{"id":93,"date":"2018-12-05T00:43:49","date_gmt":"2018-12-05T05:43:49","guid":{"rendered":"http:\/\/blog.richmond.edu\/mus238-01\/?page_id=93"},"modified":"2018-12-17T05:54:20","modified_gmt":"2018-12-17T10:54:20","slug":"references","status":"publish","type":"page","link":"https:\/\/blog.richmond.edu\/mus238-01\/references\/","title":{"rendered":"References"},"content":{"rendered":"
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ADKINS, KING. \u201cParadise Lost: Documenting a Southern Tragedy.\u201d Journal of Film and Video<\/i>, vol. 60, no. 1, 2008, pp. 14\u201322.<\/div>\n<\/div>\n
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albawild. \u201cDancing Barefoot Patti Smith with Eddie Vedder and Johnny Depp.\u201d YouTube<\/em>, 29 Aug. 2010, https:\/\/www.youtube.com\/watch?v=HLNyigUDxT8<\/a><\/p>\n<\/div>\n

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\u201cAugust 1966: A two-photo collage of \u201cburn-the-Beatles\u201d protests.\u201d The Pop History Dig.<\/em> http:\/\/www.pophistorydig.com\/wp-content\/uploads\/2017\/09\/1966-Burn-Beatles-Aug-300.jpg<\/a><\/div>\n
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Baddeley, Gavin. Lucifer Rising: Sin, Devil Worship & Rock\u2019n\u2019Roll<\/i>. Plexus Publishing, 2015.<\/div>\n<\/div>\n
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\u201cThe Case for M\u00f6tley Cr\u00fce.\u201d Gawker.<\/em> https:\/\/i.kinja-img.com\/gawker-media\/image\/upload\/s–n2POAXRr–\/c_scale,f_auto,fl_progressive,q_80,w_800\/ziqbc2o7jgqqujvnmfcm.jpg<\/a><\/div>\n
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crueland. \u201cMotley Crue Shout At The Devil live 1983.\u201d YouTube<\/em>, 21 Feb. 2009, https:\/\/www.youtube.com\/watch?v=5dwoIU0iPPo<\/a><\/div>\n
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CrueLoaf. \u201cMotley Crue Chaos at Donington \u201984.\u201d YouTube<\/em>, 11 Feb. 2009, https:\/\/www.youtube.com\/watch?v=lxOyfAbGKgA<\/a><\/div>\n
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Green, Omar. Back-Masking Effect Generator<\/i>. US5245663A, 14 Sept. 1993, https:\/\/patents.google.com\/patent\/US5245663A\/en<\/a>.<\/div>\n<\/div>\n
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Gross, Robert L. \u201cHeavy Metal Music: A New Subculture in American Society.\u201d The Journal of Popular Culture<\/i>, vol. 24, no. 1, 1990, pp. 119\u201330. Wiley Online Library<\/i>, doi:10.1111\/j.0022-3840.1990.11984163.x<\/a>.<\/div>\n<\/div>\n
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\u201chow-to-get-in-to-back-sabbath.\u201d GQ.<\/em> https:\/\/media.gq.com\/photos\/55828e94e52bc4b477a98a26\/master\/w_800\/blogs-the-feed-how-to-get-in-to-back-sabbath.jpg<\/p>\n<\/div>\n

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Leveritt, Mara. \u201cAre Voices for Justice Heard: A Star-Studded Rally on Behalf of the West Memphis Three Prompts the Delicate Question Essay.\u201d University of Arkansas at Little Rock Law Review<\/i>, vol. 33, 2011 2010, pp. 137\u201360.<\/div>\n<\/div>\n
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Macdonald, Fiona. The Hidden Messages in Songs<\/i>. http:\/\/www.bbc.com\/culture\/story\/20141003-the-hidden-messages-in-songs<\/a>.<\/div>\n<\/div>\n<\/div>\n
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McNamara, Mary. \u201cIt\u2019s Not a Reunion.\u201d Los Angeles Times<\/i>, 22 June 1997. LA Times<\/i>, http:\/\/articles.latimes.com\/1997-06-22\/entertainment\/ca-5662_1_motley-crue-bracelets\/2<\/a>.<\/div>\n<\/div>\n
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\u201cM\u00f6tley Cr\u00fce | Biography & History.\u201d AllMusic<\/i>, https:\/\/www.allmusic.com\/artist\/m%C3%B6tley-cr%C3%BCe-mn0000500992\/biography<\/a>.<\/div>\n<\/div>\n
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\u201cMotley Crue in 1983.\u201d NPR<\/em>. https:\/\/media.npr.org\/assets\/music\/news\/2010\/01\/crue-a73439428594720efd0450650d313d168588841a-s1200-c85.jpg<\/a><\/p>\n<\/div>\n

