{"id":107,"date":"2018-02-19T11:29:14","date_gmt":"2018-02-19T16:29:14","guid":{"rendered":"http:\/\/blog.richmond.edu\/ldst399sprg2018\/?p=107"},"modified":"2018-02-19T11:29:14","modified_gmt":"2018-02-19T16:29:14","slug":"updated-bibliography-219","status":"publish","type":"post","link":"https:\/\/blog.richmond.edu\/ldst399sprg2018\/2018\/02\/19\/updated-bibliography-219\/","title":{"rendered":"Updated Bibliography 2\/19"},"content":{"rendered":"<p>Birthisel, Jessica, and Jason A. Martin. &#8220;\u201cThat\u2019s What She Said\u201d: Gender, Satire, and the American Workplace on the Sitcom <em>The Office<\/em>.&#8221;\u00a0<em>Journal of Communication Inquiry <\/em>37, no. 1 (2013): 64-80.<\/p>\n<p>Carroll, Noe\u0308l.\u00a0<em>Humour: a very short introduction<\/em>. Oxford, United Kingdom: Oxford University Press, 2014.<\/p>\n<p>Dickinson, Peter, Anne Higgins, St Pierre Paul Matthew, Diana Solomon, and Sean Zwagerman, eds.\u00a0<em>Women and comedy: history, theory, practice<\/em>. Madison: Fairleigh Dickinson University Press, 2017.<\/p>\n<p>Finney, Gail, ed.\u00a0<em>Look Who&#8217;s Laughing: Gender and Comedy<\/em>. Amsterdam: Gordon and Breach, 1994.<\/p>\n<p>Gillon, Josh. &#8220;Why\u00a0<em>30 Rock <\/em>Is Not Funny (Its Metafunny).&#8221;\u00a0<em>Philosophy and Literature <\/em>35, no. 2 (2011): 320-37.<\/p>\n<p>Hurley, Matthew M.\u00a0<em>Inside jokes: using humor to reverse-engineer the mind<\/em>. Cambridge, MA: MIT Press, 2013.<\/p>\n<p>Justin, Neal. &#8220;In Hollywood, women are increasingly calling the shots on television.&#8221; The Seattle Times. December 13, 2017. Accessed February 19, 2018.<\/p>\n<p>Lauzen, Martha. &#8220;The Funny Business of Being Tina Fey: Constructing a (feminist) comedy icon.&#8221;\u00a0<em>Feminist Media Studies <\/em>14, no. 1 (2012): 106-17.<\/p>\n<p>Lauzen, Martha. &#8220;What we know for sure about women in television.&#8221; Women&#8217;s Media Center. September 28, 2017. Accessed February 19, 2018. http:\/\/www.womensmediacenter.com\/news-features\/what-we-know-for-sure-about-women-in-television.<\/p>\n<p>Martin, Jason. &#8220;Emotionally Intelligent Leadership at30 Rock: What Librarians Can Learn from a Case Study of Comedy Writers.&#8221;\u00a0<em>Journal of Library Administration <\/em>56, no. 4 (2015): 345-58.<\/p>\n<p>McRobbie, Angela. &#8220;Post-feminism and popular culture.&#8221;\u00a0<em>Feminist Media Studies <\/em>4, no. 3 (2004): 255-64.<\/p>\n<p>Merrill, Lisa. &#8220;Feminist humor: Rebellious and self\u2010affirming.&#8221;\u00a0<em>Womens Studies<\/em>15, no. 1-3 (1988): 271-80.<\/p>\n<p>Mizejewski, Linda. &#8220;Feminism, Postfeminism, Liz Lemonism: Comedy and Gender Politics on 30 Rock.&#8221;\u00a0<em>Genders<\/em>, no. 55 (2012).<\/p>\n<p>Montemurro, Beth. &#8220;Not a Laughing Matter: Sexual Harassment as \u201cMaterial\u201d on Workplace-Based Situation Comedies.&#8221;\u00a0<em>Sex Roles <\/em>48, no. 9\/10 (2003): 433-445.<\/p>\n<p>Morreall, John.\u00a0<em>The philosophy of laughter and humor<\/em>. Albany, NY: State University of New York Press, 1987.<\/p>\n<p>Owen, Rob. &#8220;Sexual harassment has a long history as a comedic punchline on TV.