{"id":54,"date":"2022-04-20T09:41:14","date_gmt":"2022-04-20T13:41:14","guid":{"rendered":"https:\/\/blog.richmond.edu\/mus226-sp22-03\/?page_id=54"},"modified":"2022-04-27T10:50:46","modified_gmt":"2022-04-27T14:50:46","slug":"works-cited","status":"publish","type":"page","link":"https:\/\/blog.richmond.edu\/mus226-sp22-03\/works-cited\/","title":{"rendered":"Works Cited"},"content":{"rendered":"<p>Alarcon, Karen, \u201cWhere do you listen to music?\u201d UX Portfolio, September 2020, https:\/\/karenalarcon.com\/project\/share-in-spotify-ux-case-study. April 22, 2022.<\/p>\n<p><span style=\"font-weight: 400;\">Asaph, Katherine St. \u201cClairo: Immunity.\u201d Pitchfork, Pitchfork, 2 Aug. 2019,<\/span><span style=\"font-weight: 400;\">https:\/\/pitchfork.com\/reviews\/albums\/clairo-immunity\/.<\/span><\/p>\n<p>Bennett, Chance. \u201cNo Problem.\u201d May 26, 2016, <a href=\"https:\/\/www.youtube.com\/watch?v=DVkkYlQNmbc\">https:\/\/www.youtube.com\/watch?v=DVkkYlQNmbc<\/a>. April 20, 2022.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p>Cooke, Chris. <b>\u201c<\/b>Merlin enters into deal with ad-funded streaming app Trebel.\u201d Complete Music Update, October 29 2021, 2021, https:\/\/completemusicupdate.com\/article\/merlin-enters-into-deal-with-ad-funded-streaming-app-trebel\/<span class=\"Apple-converted-space\">\u00a0 <\/span>April 22, 2022.<\/p>\n<p>Cotrill, Claire. \u201cPretty Girl.\u201d August 14, 2017, <a href=\"https:\/\/www.youtube.com\/watch?v=mngtcfcaVrI&amp;t=1s\">https:\/\/www.youtube.com\/watch?v=mngtcfcaVrI&amp;t=1s<\/a>. April 20, 2022.<\/p>\n<p><span style=\"font-weight: 400;\">Daniels, Melissa. &#8220;Why Independent Musicians Are Becoming The Future Of The Music Industry.&#8221;\u00a0<\/span><i><span style=\"font-weight: 400;\">Forbes<\/span><\/i><span style=\"font-weight: 400;\">, 10 July 2019,\u00a0<\/span><span style=\"font-weight: 400;\">www.forbes.com\/sites\/melissamdaniels\/2019\/07\/10\/for-independent-musicians-goingyour-own-way-is-finally-starting-to-pay-off\/?sh=1da420c14f26.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Dolan, Emily I. \u201c\u2018&#8230; This Little Ukulele Tells the Truth\u2019: Indie Pop and Kitsch Authenticity.\u201d <\/span><i><span style=\"font-weight: 400;\">Popular Music<\/span><\/i><span style=\"font-weight: 400;\">, vol. 29, no. 3, 2010, pp. 457\u201369, http:\/\/www.jstor.org\/stable\/40926945. Accessed 26 Apr. 2022.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Donelson, Marcy. \u201cClairo: Similar Artists.\u201d AllMusic, 2021,\u00a0<\/span><span style=\"font-weight: 400;\">https:\/\/www.allmusic.com\/artist\/clairo-mn0003716129\/related<\/span><span style=\"font-weight: 400;\">.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Dredge, Stuart. &#8220;Fortnite publisher Epic Games buys Bandcamp in latest music acquisition.&#8221; <\/span><i><span style=\"font-weight: 400;\">Music\u00a0<\/span><\/i><i><span style=\"font-weight: 400;\">Ally<\/span><\/i><span style=\"font-weight: 400;\">, 2 Mar. 2022, musically.com\/2022\/03\/02\/fortnite-publisher-epic-games-buys-bandcamp-in-latest-music-acquisition\/.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Hatmaker, Taylor. &#8220;Twitch partners with indie music licensing group.