{"id":39,"date":"2022-04-17T16:00:35","date_gmt":"2022-04-17T20:00:35","guid":{"rendered":"https:\/\/blog.richmond.edu\/mus122-sp22-16\/?page_id=39"},"modified":"2022-04-24T14:40:28","modified_gmt":"2022-04-24T18:40:28","slug":"bibliography","status":"publish","type":"page","link":"https:\/\/blog.richmond.edu\/mus122-sp22-16\/bibliography\/","title":{"rendered":"Bibliography"},"content":{"rendered":"

Burston, Jonathan. \u201cTheatre Space as Virtual Place: Audio Technology, the Reconfigured Singing Body, and the Megamusical,\u201d Popular Music 17, no. 2 (1998),\u00a0<\/span>https:\/\/www.cambridge.org\/core\/journals\/popular-music\/article\/theatre-space-as-virtual-place-audio-technology-the-reconfigured-singing-body-and-the-megamusical\/62B19647CE<\/span>7D378D0BDF6545DE54F57D.<\/span><\/p>\n

Gibbs, Liam. \u201cSynthesizers, Virtual Orchestra, and Ableton Live: Digitally Rendered Music on Broadway and Musicians\u2019 Union Resistance,\u201d Journal of the Society for American Music 13, no. 3 (Summer 2019), https:\/\/www.cambridge.org\/core\/journals\/journal-of-the-society-for-american-music\/article\/synthesizers-virtual-orchestras-and-ableton-live-digitally-rendered-music-on-broadway-and-musicians-union-resistance\/18305BE43A9A17A945BD4ADDFDAF710A.<\/span><\/p>\n

Glikas, Brian, photographer. Hugh Panaro as the Phantom During the Phantom of the Opera. Photograph. New York: GettyImages, c2004. Accessed March 29, 2022. https:\/\/www.gettyimages.com\/detail\/news-photo\/hugh-panaro-the-phantom-during-the-phantom-of-the-opera-news-photo\/112465590?adppopup=true.<\/span><\/p>\n

Jones, Kenneth. “Broadway’s\u00a0Phantom<\/i> Shuts Down Aug. 24-27 for Installation of New Sound System.” Playbill, 2008. https:\/\/playbill.com\/article\/broadways-phantom-shuts-down-aug-24-27-for-installation-of-new-sound-system-com-152632.<\/p>\n

Jones, Kenneth. \u201cBroadway\u2019s Phantom of the Opera Turns 17 on Jan. 26.\u201d Playbill, 2005. https:\/\/www.playbill.com\/article\/broadways-phantom-of-the-opera-turns-17-on-jan-26-com-123776.<\/span><\/p>\n

Lloyd Webber, Andrew. \u201cThe Phantom of the Opera.\u201d Andrew Lloyd Webber, n.d. Accessed April 6, 2022. <\/span>https:\/\/www.andrewlloydwebber.com\/show\/the-phantom-of-the-opera\/<\/span>.\u00a0<\/span><\/p>\n

Maslon, Laurence. Broadway to Main Street: How Show Tunes Enchanted America (New York: Oxford University Press, 2018), 1-8, 193-208. Web.<\/span><\/p>\n

MusicID. \u201cChart Ranking Positions 1987-1988: The Phantom of the Opera \u2013 Original London Cast.\u201d Academic Rights Press, http:\/\/musicid.academicrightspress.com\/search\/result?albums[]=267711&albums[]=278407&albums[]=394413.<\/span><\/p>\n

Olsen, Douglas and Streeter, Troy. \u201cNatural Reverberation and The Phantom of the Opera.\u201d Journal of Undergraduate Research, Brigham Young University, April 18, 2013. Accessed February 12, 2022.<\/span>\u00a0http:\/\/jur.byu.edu\/?p=632.<\/span><\/p>\n

Tracey, Timothy. “The forging of modern Broadway Sound Design Techniques amid the Fires of the Rock Musicals in the Late 1960s and 1970s” (Master\u2019s Thesis, University of Central\u00a0<\/span>Florida, 2015), 75-80. https:\/\/stars.library.ucf.edu\/etd\/1186.<\/span><\/p>\n

Weiss, Angela, photographer. Signage of the Broadway play “The Phantom of the Opera” seen at Time Square on March 12, 2020 in New York City. Photograph. New York: Getty Images, c2020. Accessed April 17, 2022. <\/span>https:\/\/www.gettyimages.com\/detail\/news-photo\/signage-of-the-broadway-play-the-phantom-of-the-opera-seen-news-photo\/1206859566?et=Bso9zq0DQCNatVzls_o6RQ&referrer=https%3A%2F%2Fwww.gettyimages.com%2F<\/span>.\u00a0\u00a0<\/span><\/p>\n

