{"id":4,"date":"2008-03-04T21:04:00","date_gmt":"2008-03-05T02:04:00","guid":{"rendered":"http:\/\/blog.richmond.edu\/laisfeldman\/publications\/"},"modified":"2020-11-25T13:31:24","modified_gmt":"2020-11-25T18:31:24","slug":"publications","status":"publish","type":"page","link":"https:\/\/blog.richmond.edu\/laisfeldman\/publications\/","title":{"rendered":"Research"},"content":{"rendered":"

Books<\/strong><\/a>
\nFrom Barcelona to Broadway to the Silver Screen: \u00c0ngel Guimer\u00e0 in America<\/em><\/strong>. In preparation.<\/p>\n

With Francesc Foguet. Els l\u00edmits del silenci: La censura del teatre catal\u00e0 durant el
\nfranquisme<\/em>.<\/strong> [The Limits of Silence: The Censorship of Catalan Theatre during Francoism]. Textos i Estudis de Cultura Catalana 212. Publicacions de l’Abadia de Montserrat, 2016. 262 pp.\u00a0\"Version<\/p>\n

A l’ull de l’hurac\u00e0 : Tatre catal\u00e0 contemporani.<\/strong> <\/em>(Revised and updated edition in In the Eye of the Storm<\/em>). Trans. Pere Bramon and Neil Charlton. L’Aven\u00e7, 2011. 415 pp.<\/p>\n

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In the Eye of <\/em><\/strong>the Storm: Contemporary Theater in Barcelona<\/em>.<\/strong>\u00a0Bucknell University Press, 2009. 411 pp. \u201cSerra d’Or\u201d Critics’ Prize for Research in Catalan Studies, 2010.<\/p>\n

\"bcn.jpg\"Alegor\u00edas de la disidencia:\u00a0El teatro de Agust\u00ed\u00adn G\u00f3mez-Arcos<\/strong><\/em> (Spanish Allegories of Dissent<\/em>). Trans. Pere Bramon and Neil Charlton. Instituto de Estudios Almerienses, 2002. 222 pp. Spanish press coverage in El Pa\u00eds<\/a><\/em> (1 July 2002, 17 July 2002), La Voz de Almer\u00ed\u00ada<\/em> (20 March 2002, 1 July2002), and El Ideal<\/em> (Andaluc\u00eda) (30 June 2002).<\/p>\n

\"aga2jpg.jpg\"<\/p>\n

Allegories of Dissent: The Theater of Agust\u00edn G\u00f3mez-Arcos<\/em>.<\/strong>\u00a0Bucknell University Press, 1998. 304 pp.\u00a0Selected by Choice<\/em> for its annuallist of \u201cOutstanding Academic Titles.\u201d<\/p>\n

\"aga.jpeg\"<\/em><\/strong><\/p>\n

Editions<\/strong>
\nCoordinator and Introduction. \u201cThe Iberian Peninsula as a Literary Space.\u201d<\/strong> Section II of A Comparative History of Literatures in the Iberian Peninsula<\/em>.<\/strong> Volume I. Ed. Fernando Cabo Aseguinolaza, Anxo Abu\u00edn Gonz\u00e1lez and C\u00e9sar Dom\u00ednguez. John Benjamins, 2010. 133-323.<\/p>\n

Guest editor, special cluster: The Catalan Stage, Modern and Contemporary. Catalan Review<\/em><\/strong> 23 (2009): 152-305.<\/p>\n

\"bcnplays.jpg\"Barcelona Plays<\/strong><\/em>.<\/strong> Ed and trans. with Marion P. Holt. Martin E. Segal Theatre Center\/The Graduate Center-CUNY, 2008.
\nFour contemporary Catalan plays in translation: Salamander<\/em>, by Josep Maria Benet i Jornet; Strangers<\/em>, by Sergi Belbel; Barcelona, Map of Shadows<\/em>, by Llu\u00efsa Cunill\u00e9; and It’s Raining in Barcelona<\/em>, by Pau Mir\u00f3.<\/p>\n

Homage to Catalan Theater<\/em>.<\/strong> Special monographic issue of Estreno: Cuadernos del Teatro Espa\u00f1ol Contempor\u00e0neo<\/em><\/strong> 24.2 (Fall 1998).<\/p>\n

Articles in refereed journals<\/strong>
\n\u201cSome Dilemmas of the Contemporary Catalan Stage: Influences, Tradition, and Other Anxieties.\u201d Special Issue: In honor of Professor Roberta Johnson. Ed. Anton Pujol. Anales de la Literatura Espa\u00f1ola Contempor\u00e1nea <\/em>41.4 (2016): 131-47.<\/p>\n

