“Britney Spears, Toxic,” Billboard, Penske Media Corporation, 2022, accessed April 17, 2022, https://www.billboard.com/charts/search/.
Brown, Jessica L.. “Spears, Britney.” Grove Music Online, January 20, 2016. https://www.oxfordmusiconline.com/grovemusic/.
Cumberledge, Jason P. “Instrument and Gender as Factors in the Perceptions of Musicians and Musical Performance.” Contributions to Music Education 43 (2018): 159–74. https://www.jstor.org/stable/26478004.
Danielson, Anne. “Music, media and technological creativity in the digital age.” Nordic Research in Music Education 18 (2017): 9-22.
Hales, Steven D. “Audiophile Aesthetics.” American Philosophical Quarterly 54, no. 2 (April 2017): 195-208. http://www.jstor.org/stable/44982136.
Hawkins, Stan, and John Richardson. “Remodeling Britney Spears: Matters of Intoxication and Mediation.” Popular Music and Society 30, no. 5 (December 2007): 605-629.
Hoffman, Jordan. “Kanye West Uploads Raw and Personal ‘Thanksgiving Prayer’ Video.” Vanity Fair. Vanity Fair, November 27, 2021. https://www.vanityfair.com/style/2021/11/kanye-west-uploads-raw-and-personal-thanksgiving-prayer-video.
Holmes, Charles. “The Raw, Rushed Making of ‘808s & Heartbreak,’ Kanye West’s Most Influential Album.” Music Features. Rolling Stone, November 24, 2018. https://www.rollingstone.com/music/music-features/.
Idato, Michael. “Immense Success and a Spectacular Fall: The Dark Side of Britney’s Fame.” The Sydney Morning Herald. The Sydney Morning Herald, February 6, 2021. https://www.smh.com.au/culture/celebrity/the-dark-side-of-britney-s-fame-20210206-p5706h.html.
“Kanye West, Heartless,” Billboard, Penske Media Corporation, 2022, accessed April 17, 2022, https://www.billboard.com/charts/search/.
Lewis, Lisa. “Four Female Musicians.” In Gender Politics and MTV: Voicing the Difference, 73-108. Temple University Press, 1990.
Mistry, Anupa, writer. This is Pop. Season 1, episode 2, “Auto-Tune.” Directed by Jared Raab, featuring Andy Hildebrand, T-Pain, and Ken Scott. Aired June 22, 2021, on Netflix. Banger Films, 2021.
Peters, G. David. “Music Software and Emerging Technology.” Music Educators Journal 79, no. 3 (1992): 22–63. https://doi.org/10.2307/3398478.
Provenzano, Catherine. “Making Voices: The Gendering of Pitch Correction and The Auto-Tune Effect in Contemporary Pop Music.” Journal of Popular Music Studies (2019) 31 (2): 63–84. https://doi.org/10.1525/jpms.2019.312008.
Sanchez, Rosa. “Britney Spears Just Revealed She’s Pregnant.” Harper’s BAZAAR. Harper’s BAZAAR, April 11, 2022. https://www.harpersbazaar.com/celebrity/a39693688/britney-spears-pregnant/.
Savage, Steve. “Art of Artifice?” In Bytes and Backbeats: Repurposing Music in the Digital Age, 61-77. University of Michigan Press, 2011. http://www.jstor.org/stable/j.ctvc5pf3g.10.
Sillitoe, Sue. “Recording Cher’s ‘Believe’.” Techniques. Sound on Sound, February, 1999. https://www.soundonsound.com/techniques/recording-cher-believe.
Spears, Britney. “Toxic.” Jive, 2003, Spotify. Mp3.
Walken, John. Auto Mode Interface for Auto-Tune. Screenshot image. Sound on Sound. March, 2007 https://www.soundonsound.com/reviews/auto-tune-vs-melodyne.
West, Kanye. “Heartless.” Roc-A-Fella, 2008, Spotify. Mp3.
Wolfe, Paula. “‘a Studio of One’s Own’ (Wolfe 2012).” Women in the Studio, 2019, 93–123. https://doi.org/10.4324/9781315546711-4.
YouTube. “Heartless.” 3:40. 808s & Heartbreak, 2008. Posted by Kanye West, June 16, 2009. Accessed March 29, 2022. https://youtu.be/Co0tTeuUVhU.
YouTube. “Toxic.” 3:31. In the Zone, 2003. Posted by Britney Spears, October 25, 2009. Accessed March 29, 2022. https://youtu.be/LOZuxwVk7TU.