{"id":81,"date":"2018-04-18T11:38:52","date_gmt":"2018-04-18T15:38:52","guid":{"rendered":"http:\/\/blog.richmond.edu\/mus122-05\/?page_id=81"},"modified":"2018-04-29T14:42:03","modified_gmt":"2018-04-29T18:42:03","slug":"works-cited","status":"publish","type":"page","link":"https:\/\/blog.richmond.edu\/mus122-05\/works-cited\/","title":{"rendered":"Works Cited"},"content":{"rendered":"<p><strong>Bibliography <\/strong><\/p>\n<p>Adams, Kyle. &#8220;The Musical Analysis of Hip-hop.&#8221; In <em>The Cambridge Companion to Hip-Hop<\/em>, edited by Justin A. Williams, 118-34. Cambridge Companions to Music. Cambridge:\u00a0 Cambridge University Press, 2015, 10.1017\/CCO9781139775298.012.<\/p>\n<p>Danielsen, Anne. &#8220;Music, Media and Technological Creativity in the Digital Age.&#8221; <em>Nordic Research in Music Education<\/em> 18 (2017): 9-22. Accessed April 3, 2018. http:\/\/hdl.handle.net\/11250\/2490532.<\/p>\n<p>Diaz, Joe. \u201cThe Fate of Auto-Tune.\u201d <em>Massachusetts Institute of Technology<\/em>, Massachusetts Institute of Technology, 2009, pp. 1\u201315.<\/p>\n<p>Feifer, Jason. &#8220;We Are All T-Pain.&#8221;<em> Fast Company<\/em>, no. 161, Dec, 2012, pp. 36-38<em>, Business\u00a0 Premium Collection<\/em>, http:\/\/newman.richmond.edu:2048\/login?url=https:\/\/search.proquest.com\/docview\/91276\u00a0\u00a0\u00a0 5639?accountid=14731.<\/p>\n<p>Frere-Jones, Sasha. \u201cThe Gerbil\u2019s Revenge.\u201d<em> The New Yorker<\/em>, 9 June 2008, \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 www.newyorker.com\/magazine\/2008\/06\/09\/the-gerbils-revenge.<\/p>\n<p>Hadhazy, Adam. \u201cWhat&#8217;s Auto-Tune and How Does it Work?\u201d <em>LiveScience<\/em>, Purch, 11 Sept. 2010, www.livescience.com\/11046-auto-tune-work.html.<\/p>\n<p>&#8220;Home of Antares Audio &#8211; Auto-Tune and the Best Vocal Plug-Ins Available.&#8221; Antares. Accessed April 28, 2018. https:\/\/www.antarestech.com\/.<\/p>\n<p>Miguelito. \u201cFrom T-Pain to Travis Scott: The Rap Auto-Tune Spectrum.\u201d <em>DJBooth<\/em>, The \u00a0\u00a0\u00a0 DJBooth LLC, 5 June 2017, djbooth.net\/features\/2017-06-05-t-pain-travis-scott-auto-\u00a0 tune-in-rap.<\/p>\n<p>Sorcinelli, Gino. &#8220;T-Pain Made &#8220;I&#8217;m N Luv (Wit A Stripper)&#8221; In GarageBand During a Power\u00a0 Outage.&#8221; Medium. October 26, 2016. Accessed April 02, 2018. \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 https:\/\/medium.com\/micro-chop\/t-pain-made-im-n-luv-wit-a-stripper-in-garageband-\u00a0 \u00a0 during-a-power-outage-8b39793bd078.<\/p>\n<p>Shryock, Andrew. &#8220;Irony of Absence: Literary and Technological Devices in the Rap of T-\u00a0 \u00a0 Pain.&#8221; In <em>This Is the Sound of Irony: Music, Politics and Popular Culture<\/em>, by Katherine L.Turner, 189-200. Surrey: Ashgate Publishing Limited, 2015.<\/p>\n<p>Steffen, Amie. &#8220;T-Pain Speaks about Auto-Tune, Upcoming Tour Stop in Waterloo.&#8221; \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <em>McClatchy &#8211; Tribune Business News<\/em>, Jan 26, 2012<em>, Business Premium Collection<\/em>, \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 http:\/\/newman.richmond.edu:2048\/login?url=https:\/\/search.proquest.com\/docview\/91795\u00a0\u00a0\u00a0 0066?accountid=14731.