\u00a0\u201cLlu\u00efsa Cunill\u00e9\u2019s Apr\u00e8s moi, le d\u00e9luge<\/em>, and the Translator\u2019s Invisibility.\u201d Translation Review<\/em> (journal of the American Literary Translator\u2019s Association) 87.1. Special Issue on Catalan Literature and Translation. Ed. Albert Lloret. (2013): 90-104.<\/p>\n

\u201cContemporary Theatre in Catalonia: A Story of Creative Struggles.\u201d Akshar Wangmay<\/em> (Indian journal published in English and Marathi). Special Issue on Creativity in Drama. Ed. Arun Prabhune (July 2012- March 2013). 313-24.<\/p>\n

\u201cLlueve en Barcelona<\/em> de Pau Mir\u00f3: La magia y la poes\u00eda de todos los d\u00edas\u201d (\u201cIt\u2019s Raining in Barcelona <\/em>by Pau Mir\u00f3: The Magic and the Poetry of the Everyday\u201d). Don Gal\u00e1n: Revista de Investigaci\u00f3n Teatral <\/em>1 (digital theatre revue of the Centro de Documentaci\u00f3n Teatral, INAEM, Ministry of Culture, Madrid, Spain) (2011): 297-307<\/p>\n

\u201cPuentes teatrales, montajes de ida y vuelta’: argentinos a la conquista de la escena catalana.\u201d Special Issue: Migration et th\u00e9\u00e2tre. Ed. Nora Parola. Les Cahiers ALHIM<\/em> (Groupe de recherche “Am\u00e9rique Latine Histoire et M\u00e9moire” de l’Universit\u00e9 Paris-VIII) 18 (2010): 113-22.<\/p>\n

\u201cEl perfil posdram\u00e0tico del teatro catal\u00e1n.\u201d Special Issue: El teatro catal\u00e1n en los inicios del siglo XXI. Ed. David George. Pygmalion: Revista de Teatro General y Comparado<\/em> 1 (Instituto del Teatro de Madrid) (2010): 39-50.<\/p>\n

\u201cThe Sala Beckett and the Zero Degree of Theatricality: From Llu\u00efsa Cunill\u00e9 to Carles Batlle.\u201d Special issue: Catalan Theatre 1975-2006: Politics, Identity and Performance. Ed. Maria Delgado, David George, and Lourdes Orozco. Contemporary Theatre Review<\/em> 17.3 (August 2007): 370-84. Volume awarded the Memorial Joan B. Cendr\u00f2s 2008 from \u00d2mnium Cultural (Barcelona).<\/p>\n

\u201cRodrigo Garc\u00eda’s Ruins.\u201d Preface to Compr\u00e9 una pala en Ikea para cavar mi tumba<\/em>. Spanish play by Rodrigo Garc\u00eda. Estreno<\/em> (Spring 2005): 16-18.<\/p>\n

\u201cEl jard\u00ed\u00adn de las delicias<\/em>: Visiones del p\u00e1nico y del barroco en el teatro de Arrabal.\u201d Special issue: Fernando Arrabal. Ed. Anxo Abu\u00edn. El Extramundi y los Papeles de Iria Flavia<\/em> (Revista de la Fundaci\u00f3n Cela, Iria Flavia, Galicia, Spain) 16 (Spring 2005): 43-54.<\/p>\n

\u201cImagining Europe: Carles Batlle’s Combat: Landscape in the Aftermath<\/em>.\u201d Preface to Catalan play by Carles Batlle. Trans. Sharon G. Feldman, with Pere Bramon and Neil Charlton. PAJ: A Journal of Performance and Art<\/em> 27.1 (January 2005): 61-64.<\/p>\n

\u201cSergi Belbel’s Theatre of Pain.\u201d Revista Hisp\u00e1nica Moderna<\/em> 57.1&2 (2004): 241-66.<\/p>\n

\u201cOf Appearance and Disappearance: Theatre and Barcelona (Catalunya Invisible, Part II).\u201d Special issue: Barcelona and Modernity. Ed Brad Epps. Catalan Review <\/em>18.1-2 (2004): 161-80.
\nPartial reprint (in Catalan) in Pausa.<\/em> 20 (Publication of the Sala Beckett, Barcelona). “Sobre l’aparici\u00f3 i la desaparici\u00f3: El teatre i Barcelona<\/a>.\u201d Tercera \u00c9poca (January 2005). 55-66.<\/p>\n

