{"id":79,"date":"2018-11-30T01:27:00","date_gmt":"2018-11-30T06:27:00","guid":{"rendered":"http:\/\/blog.richmond.edu\/mus238-07\/?page_id=79"},"modified":"2018-12-03T11:38:29","modified_gmt":"2018-12-03T16:38:29","slug":"bibliography","status":"publish","type":"page","link":"https:\/\/blog.richmond.edu\/mus238-07\/bibliography\/","title":{"rendered":"Bibliography"},"content":{"rendered":"

Bibliography<\/h2>\n

<\/p>\n

Ambrosch, Gerfried. The Poetry of Punk: The Meaning Behind Punk Rock and Hardcore Lyrics<\/em>.<\/p>\n

Routledge, 2018<\/p>\n

Bannister, Matthew. “‘Loaded’: Indie Guitar Rock, Canonism, White Masculinities.”\u00a0Popular <\/em><\/p>\n

\u00a0 \u00a0 \u00a0Music<\/em>\u00a025, no. 1 (2006): 77-95. http:\/\/www.jstor.org\/stable\/3877544<\/a>.<\/p>\n

Brownstein, Carrie. Hunger Makes Me a Modern Girl: A Memoir. <\/em>Virgao, 2016.<\/p>\n

Garrison, E. K. (2000). U.S. feminism-grrrl style! youth (sub)cultures and the technologics of the<\/p>\n

third wave.\u00a0Feminist Studies,\u00a026<\/em>(1), 141-170. Retrieved from http:\/\/newman.richmond.edu:2048\/login?\u00a0 <\/a><\/p>\n

\u00a0 \u00a0 \u00a0 url=https:\/\/search.proquest.com\/docview\/233179840?accountid=14731<\/a><\/p>\n

Griel, Marcus. \u201cSleater Kinney\u201d. TIME<\/em>. 9 July 2001.<\/p>\n

“Kill Rock Stars.” In\u00a0The Grove Dictionary of American Music<\/em>. : Oxford University Press, 2013\u00a0<\/a><\/p>\n

\u00a0 \u00a0 \u00a0http:\/\/www.oxfordreference.com\/view\/10.1093\/acref\/9780195314281.001.0001\/acref-9780195314281-e-4527<\/a>.<\/p>\n

McDonnell, Evelyn. “Sleater-Kinney: There’s a Riot Goin’ On\u201d. Rolling Stone<\/em> (1997). Sleater-<\/p>\n

Kinney. Rock’s Backpages. Accessed September 22, 2018. http:\/\/www.rocksbackpages.com\/Library\/Article\/sleater-kinney-theres-a-riot-<\/a><\/p>\n

\u00a0 \u00a0 \u00a0 goin-on<\/a>.<\/p>\n

\u201cSleater-Kinney.\u201d Billboard<\/em>, \u00a029 Nov 2018. https:\/\/www.billboard.com\/music\/sleater-kinney<\/p>\n

Snyder, R.\u00a0Claire. \u201cWhat Is Third\u2010Wave Feminism? A New Directions Essay.\u201d\u00a0Signs<\/i>, vol. 34, no. 1, 2008, pp. 175\u2013196.\u00a0JSTOR<\/i>, JSTOR,<\/div>\n
\u00a0 \u00a0 www.jstor.org\/stable\/10.1086\/588436.<\/div>\n

Whitely, Sheila. \u201cDaughters of Chaos.\u201d In Women and Popular Music: Sexuality, Identity and \u00a0\u00a0\u00a0 Subjectivity. London: Routledge, 2000. Pp.\u00a0 \u00a0 \u00a0 \u00a0 \u00a095-118.<\/p>\n

YouTube. \u201cSleater Kinney 1999 “Start Together”, “Be Yr Mama” “Words & Guitar” Concert\u201d<\/p>\n

Posted by chasspeed. June 19, 2010. https:\/\/www.youtube.com\/watch?v=aF54kqLTp0o<\/a>.<\/p>\n

Youtube. \u201cNardwuar vs. Sleater-Kinney (1999)\u201d Posted by NardwuarServiette. April 23, 2007.<\/p>\n

\u00a0 \u00a0 \u00a0 \u00a0 https:\/\/youtu.be\/XjTz3sT91ms<\/a><\/p>\n

 <\/p>\n

Image Credits<\/h5>\n

Weiss, Janet. Picture of Carrie Brownstein and her peddle board. Twitter<\/em>. 31 October 2014.<\/p>\n

https:\/\/twitter.com\/carrie_rachel\/status\/528229779506343936.<\/p>\n

Joseph, Mark A. Olympia Waterfront. <\/em>https:\/\/www.shutterstock.com\/image-photo\/olympia-waterfront-511010980?src=kUp3mappF-<\/a><\/p>\n

\u00a0 \u00a0 \u00a0 MqgZUzA8_iKQ-1-0<\/a> Accessed 26 Nov 2018.<\/p>\n

Clark, John and\u00a0 MAxwell, Robert Paul.\u00a0Dig Me Out<\/em>. 1999.<\/p>\n","protected":false},"excerpt":{"rendered":"

Bibliography Ambrosch, Gerfried. The Poetry of Punk: The Meaning Behind Punk Rock and Hardcore Lyrics. Routledge, 2018 Bannister, Matthew. “‘Loaded’: Indie Guitar Rock, Canonism, White…<\/p>\n

Continue readingBibliography<\/span><\/a><\/div>\n","protected":false},"author":3551,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-79","page","type-page","status-publish","hentry","entry"],"_links":{"self":[{"href":"https:\/\/blog.richmond.edu\/mus238-07\/wp-json\/wp\/v2\/pages\/79","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.richmond.edu\/mus238-07\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/blog.richmond.edu\/mus238-07\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/blog.richmond.edu\/mus238-07\/wp-json\/wp\/v2\/users\/3551"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.richmond.edu\/mus238-07\/wp-json\/wp\/v2\/comments?post=79"}],"version-history":[{"count":0,"href":"https:\/\/blog.richmond.edu\/mus238-07\/wp-json\/wp\/v2\/pages\/79\/revisions"}],"wp:attachment":[{"href":"https:\/\/blog.richmond.edu\/mus238-07\/wp-json\/wp\/v2\/media?parent=79"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}