Whatley, Jack. \u201cHow Pink Floyd Inspired \u2018The Phantom of the Opera.\u2019\u201d Far Out Magazine, 2021, <\/span>https:\/\/faroutmagazine.co.uk\/how-pink-floyd-roger-waters-inspired-the-phantom-of-the-opera\/<\/span>.<\/span><\/p>\n

Winkler, Amanda Eubanks. \u201cPolitics and the Reception of Andrew Lloyd Webber\u2019s \u2018The\u00a0<\/span>Phantom of the Opera,\u2019\u201d Cambridge Opera Journal 26, no. 3 (2014): 271\u201387.\u00a0<\/span>http:\/\/www.jstor.org\/stable\/24252307.<\/span><\/p>\n

YouTube. “Echoes Phantom of the Opera Comparison.” 1:20. Youtube.com, 2018. Posted by Mitch Please, July 24, 2018. Accessed April 22, 2022. https:\/\/www.youtube.com\/watch?v=WlhUob7ZERI&ab_channel=MitchPlease.<\/p>\n

Youtube. “How to Make an Orchestra Song in Ableton From Scratch \/\/ PART 1.” 15:41. Youtube.com, 2018. Posted by Hot Wobble, August 10, 2021. Accessed April 24, 2022. https:\/\/www.youtube.com\/watch?v=NqcKK2ltIyg&t=62s&ab_channel=HotWobble.<\/p>\n

YouTube. \u201cPhantom of the Opera – Original Cast: 1988 Tony Awards.\u201d 5:11.\u00a0<\/span>Youtube.com, 2009. Posted by zjuly1947, October 6, 2009. Accessed February 14, 2022. <\/span>https:\/\/www.youtube.com\/watch?v=xByDWnibbBE&ab_channel=zjuly1947.<\/span><\/p>\n

Youtube. “Pit Cam – Phantom of the Opera.” 16:09. Youtube.com, 2017. Posted by Dave Shipley, August 1, 2017. Accessed April 24, 2022. https:\/\/www.youtube.com\/watch?v=gIPy8HE5Dl4&ab_channel=DaveShipley.<\/p>\n

YouTube. \u201cthe phantom of the opera\/ the mirror (angel of music).\u201d 5:33. Youtube.com, 2009. Posted by nike live, April 7, 2021. Accessed April 6, 2022. <\/span>https:\/\/www.youtube.com\/watch?v=L-A4RFTj5YQ&ab_channel=nikelive<\/span>.\u00a0<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

Burston, Jonathan. \u201cTheatre Space as Virtual Place: Audio Technology, the Reconfigured Singing Body, and the Megamusical,\u201d Popular Music 17, no. 2 (1998),\u00a0https:\/\/www.cambridge.org\/core\/journals\/popular-music\/article\/theatre-space-as-virtual-place-audio-technology-the-reconfigured-singing-body-and-the-megamusical\/62B19647CE7D378D0BDF6545DE54F57D. Gibbs, Liam. \u201cSynthesizers, Virtual Orchestra, and Ableton Live: Digitally Rendered Music on Broadway and Musicians\u2019 Union Resistance,\u201d Journal of the Society for American Music 13, no. 3 (Summer 2019), https:\/\/www.cambridge.org\/core\/journals\/journal-of-the-society-for-american-music\/article\/synthesizers-virtual-orchestras-and-ableton-live-digitally-rendered-music-on-broadway-and-musicians-union-resistance\/18305BE43A9A17A945BD4ADDFDAF710A. Glikas, Brian, photographer. Hugh Panaro as the Phantom During the Phantom of the … Continue reading Bibliography<\/span><\/a><\/p>\n","protected":false},"author":5571,"featured_media":0,"parent":0,"menu_order":7,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"tags":[],"coauthors":[212394],"class_list":["post-39","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/blog.richmond.edu\/mus122-sp22-16\/wp-json\/wp\/v2\/pages\/39","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.richmond.edu\/mus122-sp22-16\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/blog.richmond.edu\/mus122-sp22-16\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/blog.richmond.edu\/mus122-sp22-16\/wp-json\/wp\/v2\/users\/5571"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.richmond.edu\/mus122-sp22-16\/wp-json\/wp\/v2\/comments?post=39"}],"version-history":[{"count":10,"href":"https:\/\/blog.richmond.edu\/mus122-sp22-16\/wp-json\/wp\/v2\/pages\/39\/revisions"}],"predecessor-version":[{"id":100,"href":"https:\/\/blog.richmond.edu\/mus122-sp22-16\/wp-json\/wp\/v2\/pages\/39\/revisions\/100"}],"wp:attachment":[{"href":"https:\/\/blog.richmond.edu\/mus122-sp22-16\/wp-json\/wp\/v2\/media?parent=39"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.richmond.edu\/mus122-sp22-16\/wp-json\/wp\/v2\/tags?post=39"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/blog.richmond.edu\/mus122-sp22-16\/wp-json\/wp\/v2\/coauthors?post=39"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}