&#8221; <\/span><i><span style=\"font-weight: 400;\">Tech Crunch<\/span><\/i><span style=\"font-weight: 400;\">, 2 Feb. 2022,\u00a0<\/span><span style=\"font-weight: 400;\">techcrunch.com.Lindvall, Helienne. &#8220;Payola: Once a dirty word, now the basis of internet radio.&#8221; <i>The Guardian<\/i>, 16 Apr. 2009, www.theguardian.com\/music\/musicblog\/2009\/apr\/16\/payola-internet-radio<\/span><\/p>\n<p>Hshq [@HSHQ]. &#8220;#AsItWas.&#8221; TikTok, 2022, https:\/\/www.tiktok.com\/@hshq\/video\/7084673462417100074?is_from_webapp=1&amp;sender_device=pc&amp;web_id=7068309496464016902.<\/p>\n<p>Iahn, Buddy. \u201cHow digital service providers can strike a streaming deal.\u201d The Music Universe. January13, 2017. <a href=\"https:\/\/themusicuniverse.com\/digital-service-providers-can-strike-streaming-deal\/\">https:\/\/themusicuniverse.com\/digital-service-providers-can-strike-streaming-deal\/<\/a>. April 22, 2022.<\/p>\n<p>\u201cIn Real Life.\u201d Spacebomb Records, 2019, <a href=\"https:\/\/spacebombgroup.com\/releases\/sb025\">https:\/\/spacebombgroup.com\/releases\/sb025<\/a>. April 20, 2022.<\/p>\n<p>Machkovech, Sam.\u201dWell, we didn&#8217;t see this one coming. But based on rumors that Ars Technica is familiar with, maybe we should have.\u201d Are Technia, March 2, 2022, https:\/\/arstechnica.com\/gaming\/2022\/03\/epic-games-begins-to-show-its-more-than-games-acquires-bandcamp\/. April 22,2022.<\/p>\n<p>Moore, Eamon [@eamonmomusic]. &#8220;<span class=\"tiktok-j2a19r-SpanText e7nizj40\">Sunday Morning <\/span>#maroon5 #fyp #cover #sundaymorning.&#8221; TikTok, 2022, https:\/\/www.tiktok.com\/@iamdavante\/video\/7085423262989290798?feed_mode=v2&amp;is_from_webapp=v1&amp;item_id=7085423262989290798&amp;refer=embed&amp;referer_url=https%3A%2F%2Fblog.richmond.edu%2F&amp;referer_video_id=7080723496979926315.<\/p>\n<p><span style=\"font-weight: 400;\">Marshall. \u201c\u2018Let\u2019s Keep Music Special. F\u2014Spotify\u2019: On-Demand Streaming and the Controversy over\u00a0<\/span><span style=\"font-weight: 400;\">Artist Royalties.\u201d Creative industries journal. 8.2 (2015): n. pag. Web.<\/span><\/p>\n<p>Myers, Patt. \u201cScott Bradoka.\u201d March 15, 2022, <a href=\"https:\/\/www.scottbradoka.com\/blog\">https:\/\/www.scottbradoka.com\/blog<\/a>. April 20, 2022.<\/p>\n<p><span style=\"font-weight: 400;\">Ostrove, Geoff. \u201cThe Political Economy of Financially Successful Independent Hip-Hop\u00a0<\/span><span style=\"font-weight: 400;\">Artists.\u201d <\/span><i><span style=\"font-weight: 400;\">Class, Race and Corporate Power<\/span><\/i><span style=\"font-weight: 400;\">, vol. 2, no. 1, 2014,\u00a0<\/span><span style=\"font-weight: 400;\">https:\/\/www.jstor.org\/stable\/48645521. Accessed 20 Apr. 2022.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Owsinski, Bobby. &#8220;Will The Major Labels Survive Another Music Revolution?&#8221; <\/span><i><span style=\"font-weight: 400;\">Forbes<\/span><\/i><span style=\"font-weight: 400;\">, 14 July 2019,\u00a0<\/span><span style=\"font-weight: 400;\">www.forbes.com\/sites\/bobbyowsinski\/2019\/07\/14\/will-the-major-labels-survive-another-music-revolution\/?sh=661918a47995.<\/span><\/p>\n<p>Sarauz, Domenyka, \u201cMajor Labels vs. Independent Distributors: Who to choose?