\u201cCatalunya Invisible<\/em>: Contemporary Theatre in Barcelona.\u201d Special cluster: Barcelona. Ed. Brad Epps. Arizona Journal of Hispanic Cultural Studies<\/em> 6 (2002): 269-87.
\nPartial reprint (in Spanish): “Catalunya invisible: La dramaturgia contempor\u00e1nea barcelonesa.\u201d Bases metodol\u00f3xicas para unha historia comparada das literaturas da peninsula ib\u00e9rica<\/em>. Ed. Anxo Abu\u00ed\u00adn Gonz\u00e1lez and Anxo Tarr\u00edo Varela. Santiago de Compostela: Universidade de Santiago de Compostela, 2005. 401-21.<\/p>\n

\u201cEl teatre d’enigma de Llu\u00efsa Cunill\u00e9.\u201d Catalan Review <\/em>16.1\/2 (2002): 141-54.<\/p>\n

\u201cUn agujero sin l\u00edmites’: La mirada fenomenol\u00f3gica de Josep M. Benet i Jornet.\u201d Anales de la Literatura Espa\u00f1ola Contempor\u00e1nea<\/em> 24.3 (1999): 473-91.
\nPartial reprint (in Catalan): “Un forat sense fi’: L’univers calidosc\u00f2pic de Josep Maria Benet i Jornet,\u201d in souvenir program for Josep M. Benet i Jornet’s Olors<\/em>, directed by Mario Gas, Teatre Nacional de Catalunya, Barcelona 8 February-30 April 2000. 11-18.<\/p>\n

\u201cFaust in Barcelona: Catalonia’s La Fura dels Baus.\u201d Theatre Forum<\/em> 15 (Summer\/Fall 1999): 34-44.<\/p>\n

\u201cScenes from the Contemporary Barcelona Stage: La Fura dels Baus’s Aspiration to the Authentic.\u201d Theatre Journal<\/em> 50.4 (December 1998): 447-72.
\nPartial reprint (in Spanish) in Historia y cr\u00ed\u00adtica de la literatura espa\u00f1ola<\/em>. Ed. Francisco Rico and Jordi Gracia. Barcelona: Cr\u00ed\u00adtica, 2000. 562-67.<\/p>\n

\u201cNational Theater \/ National Identity: Els Joglars and the Question of Cultural Politics in Catalonia.\u201d Special issue: The Visual Construction of National, Social and Ethnic Identities in Theater and Other Visual Arts. Gestos<\/em> 25 (Spring 1998): 80-96.<\/p>\n

\u201cSanctifying the Scatological and Debasing the Divine: Postmodernist Allegory and G\u00f3mez-Arcos’s Interview de Mrs. Muerta Smith por sus fantasmas<\/em>.\u201d Espa\u00f1a Contempor\u00e1nea<\/em> 8.1 (Spring 1995): 21-42.<\/p>\n

\u201cLos gatos<\/em>: G\u00f3mez-Arcos’s Spectacle of Sacrifice.\u201d Estreno<\/em> 23.1 (Spring 1995): 38-44.<\/p>\n

\u201cAgust\u00ed\u00adn G\u00f3mez-Arcos’s Di\u00e1logos de la herej\u00ed\u00ada<\/em> and the Deconstruction of History.\u201d Gestos<\/em> 18 (November 1994): 61-80.<\/p>\n

\u201cPerlimpl\u00edn<\/em>: Lorca’s Drama About Theatre.\u201d Estreno<\/em> 17.2 (Fall 1991): 34-38.<\/p>\n

Chapters, prefaces, and other essays<\/strong>
\n\u201c1845. \u00c0ngel Guimer\u00e0. El poder del teatre.\u201d Ed. Borja de Riquer. Barcelona: Edicions 62, 2020.<\/p>\n

\u201cSomnis americans.\u201d Preface to the Catalan edition of Glengarry Glen Ross<\/em>, by David Mamet. Trans. Carlota Subir\u00f3s. Barcelona: Comanegra\/Institut del Teatre, 2019. 9-22.<\/p>\n

\u201cMaria Rosa<\/em>, adaptada al cinema per Cecil B. DeMille.\u201d Maria Rosa, un cl\u00e0ssic vigent<\/em>. Ed. Enric Gall\u00e9n. Quaderns de la Rigala, Ajuntament del Vendrell, 2017. 43-56.<\/p>\n

