{"id":33,"date":"2022-04-13T14:39:16","date_gmt":"2022-04-13T18:39:16","guid":{"rendered":"https:\/\/blog.richmond.edu\/mus226-sp22-01\/?page_id=33"},"modified":"2022-04-19T19:34:35","modified_gmt":"2022-04-19T23:34:35","slug":"work-cited","status":"publish","type":"page","link":"https:\/\/blog.richmond.edu\/mus226-sp22-01\/work-cited\/","title":{"rendered":"Work Cited"},"content":{"rendered":"<p><span style=\"font-weight: 400;\">Butler, Will. \u201cWhat Spotify and the \u2018Audio Industry\u2019 Are Doing To Musicians.\u201d <\/span><i><span style=\"font-weight: 400;\">The Atlantic<\/span><\/i><span style=\"font-weight: 400;\">, February 6, 2022.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">https:\/\/www.theatlantic.com\/ideas\/archive\/2022\/02\/neil-young-spotify-joe-rogan-musicians\/621503\/.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">Dahrooge, Jillian J. &#8220;The Real Slim Shady: How Spotify and Other Music Streaming Services Are Taking Advantage of the Loopholes within the Music Modernization Act,&#8221; <\/span><i><span style=\"font-weight: 400;\">Journal of High Technology Law<\/span><\/i><span style=\"font-weight: 400;\"> 21, no. 1 (2021): 199-241<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">Eriksson, Maria, Rasmus Fleischer, Anna Johansson, Pelle Snickars, and Patrick Vonderau. <\/span><i><span style=\"font-weight: 400;\">Spotify Teardown\u202f: Inside the Black Box of Streaming Music, <\/span><\/i><span style=\"font-weight: 400;\">Edited by<\/span> <span style=\"font-weight: 400;\">Maria Eriksson, Rasmus Fleischer, Anna Johansson, Pelle Snickars, and Patrick Vonderau. Cambridge, Massachusetts: The MIT Press, 2019.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">\u201cFans Make It Possible \u2013 Spotify for Artists.\u201d Accessed April 4, 2022.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">https:\/\/artists.spotify.com\/.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">Hess, Daniel S. &#8220;The Waiting Is the Hardest Part: The Music Modernization Act&#8217;s Attempt to Fix<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Music Licensing.&#8221; <\/span><i><span style=\"font-weight: 400;\">University of Illinois Journal of Law, Technology <\/span><\/i><i><span style=\"font-weight: 400;\">&amp;<\/span><\/i><i><span style=\"font-weight: 400;\"> Policy <\/span><\/i><span style=\"font-weight: 400;\">2019, no.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">(Spring 2019): 187-210<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u201cHow Funk Band Vulfpeck Took on Spotify.\u201d <\/span><i><span style=\"font-weight: 400;\">YouTube<\/span><\/i><span style=\"font-weight: 400;\">, CNBC, 3 Apr. 2018, https:\/\/youtu.be\/T7qf7VTubbI. Accessed 9 Feb. 2022.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Huffman, Anna S. &#8220;What the Music Modernization Act Missed, and Why Taylor Swift has the<\/span> <span style=\"font-weight: 400;\">Answer: Payments in Streaming Companies&#8217; Stock should be Dispersed among all the Artists at the Label.&#8221; <\/span><i><span style=\"font-weight: 400;\">Journal of Corporation Law<\/span><\/i><span style=\"font-weight: 400;\"> 45, no. 2 (2020): 537-556. <\/span><a href=\"http:\/\/newman.richmond.edu:2048\/login?url=https:\/\/www.proquest.com\/scholarly-journals\/what-music-modernization-act-missed-why-taylor\/docview\/2391221458\/se-2?accountid=14731\"><span style=\"font-weight: 400;\">http:\/\/newman.richmond.edu:2048\/login?url=https:\/\/www.proquest.com\/scholarly-journals\/what-music-modernization-act-missed-why-taylor\/docview\/2391221458\/se-2?accountid=14731<\/span><\/a><span style=\"font-weight: 400;\">.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">\u201cIFPI Global Music Report 2021.\u201d Accessed April 4, 2022. https:\/\/gmr2021.ifpi.org\/report.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">\u201cLoud &amp; Clear: How the Money Flows.\u201d\u00a0 18 March 2021. YouTube video, 2:57. <\/span><a href=\"https:\/\/www.youtube.com\/watch?v=iExPc11FWUc\"><span style=\"font-weight: 400;\">https:\/\/www.youtube.com\/watch?v=iExPc11FWUc<\/span><\/a><span style=\"font-weight: 400;\">.