\u201d Medium, February 8, 2015, <a href=\"https:\/\/medium.com\/@domenyka\/major-labels-vs-independent-distributors-who-to-choose-ea0e95183294\">https:\/\/medium.com\/@domenyka\/major-labels-vs-independent-distributors-who-to-choose-ea0e95183294<\/a>. April 22, 2022.<\/p>\n<p><span style=\"font-weight: 400;\">Towse, Ruth. &#8220;Dealing with digital: the economic organisation of streamed music.&#8221; Sage Journals, vol.\u00a0<\/span><span style=\"font-weight: 400;\">42, no. 7-8, Nov. 2020, pp. 1461-78.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Ugwu, Reggie. \u201cChance the Rapper Talks &#8216;Acid Rap&#8217; Mixtape &amp; Navigating Major Labels.\u201d\u00a0<\/span><span style=\"font-weight: 400;\">Billboard, 1 May 2013, <\/span><a href=\"https:\/\/www.billboard.com\/pro\/chance-the-rapper-talks-acid-rap-mixtape-navigating-major-labels\/\"><span style=\"font-weight: 400;\">https:\/\/www.billboard.com\/pro\/chance-the-rapper-talks-acid-rap-mixtape-navigating-major-labels\/<\/span><\/a><span style=\"font-weight: 400;\">.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">&#8220;Welcome to the Collective.&#8221; <\/span><i><span style=\"font-weight: 400;\">Twitch<\/span><\/i><span style=\"font-weight: 400;\">, 2022, <\/span><a href=\"http:\/\/www.twitch.tv\/\"><span style=\"font-weight: 400;\">www.twitch.tv<\/span><\/a><span style=\"font-weight: 400;\">.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Alarcon, Karen, \u201cWhere do you listen to music?\u201d UX Portfolio, September 2020, https:\/\/karenalarcon.com\/project\/share-in-spotify-ux-case-study. April 22, 2022. Asaph, Katherine St. \u201cClairo: Immunity.\u201d Pitchfork, Pitchfork, 2 Aug. 2019,https:\/\/pitchfork.com\/reviews\/albums\/clairo-immunity\/. Bennett, Chance. \u201cNo Problem.\u201d May 26, 2016, https:\/\/www.youtube.com\/watch?v=DVkkYlQNmbc. April 20, 2022.\u00a0 Cooke, Chris. \u201cMerlin enters into deal with ad-funded streaming app Trebel.\u201d Complete Music Update, October 29 2021, 2021, &hellip; <a href=\"https:\/\/blog.richmond.edu\/mus226-sp22-03\/works-cited\/\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">Works Cited<\/span><\/a><\/p>\n","protected":false},"author":5575,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"coauthors":[212509],"class_list":["post-54","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/blog.richmond.edu\/mus226-sp22-03\/wp-json\/wp\/v2\/pages\/54","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.richmond.edu\/mus226-sp22-03\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/blog.richmond.edu\/mus226-sp22-03\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/blog.richmond.edu\/mus226-sp22-03\/wp-json\/wp\/v2\/users\/5575"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.richmond.edu\/mus226-sp22-03\/wp-json\/wp\/v2\/comments?post=54"}],"version-history":[{"count":23,"href":"https:\/\/blog.richmond.edu\/mus226-sp22-03\/wp-json\/wp\/v2\/pages\/54\/revisions"}],"predecessor-version":[{"id":146,"href":"https:\/\/blog.richmond.edu\/mus226-sp22-03\/wp-json\/wp\/v2\/pages\/54\/revisions\/146"}],"wp:attachment":[{"href":"https:\/\/blog.richmond.edu\/mus226-sp22-03\/wp-json\/wp\/v2\/media?parent=54"}],"wp:term":[{"taxonomy":"author","embeddable":true,"href":"https:\/\/blog.richmond.edu\/mus226-sp22-03\/wp-json\/wp\/v2\/coauthors?post=54"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}