<\/p>\n<p>Strawn, John, and Alan Shockley. &#8220;Computers and Music.&#8221; In\u00a0<em>The Grove Dictionary of \u00a0\u00a0\u00a0 American Music<\/em>, edited by Charles Hiroshi Garrett. 2nd ed. Oxford University Press, 2013.<\/p>\n<p>\u201cT-Pain.\u201d <em>Billboard<\/em>, Billboard, www.billboard.com\/music\/t-pain.<\/p>\n<p>Tyrangiel, Josh. \u201cAuto-Tune: Why Pop Music Sounds Perfect.\u201d <em>TIME<\/em>, 5 Feb. 2009.\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 http:\/\/apumusictech.com\/courses\/mus496\/files\/2014\/02\/pop-music-autotune.pdf<\/p>\n<p>YouTube. \u201cI&#8217;m N Luv (Wit a Stripper).\u201d Posted by TPain. August 11, 2015. \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 https:\/\/www.youtube.com\/watch?v=YQiGhdnQckk<\/p>\n<p>YouTube. &#8220;Memorable Moments: Ellen&#8217;s Auto-tune Monologue.&#8221; Posted by TheEllenShow. June 8, 2012.\u00a0https:\/\/www.youtube.com\/watch?v=oauxjEaa7uI.<\/p>\n<p>YouTube. \u201cTha Carter.&#8221; Posted by Lil Wayne- Topic. November 6, 2016. https:\/\/www.youtube.com\/channel\/UC2aex60u2KJoI6GfsTaEnrA.<\/p>\n<p>YouTube. \u201cTha Carter II.&#8221; Posted by Lil Wayne- Topic. February 19, 2017. https:\/\/www.youtube.com\/channel\/UC2aex60u2KJoI6GfsTaEnrA.<\/p>\n<p>YouTube. \u201cTha Carter III.&#8221; Posted by Lil Wayne- Topic. November 23, 2014. https:\/\/www.youtube.com\/playlist?list=PLZqjxJ7fnrp5DLI5iytTqqLNSfSC_DHW0.<\/p>\n<p>YouTube. \u201cT-Pain video discusses autotune, his new album, music &amp; haters w\/ DJ Skee.\u201d Posted by SKEE TV. November 17, 2008.https:\/\/www.youtube.com\/watch?v=45bKBvPCX18.<\/p>\n<p>YouTube. \u201cT-Pain- Bartender ft. Akon.&#8221; Posted by T Pain. November 15, 2009.\u00a0https:\/\/www.youtube.com\/watch?v=Lt2wjJlP2N4.<\/p>\n<p>YouTube. \u201cT-Pain- Buy U A Drank (Shawty Snappin&#8221;) ft. Yung Joc.&#8221; Posted by T Pain. October 25, 2009. https:\/\/www.youtube.com\/watch?v=dBrRBZy8OTs.<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Bibliography Adams, Kyle. &#8220;The Musical Analysis of Hip-hop.&#8221; In The Cambridge Companion to Hip-Hop, edited by Justin A. Williams, 118-34. Cambridge Companions to Music. Cambridge:\u00a0 Cambridge University Press, 2015, 10.1017\/CCO9781139775298.012. Danielsen, Anne. &#8220;Music, Media and Technological Creativity in the Digital &hellip; <a href=\"https:\/\/blog.richmond.edu\/mus122-05\/works-cited\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":3540,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-81","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/blog.richmond.edu\/mus122-05\/wp-json\/wp\/v2\/pages\/81","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.richmond.edu\/mus122-05\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/blog.richmond.edu\/mus122-05\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/blog.richmond.edu\/mus122-05\/wp-json\/wp\/v2\/users\/3540"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.richmond.edu\/mus122-05\/wp-json\/wp\/v2\/comments?post=81"}],"version-history":[{"count":0,"href":"https:\/\/blog.richmond.edu\/mus122-05\/wp-json\/wp\/v2\/pages\/81\/revisions"}],"wp:attachment":[{"href":"https:\/\/blog.richmond.edu\/mus122-05\/wp-json\/wp\/v2\/media?parent=81"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}