR<\/em>, JSTOR, www.jstor.org\/stable\/25757910<\/a>.<\/p>\n

Manheim, James M. \u201cLydia Mendoza Biography.\u201d\u00a0Kingston Trio, The Biography<\/em>, www.musicianguide.com\/biographies\/1608004734\/Lydia-Mendoza.html.<\/p>\n

MarOcampo. \u201cDavid Lee Garza Y Los Musicales – Hasta Cuando.\u201d\u00a0YouTube<\/em>, YouTube, 20 Jan. 2008, www.youtube.com\/watch?v=A5UTVlS62LA<\/a>.<\/p>\n

Orozco, and CYNTHIA E. \u201cQUINTANILLA PEREZ, SELENA [SELENA].\u201d\u00a0The Handbook of Texas Online| Texas State Historical Association (TSHA)<\/em>, 31 Aug. 2010, tshaonline.org\/handbook\/online\/articles\/fquxg.<\/p>\n

Paredez, Deborah. \u201cRemembering Selena, Re-Membering \u2018Latinidad.\u2019\u201d\u00a0Theatre Journal<\/em>, vol. 54, no. 1, 2002, pp. 63\u201384.\u00a0JSTOR<\/em>, JSTOR, www.jstor.org\/stable\/25069021<\/a>.<\/p>\n

Quintanilla, Selena. \u201cSelena – Como La Flor (Live From Astrodome).\u201d\u00a0YouTube<\/em>, YouTube, 22 June 2017, www.youtube.com\/watch?v=FwZTgDjRLM0.<\/p>\n

Quintanilla, Selena. \u201cSelena Quintanilla En S\u00e1bado Gigante 1994.\u201d\u00a0YouTube<\/em>, YouTube, 11 Apr. 2015, www.youtube.com\/watch?v=fN91TLbaGWk&t=29s&frags=pl%2Cwn<\/a>.<\/p>\n

Rodriguez, Marc Simon.\u00a0Tejano Diaspora: Mexican Americanism and Ethnic Politics in Texas and Wisconsin<\/em>. Univ Of North Carolina Pr, 2014.<\/p>\n

San Miguel, Guadalupe. Tejano Proud: Tex-Mex Music in the Twentieth Century. <\/em>Vol. 1st<\/sup>ed, Texas A&M University Press, 2002. EBSCOhost,<\/em>search.ebscohost.com\/login.aspx?direct=true&db=nlebk&AN=71452&site=ehost-live<\/p>\n

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Warwick, Jacqueline. \u201cGirl Groups, Girl Culture: Popular Music and Identity in the 1960s.\u201d\u00a09780935702750: An Introduction to Error Analysis: The Study of Uncertainties in Physical Measurements – AbeBooks – John R. Taylor: 093570275X<\/em>, University Science Books, 1 Jan. 1970, www.abebooks.com\/9780415971133\/Girl-Groups-Culture-Popular-Music-0415971136\/plp.<\/p>\n","protected":false},"excerpt":{"rendered":"

Arnold, Jacob. \u201cA Brief History of Techno – Gridface.\u201d\u00a0Gridface: Exploring Deep Electronic Music, www.gridface.com\/features\/a_brief_history_of_techno.html. \u201cDavid Lee Garza Bio.\u201d\u00a0Los Musicales, www.losmusicales.com\/Pg-Bio.html. Editors, GP. \u201cRocking Rhythm Guitar: The Roots of Rock’s Rhythmic Foundation.\u201d\u00a0GuitarPlayer.com, 18 Sept. 2015, www.guitarplayer.com\/technique\/rocking-rhythm-guitar-the-roots-of-rocks-rhythmic-foundation. \u201cFeminine Endings: Music, Gender, and<\/p>\n","protected":false},"author":4277,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-70","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/blog.richmond.edu\/mus238-10\/wp-json\/wp\/v2\/pages\/70","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.richmond.edu\/mus238-10\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/blog.richmond.edu\/mus238-10\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/blog.richmond.edu\/mus238-10\/wp-json\/wp\/v2\/users\/4277"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.richmond.edu\/mus238-10\/wp-json\/wp\/v2\/comments?post=70"}],"version-history":[{"count":0,"href":"https:\/\/blog.richmond.edu\/mus238-10\/wp-json\/wp\/v2\/pages\/70\/revisions"}],"wp:attachment":[{"href":"https:\/\/blog.richmond.edu\/mus238-10\/wp-json\/wp\/v2\/media?parent=70"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}