\u201cPuentes teatrales y transferencias temporales: Teatro del siglo XIX para el siglo XXI (Catalunya).\u201d \/ \u201cPonts th\u00e9\u00e2traux et transfert temporals: th\u00e9\u00e2tre du XIXe si\u00e8cle pour le XXIe si\u00e8cle (Catalogne).\u201d Drama contemporani: renaixen\u00e7a o extinci\u00f3 \/<\/em> Drame contemporain: renaissance ou extinction?<\/em>, Ed. Carles Batlle, Enric Gall\u00e9n et M\u00f2nica G\u00fcell. Lleida\/Barcelona\/Paris: Punctum, Universitat Pompeu Fabra, Universit\u00e9 Paris Sorbonne, 2016. 191-200, 455-64.<\/p>\n

“The Theater of Maria Aur\u00e8lia Capmany and the Reverberations of Civil War (History, Censorship, Silence).\u201d Spanish Women Writers and Spain\u2019s Civil War<\/em>. Ed. Maryellen Bieder and Roberta Johnson. New York: Taylor & Francis\/Routledge, 2016. In press.<\/p>\n

\u201c\u2018Next to Normal\u2019:\u00a0Toward a Pathology of Public Theatre in Contemporary Catalonia.\u201d Funcions del passat en la cultura catalana contempor\u00e0nia<\/em>: Institucionalizaci\u00f3, representacions i identitat<\/em>. Ed. Josep Anton Fern\u00e0ndez and Jaume Subirana. Lleida: Punctum, 2015. 39-60.<\/p>\n

\u201cDe Barcelona para o mundo.\u201d Preface to Ponte c\u00eanica Catalunha-Brasil: Dramaturgias do S\u00e9culo XXI. (Carles Batlle, Josep M. Benet i Jornet, Llu\u00efsa Cunill\u00e9, Sergi Belbel<\/em>). Ed. Eliezer Faleiros de Carvalho. S\u00e3o Paulo: Pont esc\u00e8nic Brasil-Catalunya (Associaci\u00f3 Cooltura Internacional), 2015.<\/p>\n

\u201cSobre les influ\u00e8ncies, la tradici\u00f3 i altres ansietats: Alguns dilemes de l\u2019escena catalana contempor\u00e0nia.\u201d Lli\u00e7\u00f3 inaugural, M\u00e0ster Oficial Interuniversitari d\u2019Estudis Teatrals. Separata. Documenta Teatral, 4. Lleida: Punctum & M\u00e0ster Oficial Interuniversitari d\u2019Estudis Teatrals, 2012. 24 pp.<\/p>\n

(with Anxo Abu\u00ed\u00adn Gonz\u00e1lez) \u201cNationalism, Identity and Theatre across the Spanish State in the Democratic Era, 1975-2010.” A History of Theatre in Spain<\/em>. Ed. Maria M. Delgado and David Gies. Cambridge: Cambridge University Press, 2012. 391-425.<\/p>\n

\u201cSobre la invisibilidad y la visibilidad: Barcelona y el teatro.\u201d Separata. Instituto de Espa\u00f1a, Madrid, 2010.<\/p>\n

\u201cEl teatro de la \u00e9poca democr\u00e1tica.\u201d \u00a0Espa\u00f1a Siglo XXI<\/em>. Dir. Salustiano del Campo and Jos\u00e9 F\u00e9lix Tezanos. 6 vols. Vol. V: Literatura y bellas artes. Ed. Francisco Rico, Jordi Gracia and Antonio Bonet. Madrid: Biblioteca Nueva, Fundaci\u00f3n Sistema and Instituto de Espa\u00f1a, 2009. 135-69.<\/p>\n

Section on \u201cTeatre.\u201d In \u201cLa renovaci\u00f3 liter\u00e0ria.\u201d By Enric Bou. Panorama cr\u00ed\u00adtic de la literatura catalana<\/em>. Vol. IV: Segle XX: De la postguerra a l’actualitat. Ed. Enric Bou. Barcelona: Vicens Vives, 2009. 400-05.<\/p>\n

Sections on \u201cJosep M. Benet i Jornet\u201d and \u201cRodolf Sirera.\u201d In “Revulsi\u00f3 cosmopolita.\u201d By Enric Bou. Panorama cr\u00edtic de la literatura catalana<\/em>. Vol. IV: Segle XX: De la postguerra a l’actualitat. Ed. Enric Bou. Barcelona: Vicens Vives, 2009. 546-49, 564-66.<\/p>\n