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">Loud and Clear. \u201cLoud and Clear by Spotify.\u201d Accessed April 4, 2022. <\/span><a href=\"https:\/\/loudandclear.byspotify.com\/\"><span style=\"font-weight: 400;\">https:\/\/loudandclear.byspotify.com\/<\/span><\/a><span style=\"font-weight: 400;\">.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">Marshall, Lee. \u201c\u2018Let\u2019s Keep Music Special. F-Spotify\u2019: On-Demand Streaming and the Controversy over Artist Royalties.\u201d <\/span><i><span style=\"font-weight: 400;\">Creative Industries Journal<\/span><\/i><span style=\"font-weight: 400;\"> 8, no. 2 (2015): 177\u2013189.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">McIntyre, Hugh. \u201cHow a Band Made $20,000 on Spotify from 5 Minutes of Silence.\u201d <\/span><i><span style=\"font-weight: 400;\">Forbes<\/span><\/i><span style=\"font-weight: 400;\">. Accessed February 7, 2022. <\/span><a href=\"https:\/\/www.forbes.com\/sites\/hughmcintyre\/2014\/07\/28\/how-a-band-made-20000-on-spotify-from-5-minutes-of-silence\/\"><span style=\"font-weight: 400;\">https:\/\/www.forbes.com\/sites\/hughmcintyre\/2014\/07\/28\/how-a-band-made-20000-on-spotify-from-5-minutes-of-silence\/<\/span><\/a><span style=\"font-weight: 400;\">.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">Soundtrap. \u201cSoundtrap &#8211; Make Music Online.\u201d Accessed April 4, 2022.<\/span><\/p>\n<p><a href=\"https:\/\/www.soundtrap.com\/\"><span style=\"font-weight: 400;\">https:\/\/www.soundtrap.com\/<\/span><\/a><span style=\"font-weight: 400;\">.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">Swift, Taylor. \u201cFor Taylor Swift, The Future of Music Is a Love Story.\u201d <\/span><i><span style=\"font-weight: 400;\">The Wall Street Journal<\/span><\/i><span style=\"font-weight: 400;\">, Dow Jones &amp; Company, 7 July 2014, https:\/\/www.wsj.com\/articles\/for-taylor-swift-the-future-of-music-is-a-love-story-1404763219.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Tiffany, Kaitlyn. \u201cA History of Taylor Swift&#8217;s Odd, Conflicting Stances on Streaming Services.\u201d <\/span><i><span style=\"font-weight: 400;\">The Verge<\/span><\/i><span style=\"font-weight: 400;\">, The Verge, 9 June 2017, https:\/\/www.theverge.com\/2017\/6\/9\/15767986\/taylor-swift-apple-music-spotify-statements-timeline. <\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Butler, Will. \u201cWhat Spotify and the \u2018Audio Industry\u2019 Are Doing To Musicians.\u201d The Atlantic, February 6, 2022. https:\/\/www.theatlantic.com\/ideas\/archive\/2022\/02\/neil-young-spotify-joe-rogan-musicians\/621503\/. &nbsp; Dahrooge, Jillian J. &#8220;The Real Slim Shady: How Spotify and Other Music Streaming Services Are Taking Advantage of the Loopholes within the Music Modernization Act,&#8221; Journal of High Technology Law 21, no. 1 (2021): 199-241 &nbsp; [&hellip;]<\/p>\n","protected":false},"author":5574,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"coauthors":[212753],"class_list":["post-33","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/blog.richmond.edu\/mus226-sp22-01\/wp-json\/wp\/v2\/pages\/33","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.richmond.edu\/mus226-sp22-01\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/blog.richmond.edu\/mus226-sp22-01\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/blog.richmond.edu\/mus226-sp22-01\/wp-json\/wp\/v2\/users\/5574"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.richmond.edu\/mus226-sp22-01\/wp-json\/wp\/v2\/comments?post=33"}],"version-history":[{"count":3,"href":"https:\/\/blog.richmond.edu\/mus226-sp22-01\/wp-json\/wp\/v2\/pages\/33\/revisions"}],"predecessor-version":[{"id":61,"href":"https:\/\/blog.richmond.edu\/mus226-sp22-01\/wp-json\/wp\/v2\/pages\/33\/revisions\/61"}],"wp:attachment":[{"href":"https:\/\/blog.richmond.edu\/mus226-sp22-01\/wp-json\/wp\/v2\/media?parent=33"}],"wp:term":[{"taxonomy":"author","embeddable":true,"href":"https:\/\/blog.richmond.edu\/mus226-sp22-01\/wp-json\/wp\/v2\/coauthors?post=33"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}