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Phoenix, Pixel. \u201cAleister Crowley: Magician & Theatrical Occultist.\u201d Backward Masking<\/i>, https:\/\/www.backwardmasking.com\/2015\/06\/14\/aleister-crowley\/<\/a>.<\/div>\n<\/div>\n
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\u201cShout At The Devil (Vinyl, LP, Album) album cover.\u201d Discogs. <\/em>https:\/\/img.discogs.com\/_6lYvJ0hOaTTm3t6KTSWLffUuHI=\/fit-in\/300×300\/filters:strip_icc():format(jpeg):mode_rgb():quality(40)\/discogs-images\/R-5957318-1407352714-3511.jpeg.jpg<\/a><\/p>\n<\/div>\n

Sibert, Didier. \u201cwhatisheavymetal.\u201d Hemoptysis<\/em>. http:\/\/www.hemoptysismetal.com\/wp-content\/uploads\/2016\/07\/whatisheavymetal.jpg<\/a><\/div>\n
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Stidham, Dan, et al. \u201cSatanic Panic and Defending the West Memphis Three: How Cultural Differences Can Play a Major Role in Criminal Cases Essay.\u201d University of Memphis Law Review<\/i>, vol. 42, 2012 2011, pp. 1061\u2013104.<\/div>\n<\/div>\n
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Sullivan, Mark. \u201c\u2018More Popular than Jesus\u2019: The Beatles and the Religious Far Right.\u201d Popular Music<\/i>, vol. 6, no. 3, Oct. 1987, pp. 313\u201326. Cambridge Core<\/i>, doi:10.1017\/S0261143000002348<\/a>.<\/div>\n
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\u201cWest_Memphis_Three_Mugshot.\u201d Wikipedia. <\/em>https:\/\/upload.wikimedia.org\/wikipedia\/en\/thumb\/e\/e0\/West_Memphis_Three_Mugshot.jpg\/300px-West_Memphis_Three_Mugshot.jpg<\/div>\n
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White Noise: How Heavy Metal Rules. By Deborah Frost\u202f: Articles, Reviews and Interviews from Rock\u2019s Backpages.<\/i> https:\/\/www.rocksbackpages.com\/Library\/Article\/white-noise–how-heavy-metal-rules<\/a>.<\/div>\n<\/div>\n

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ADKINS, KING. \u201cParadise Lost: Documenting a Southern Tragedy.\u201d Journal of Film and Video, vol. 60, no. 1, 2008, pp. 14\u201322. albawild. \u201cDancing Barefoot Patti Smith with Eddie Vedder and Johnny Depp.\u201d YouTube, 29 Aug. 2010, https:\/\/www.youtube.com\/watch?v=HLNyigUDxT8 \u201cAugust 1966: A two-photo collage of \u201cburn-the-Beatles\u201d protests.\u201d The Pop History Dig. http:\/\/www.pophistorydig.com\/wp-content\/uploads\/2017\/09\/1966-Burn-Beatles-Aug-300.jpg Baddeley, Gavin. Lucifer Rising: Sin, Devil Worship & Rock\u2019n\u2019Roll. Plexus Publishing,… Read more »<\/a><\/p>\n","protected":false},"author":3541,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-93","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/blog.richmond.edu\/mus238-01\/wp-json\/wp\/v2\/pages\/93","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.richmond.edu\/mus238-01\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/blog.richmond.edu\/mus238-01\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/blog.richmond.edu\/mus238-01\/wp-json\/wp\/v2\/users\/3541"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.richmond.edu\/mus238-01\/wp-json\/wp\/v2\/comments?post=93"}],"version-history":[{"count":0,"href":"https:\/\/blog.richmond.edu\/mus238-01\/wp-json\/wp\/v2\/pages\/93\/revisions"}],"wp:attachment":[{"href":"https:\/\/blog.richmond.edu\/mus238-01\/wp-json\/wp\/v2\/media?parent=93"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}