(with John London) \u201cTwo Couples, Three Languages, and a Bed.\u201d Program note for Fourplay<\/em>, written by Sergi Belbel. Translated by Sharon G. Feldman. Tristan Bates Theatre, London, directed by Russell Bolam, 1-20 April 2008.<\/p>\n

\u201cManuel Molins, Una altra Of\u00e8lia<\/em> i els fantasmes de Shakespeare.\u201d Teatre, passions i (altres) insol\u00e8ncies<\/em>. Lectures sobre la dramat\u00fargia de Manuel Molins<\/em>. Val\u00e8ncia: Universitat de Val\u00e8ncia, 2008. 81-92.<\/p>\n

\u201cEl teatre catal\u00e0\u00a0 contemporani, l’esfera p\u00fablica i la figura de l’autor: Retalls de l’\u00c9poca de la transici\u00f3.\u201d La projecci\u00f3 social de l’escriptor en la literatura catalana contempor\u00e0nia<\/em>. Barcelona: Punctum\/GELCC (Grup d’estudis de literatura catalana contempor\u00e1nia de la Universitat Aut\u00f2noma de Barcelona), 2007. 563-72.<\/p>\n

\u201cAgust\u00edn G\u00f3mez-Arcos: Eyes Open.\u201d Preface to The Carnivorous Lamb<\/em>. French novel by Spanish writer Agust\u00ed\u00adn G\u00f3mez-Arcos. Trans. William Rodarmor. Vancouver: Arsenal Pulp Press, 2007. 9-26.<\/p>\n

\u201cCarles Batlles europa\u00efsche Landschaften.\u201d Afterword to German edition of Transit<\/em>. Catalan play by Carles Batlle. Gifkendorf (Germany): Merlin Verlag, 2007. 109-33.
\nPartial reprint (in Catalan). \u201cEls paisatges europeus de Carles Batlle.\u201d Postface to Tr\u00e0nsits<\/em>. Catalan play by Carles Batlle. Tarragona: Arola, 2007. 135-41.<\/p>\n

\u201cL’habitaci\u00f3 del nen de Benet i Jornet o La insuportable elusivitat de l’experi\u00e8ncia.\u201d El teatre de Josep M. Benet i Jornet (L’habitaci\u00f3 del nen i altres)<\/em>. Collection Catalane 8. \u00c9ditions de la Tour Gile: P\u00e9ronnas (France), 2006. 85-92.<\/p>\n

\u201cEls paisatges del teatre catal\u00e0\u00a0 contemporani: de Benet i Jornet a Cunill\u00e9.\u201d I Simposi Internacional sobre teatre catal\u00e0\u00a0 contemporani: De la transici\u00f3 a l’actualitat.<\/em> Barcelona: Institut del Teatre de la Diputaci\u00f3 de Barcelona, 2005. 55-69.<\/p>\n

\u201cLa fragilitat del paisatge.\u201d Preface to Salamandra<\/em>. Catalan play by Josep M. Benet i Jornet. Barcelona: Proa\/Teatre Nacional de Catalunya, 2005. 13-27.
\nPartial reprint in souvenir program and press dossier for Salamandra<\/em>, written by Josep M. Benet i Jornet. Directed by Toni Casares, Teatre Nacional de Catalunya, Barcelona, 13 October-December 2005.<\/p>\n

\u201cDins la nostra mem\u00f2ria.\u201d Preface to Forasters<\/em>. Catalan play by Sergi Belbel. Barcelona: Proa\/Teatre Nacional de Catalunya, 2004. 19-24.
\nReprint in souvenir program and press dossier for Forasters<\/em>, written and directed by Sergi Belbel, Teatre Nacional de Catalunya, Barcelona 17 September-November 2004.<\/p>\n

\u201cPost-Franco Theatre.\u201d Cambridge History of Spanish Literature<\/em>. Ed. David T. Gies. Cambridge: Cambridge University Press, 2004. 724-38.<\/p>\n

\u201cTornar a casa.\u201d Preface to Oasi<\/em>. Catalan play by Carles Batlle (“Josep Amatller” Prize 2002). El Galliner\/Teatre 193. Edicions 62: Barcelona, 2003. 7-19.
\nPartial reprint (in French): \u201cRentrer \u00e0\u00a0 la maison.\u201d Translation Isabelle Bres. Paris: \u00c9ditions du Laquet, 2003.<\/p>\n

