{"id":71,"date":"2022-04-17T15:10:10","date_gmt":"2022-04-17T19:10:10","guid":{"rendered":"https:\/\/blog.richmond.edu\/mus122-sp22-17\/?page_id=71"},"modified":"2022-04-17T16:06:28","modified_gmt":"2022-04-17T20:06:28","slug":"bibliography","status":"publish","type":"page","link":"https:\/\/blog.richmond.edu\/mus122-sp22-17\/bibliography\/","title":{"rendered":"Bibliography"},"content":{"rendered":"<p><span style=\"font-weight: 400;\">Bottomley, Andrew J. \u201c\u2018Home Taping Is Killing Music\u2019: The Recording Industries\u2019 1980s Anti-Home Taping Campaigns and Struggles over Production, Labor and Creativity.\u201d<\/span><i><span style=\"font-weight: 400;\"> Creative Industries Journal<\/span><\/i><span style=\"font-weight: 400;\">, vol. 8, no. 2, <\/span><i><span style=\"font-weight: 400;\">Routledge<\/span><\/i><span style=\"font-weight: 400;\">, 2015, pp. 123\u201345, https:\/\/doi.org\/10.1080\/17510694.2015.1090223.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Cateforis, Theo. <\/span><i><span style=\"font-weight: 400;\">Are We Not New Wave?: Modern Pop at the Turn of the 1980s<\/span><\/i><span style=\"font-weight: 400;\">. University of Michigan Press, 2011, https:\/\/doi.org\/10.3998\/mpub.152565.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Dougherty, Steve. \u201cBritain\u2019s Bow Wow Wow Taking No Bite of Punk.\u201d <\/span><i><span style=\"font-weight: 400;\">The Atlanta Constitution, ProQuest Historical Newspapers: The Atlanta Constitution, <\/span><\/i><span style=\"font-weight: 400;\">1981.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Ellis, Iain. \u201cNew Wave: Turning Rebellion into Money\u201d <\/span><i><span style=\"font-weight: 400;\">PopMatters<\/span><\/i><span style=\"font-weight: 400;\">, 14 Feb. 2019, https:\/\/www.popmatters.com\/new-wave-rebellion-into-money-2628904704.html\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Lull, James. \u201cPopular Music: Resistance to New Wave.\u201d <\/span><i><span style=\"font-weight: 400;\">Journal of Communication<\/span><\/i><span style=\"font-weight: 400;\">, vol. 32, no. 1, 1982, pp. 121\u2013131.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Lyon, Joshua. \u201cAnnabella Lwin and the History of Bow Wow Wow.\u201d <\/span><i><span style=\"font-weight: 400;\">V Magazine<\/span><\/i><span style=\"font-weight: 400;\">, 6 Sept. 2016, vmagazine.com\/article\/annabella-lwin-and-the-history-of-bow-wow-wow.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">MasterClass Staff. \u201cNew Wave Music: The History and Bands of New Wave Music.\u201d <\/span><i><span style=\"font-weight: 400;\">MasterClass<\/span><\/i><span style=\"font-weight: 400;\">, 8 June 2021, www.masterclass.com\/articles\/new-wave-music-guide#a-brief-history-of-new-wave-music.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Moore, Thurston. <\/span><i><span style=\"font-weight: 400;\">Mix Tape: The Art of Cassette Culture \/ Edited by Thurston Moore.<\/span><\/i><span style=\"font-weight: 400;\"> 1st ed., Universe Pub., 2004.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Pu\u0161nik, Maru\u0161a. \u201cThe Archaeology of the Walkman: Audience Perspectives and the Roots of Mobile Media Intimacy.\u201d <\/span><i><span style=\"font-weight: 400;\">Hands on Media History<\/span><\/i><span style=\"font-weight: 400;\">, 1st ed., <\/span><i><span style=\"font-weight: 400;\">Routledge<\/span><\/i><span style=\"font-weight: 400;\">, 2020, pp. 126\u201344, https:\/\/doi.org\/10.4324\/9781351247412-9.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Rockwell, John. \u201cRock: Bow Wow Wow: Review.\u201d <\/span><i><span style=\"font-weight: 400;\">The New York Times<\/span><\/i><span style=\"font-weight: 400;\">, Late Edition (East Coast), <\/span><i><span style=\"font-weight: 400;\">New York Times Company<\/span><\/i><span style=\"font-weight: 400;\">, 1981.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Bottomley, Andrew J. \u201c\u2018Home Taping Is Killing Music\u2019: The Recording Industries\u2019 1980s Anti-Home Taping Campaigns and Struggles over Production, Labor and Creativity.\u201d Creative Industries Journal, vol. 8, no. 2, Routledge, 2015, pp. 123\u201345, https:\/\/doi.org\/10.1080\/17510694.2015.1090223.\u00a0 Cateforis, Theo. Are We Not New &hellip; <a href=\"https:\/\/blog.richmond.edu\/mus122-sp22-17\/bibliography\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":5572,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"coauthors":[214100],"class_list":["post-71","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/blog.richmond.edu\/mus122-sp22-17\/wp-json\/wp\/v2\/pages\/71","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.richmond.edu\/mus122-sp22-17\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/blog.richmond.edu\/mus122-sp22-17\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/blog.richmond.edu\/mus122-sp22-17\/wp-json\/wp\/v2\/users\/5572"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.richmond.edu\/mus122-sp22-17\/wp-json\/wp\/v2\/comments?post=71"}],"version-history":[{"count":3,"href":"https:\/\/blog.richmond.edu\/mus122-sp22-17\/wp-json\/wp\/v2\/pages\/71\/revisions"}],"predecessor-version":[{"id":108,"href":"https:\/\/blog.richmond.edu\/mus122-sp22-17\/wp-json\/wp\/v2\/pages\/71\/revisions\/108"}],"wp:attachment":[{"href":"https:\/\/blog.richmond.edu\/mus122-sp22-17\/wp-json\/wp\/v2\/media?parent=71"}],"wp:term":[{"taxonomy":"author","embeddable":true,"href":"https:\/\/blog.richmond.edu\/mus122-sp22-17\/wp-json\/wp\/v2\/coauthors?post=71"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}