{"id":96,"date":"2018-12-13T00:43:23","date_gmt":"2018-12-13T05:43:23","guid":{"rendered":"http:\/\/blog.richmond.edu\/mus235-01\/?page_id=96"},"modified":"2018-12-13T01:04:58","modified_gmt":"2018-12-13T06:04:58","slug":"bibliography","status":"publish","type":"page","link":"https:\/\/blog.richmond.edu\/mus235-01\/bibliography\/","title":{"rendered":"Bibliography"},"content":{"rendered":"

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Chesterton, George. \u201cOld music: 100 Miles and Runnin.\u2019\u201d <\/span>The Guardian. <\/span><\/i>July 12, 2012.<\/span><\/p>\n

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Dery, Michael. “Black to the Future.”\u00a0Flame Wars: The Discourse of Cyberculture.<\/em>\u00a0Durham and London, p. 179-210, 1994.<\/span><\/p>\n

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Erlewine, Stephen. \u201cIce Cube: Biography.\u201d allmusic.com. Accessed Dec. 6, 2018.<\/span><\/p>\n

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Felker-Kantor, Max. \u201cThe 1992 Los Angeles Rebellion: \u2018No Justice, No Peace.\u2019\u201d osu.edu. May, 2017.<\/span><\/p>\n

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Galli, Chuck. \u201cHip-Hop Futurism: Remixing Afrofuturism and the Hermeneutics of Identity.\u201d\u00a0<\/span>Rhode Island College<\/span><\/i> (2009).<\/span><\/p>\n

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Gines, Candace. \u201cBlack Musical Traditions and Copyright Law: Historical Tensions.\u201d <\/span>Michigan\u00a0<\/span><\/i>Journal of Race and Law <\/span><\/i>10 (2005): 481.<\/span><\/p>\n

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Kajikawa, Loren. \u201c\u2018Let Me Ride\u2019: Gangsta Rap\u2019s Drive into the Popular Mainstream.\u201d <\/span>Sounding\u00a0<\/span><\/i>Race in Rap Songs. <\/span><\/i>University of California Press, p. 85-117. 2015.<\/span><\/p>\n

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Kellman, Andy. \u201cKendrick Lamar: Bibliography.\u201d allmusic.com. Accessed Dec. 6, 2018.<\/span><\/p>\n

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Mercer, Kobena. \u201cMonster Metaphors: Notes on Michael Jackson\u2019s <\/span>Thriller.<\/span><\/i>\u201d <\/span>Welcome to the\u00a0<\/span><\/i>Jungle. <\/span><\/i>Routledge, p. 35-50. 1994.<\/span><\/p>\n

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Mital, Ruchi. \u201cTomorrow Today: Michael Jackson as Science Fiction Character, Author, and\u00a0<\/span>Text.\u201d <\/span>Michael Jackson: Grasping the Spectacle<\/span><\/i>. Burlington: Ashgate, p.131-144. 2012.<\/span><\/p>\n

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Odell, Michael. \u201cThe Greatest Songs Ever! It Was a Good Day.\u201d <\/span>Blender. <\/span><\/i>April, 2005.<\/span><\/p>\n

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Perchard, Tom. \u201cHip Hop Samples Jazz: Dynamics of Cultural Memo y and Musical Tradition in\u00a0<\/span>the African American 1990s.\u201d <\/span>University of Illinois Press: American Music<\/span><\/i> 29 (2011): p.\u00a0<\/span>277-307.<\/span><\/p>\n

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Ritter, Juliana. \u201cBlack Liberation Teach-In Series Presents: Afrofuturism.\u201d campusy.unc.edu.\u00a0<\/span>May, 2016.<\/span><\/p>\n

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Rose, Tricia. \u201cA style nobody can deal with. Politics, style and the postindustrial city in Hip\u00a0<\/span>Hop.\u201d <\/span>Popular Music: Critical Concepts in Media and Cultural Studies<\/span><\/i>. New York and\u00a0<\/span>London: Routledge, p. 341-359. 2004.<\/span><\/p>\n

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Saunders, Ralph H. \u201cKickin\u2019 Some Knowledge: Rap and the Construction of Identity in the\u00a0<\/span>African-American Ghetto.\u201d <\/span>The Arizona Anthropologist<\/span><\/i> 10.<\/span><\/p>\n

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Williams, Jonathan. \u201c\u2018Tha Realness\u2019: In Search of Hip-Hop Authenticity.\u201d <\/span>University of\u00a0<\/span><\/i>Pennsylvania Scholarly Commons<\/span><\/i> (2007).<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

Bird, Joshua. \u201cClimbing Aboard the Mothership: An Afrofuturistic Reading of\u00a0Parliament-Funkadelic.\u201d Occam\u2019s Razor 3 (2013).   Chesterton, George. \u201cOld music: 100 Miles and Runnin.\u2019\u201d The Guardian.…<\/p>\n

Continue readingBibliography<\/span><\/a><\/div>\n","protected":false},"author":4280,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-96","page","type-page","status-publish","hentry","entry"],"_links":{"self":[{"href":"https:\/\/blog.richmond.edu\/mus235-01\/wp-json\/wp\/v2\/pages\/96","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.richmond.edu\/mus235-01\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/blog.richmond.edu\/mus235-01\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/blog.richmond.edu\/mus235-01\/wp-json\/wp\/v2\/users\/4280"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.richmond.edu\/mus235-01\/wp-json\/wp\/v2\/comments?post=96"}],"version-history":[{"count":0,"href":"https:\/\/blog.richmond.edu\/mus235-01\/wp-json\/wp\/v2\/pages\/96\/revisions"}],"wp:attachment":[{"href":"https:\/\/blog.richmond.edu\/mus235-01\/wp-json\/wp\/v2\/media?parent=96"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}