&#8221;\u00a0<em>Pittsburgh Post-Gazette<\/em>, November 30, 2017. Accessed February 19, 2018.<\/p>\n<p>Robinson, Joanna. &#8220;The Nasty Women of TV Comedy Have Arrived Just in Time.&#8221; Vanity Fair. November 01, 2016. Accessed February 19, 2018.<\/p>\n<p>Sills, Liz. &#8220;The phenomenology of The Funny: a diagrammatic proposal.&#8221;\u00a0<em>Comedy Studies<\/em>8, no. 1 (April 02, 2017): 2-12.<\/p>\n<p>Sims, David. &#8220;Louis C.K. and Abuse of Power in the Comedy World.&#8221;\u00a0<em>The Atlantic<\/em>, November 9, 2017. Accessed February 19, 2018.<\/p>\n<p>Sink, Alexander, and Dana Mastro. &#8220;Depictions of Gender on Primetime Television: A Quantitative Content Analysis.&#8221;\u00a0<em>Mass Communication and Society <\/em>20, no. 1 (2016): 3-22.<\/p>\n<p>Swink, Robyn Stacia. &#8220;Lemony Liz and likable Leslie: audience understandings of feminism, comedy, and gender in women-led television comedies.&#8221;\u00a0<em>Feminist Media Studies <\/em>17, no. 1 (2017): 14-28.<\/p>\n<p>&#8220;That\u2019s What She Said: Depictions of Sexual Harassment on TV.&#8221;\u00a0<em>Slate<\/em>, December 18, 2017. Accessed February 19, 2018.<\/p>\n<p>Tiffany, Kaitlyn. &#8220;TV shows created by women have more speaking parts for women, study finds.&#8221; The Verge. September 12, 2017. Accessed February 19, 2018.<\/p>\n<p>&#8220;TV Statistics.&#8221; Womenandhollywood.com. Accessed February 19, 2018. https:\/\/womenandhollywood.com\/resources\/statistics\/tv-statistics\/.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Birthisel, Jessica, and Jason A. Martin. &#8220;\u201cThat\u2019s What She Said\u201d: Gender, Satire, and the American Workplace on the Sitcom The Office.&#8221;\u00a0Journal of Communication Inquiry 37, no. 1 (2013): 64-80. Carroll, Noe\u0308l.\u00a0Humour: a very short introduction. Oxford, United Kingdom: Oxford University &hellip; <a href=\"https:\/\/blog.richmond.edu\/ldst399sprg2018\/2018\/02\/19\/updated-bibliography-219\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":3296,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-107","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/blog.richmond.edu\/ldst399sprg2018\/wp-json\/wp\/v2\/posts\/107","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.richmond.edu\/ldst399sprg2018\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.richmond.edu\/ldst399sprg2018\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.richmond.edu\/ldst399sprg2018\/wp-json\/wp\/v2\/users\/3296"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.richmond.edu\/ldst399sprg2018\/wp-json\/wp\/v2\/comments?post=107"}],"version-history":[{"count":0,"href":"https:\/\/blog.richmond.edu\/ldst399sprg2018\/wp-json\/wp\/v2\/posts\/107\/revisions"}],"wp:attachment":[{"href":"https:\/\/blog.richmond.edu\/ldst399sprg2018\/wp-json\/wp\/v2\/media?parent=107"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.richmond.edu\/ldst399sprg2018\/wp-json\/wp\/v2\/categories?post=107"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.richmond.edu\/ldst399sprg2018\/wp-json\/wp\/v2\/tags?post=107"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}