{"id":84,"date":"2018-12-13T09:42:05","date_gmt":"2018-12-13T14:42:05","guid":{"rendered":"http:\/\/blog.richmond.edu\/mus235-06\/?page_id=84"},"modified":"2018-12-13T11:50:56","modified_gmt":"2018-12-13T16:50:56","slug":"reference-list","status":"publish","type":"page","link":"https:\/\/blog.richmond.edu\/mus235-06\/reference-list\/","title":{"rendered":"Reference List"},"content":{"rendered":"

 <\/p>\n

Br\u00f8vig-Hanssen, Ragnhild and Anne Danielsen. 2013. \u201cThe Naturalised and the Surreal:<\/p>\n

changes in the perception of popular music sound.\u201d Organised Sound <\/em>18, no. 1: 71\u201380.<\/p>\n

https:\/\/doi.org\/10.1017\/S1355771812000258<\/a>.<\/p>\n

 <\/p>\n

Cauterucci, Christina. 2016. \u201cHow Prince Led the Way to Our Gender Fluid Present.\u201d Slate<\/em>,<\/p>\n

April 21, 2018.https:\/\/slate.com\/human-interest\/2016\/04\/prince-dead-at-57-embraced-gender-fluidity-ahead-of-his-time.html.<\/u><\/p>\n

 <\/p>\n

English, Daylanne K. and Alvin Kim. 2013. \u201cNow We Want Our Funk Cut: Janelle Mon\u00e1e’s<\/p>\n

Neo-Afrofuturism.\u201dAmerican Studies <\/em>52, 4: 217 \u2013 230.<\/p>\n

https:\/\/www.jstor.org\/stable\/24589278<\/a>.<\/p>\n

 <\/p>\n

Moisala, Pirkko. 1999. “Musical Gender in Performance.”\u00a0Women & Music<\/em>\u00a03, 1: 1-20.<\/p>\n

http:\/\/newman.richmond.edu:2048\/login?url=https:\/\/search.proquest.com\/docview\/223659907?accountid-14731<\/a>.<\/p>\n

 <\/p>\n

Spanos, Brittany. 2018. \u201cJanelle Mon\u00e1e Frees Herself.\u201d Rolling Stone<\/em>, April 26, 2018.<\/p>\n

https:\/\/www.rollingstone.com\/music\/music-features\/janelle-monae-frees-herself-629204\/<\/a>.<\/p>\n

 <\/p>\n

Woodworth, Griffin. 2013. \u201cPrince, Miles, and Maceo: Horns, Masculinity, and the Anxiety of<\/p>\n

Influence.\u201d Black Music Research Journal<\/em>33, no. 2: 117\u2013150. https:\/\/doi.org\/10.5406\/blacmusiresej.33.2.0117<\/a>.<\/p>\n

 <\/p>\n

YouTube. 2018. \u201cJanelle Mon\u00e1e: Prince and His Influence [CLIP] | Beats 1 | Apple Music.\u201d<\/p>\n

Posted by Beats 1. https:\/\/www.youtube.com\/watch?time_continue=306&v=hCrFutFZtTM<\/a>.<\/p>\n

 <\/p>\n

YouTube. 2018. \u201cJanelle Mon\u00e1e – Make Me Feel [Official Music Video].\u201d Posted by Janelle<\/p>\n

Mon\u00e1e. https:\/\/www.youtube.com\/watch?v=tGRzz0oqgUE<\/a>.<\/p>\n

 <\/p>\n

YouTube. 2017. \u201cPrince – Kiss (Official Music Video).\u201d Posted by Prince.<\/p>\n

https:\/\/www.youtube.com\/watch?v=H9tEvfIsDyo<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"

  Br\u00f8vig-Hanssen, Ragnhild and Anne Danielsen. 2013. \u201cThe Naturalised and the Surreal: changes in the perception of popular music sound.\u201d Organised Sound 18, no. 1:…<\/p>\n

Continue readingReference List<\/span><\/a><\/div>\n","protected":false},"author":2949,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-84","page","type-page","status-publish","hentry","entry"],"_links":{"self":[{"href":"https:\/\/blog.richmond.edu\/mus235-06\/wp-json\/wp\/v2\/pages\/84","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.richmond.edu\/mus235-06\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/blog.richmond.edu\/mus235-06\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/blog.richmond.edu\/mus235-06\/wp-json\/wp\/v2\/users\/2949"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.richmond.edu\/mus235-06\/wp-json\/wp\/v2\/comments?post=84"}],"version-history":[{"count":0,"href":"https:\/\/blog.richmond.edu\/mus235-06\/wp-json\/wp\/v2\/pages\/84\/revisions"}],"wp:attachment":[{"href":"https:\/\/blog.richmond.edu\/mus235-06\/wp-json\/wp\/v2\/media?parent=84"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}