\u201cAgust\u00ed\u00adn G\u00f3mez-Arcos.” Modern Spanish Dramatists: A Bio-Biographical Sourcebook<\/em>. Ed. Mary Parker. Westport, CT: Greenwood Press, 2002. 226-37.<\/p>\n

\u201cIgnasi Garcia i l’art de l’autenticitat.\u201d Preface to Reconstrucci\u00f3 dels fets<\/em>. Catalan play by Ignasi Garcia. Entreacte. (Revista de l’Associaci\u00f3 d’Actors i Directors Professionals de Catalunya)<\/em>. Col.lecci\u00f3 Teatre-Entreacte (October 2000): 1-4.<\/p>\n

\u201cPerformance Theory. Desde lo pol\u00edtico a lo espectacular: El caso de Els Joglars.\u201d El hispanismo en los Estados Unidos: discursos cr\u00c3\u00adticos\/pr\u00c3\u00a1cticas textuales<\/em>. Ed. Jos\u00e9 M. del Pino and Francisco La Rubia Prado. Literatura y Debate Cr\u00edtico. Madrid: Visor, 1999. 169-90.
\nPartial reprint (in Spanish) in \u201cContinuidad de la fiesta: Els Joglars, Comediants, La Fura dels Baus, La Cuadra de Sevilla\u201d (with Jos\u00e9 Gabriel Padilla and Rosa G\u00e1vez). Historia y cr\u00ed\u00adtica de la literatura espa\u00f1ola<\/em>. Ed. Francisco Rico and Jordi Gracia. Vol. 9.2 (Los nuevos nombres: 1975-2000: primer suplemento). Barcelona: Cr\u00edtica, 2000. 557-62.<\/p>\n

\u201cUn nen a l’escala.\u201d Preface to El criptogram<\/em>a. Catalan translation of play by David Mamet. Trans. Carlota Subir\u00f2s. Prefaces Sergi Belbel and Sharon G. Feldman. Barcelona: Proa\/Teatre Nacional de Catalunya, 1999. 9-19, 25-28.
\nPartial reprint in souvenir program for Catalan production of David Mamet’s The Cryptogram<\/em>, directed by Sergi Belbel, Teatre Nacional de Catalunya, Barcelona 8 April-30 May 1999. 6-9.
\nPartial reprint in program for Catalan production of David Mamet’s The Woods<\/em>, directed by Julio Manrique, Sala Beckett, Barcelona 13 September-8 October 2006.<\/p>\n

\u201cAgust\u00edn G\u00f3mez-Arcos en el ocaso del exilio: Los primeros a\u00f1os parisinos.\u201d Agust\u00ed\u00adn G\u00f3mez-Arcos: un hombre libre<\/em>. Ed. Gabriel N\u00fa\u00f1ez. Almer\u00eda: Instituto de Estudios Almerienses, 1999. 37-56.<\/p>\n

\u201cEllo dispara<\/em> de Ferm\u00c3\u00adn Cabal: Hacia una configuraci\u00f3n posmoderna del espacio textual\/teatral.\u201d De lo particular a lo universal: El teatro espa\u00f1ol del siglo XX y su contexto<\/em>. Ed. John P. Gabriele. Teor\u00eda y pr\u00e1ctica del teatro 2. Madrid: Iberoamericana, Frankfurt: Vervuert, 1994. 230-39.<\/p>\n

Articles in non-refereed publications<\/strong>
\n\u201cJosep M. Benet i Jornet: l\u2019her\u00e8ncia que ens deixa.\u201d [Josep M. Benet i Jornet: The legacy that he leaves us]. Special dossier \u201cRecord de Josep M. Benet i Jornet, \u2018Papitu,\u2019\u201d edited by Jordi Coca. Serra d\u2019Or<\/i> 730 (October 2020): 45-48.<\/p>\n

\u201cEl nostre dramaturg: In Memoriam<\/i> JMBiJ.\u201d L\u2019Aven\u00e7<\/i> 468 (May 2020): 13-15.<\/p>\n

\u201cHist\u00f2ries de Broadway, Hollywood i altres llocs: El periple nord-americ\u00e0 de Terra baixa<\/em> d\u2019\u00c0ngel Guimer\u00e0.<\/em>\u201d L\u2019Aven\u00e7<\/em> 431 (February 2017): 46-53.<\/p>\n

“Per qu\u00e8 ens cal revindicar els estudis literaris?\u201d\u00a0Catorze.cat <\/em>18 June 2016.<\/p>\n

\u201cCatalan Drama, To and Fro: A New Cosmopolitanism\u201d \/ \u201cL\u2019anar i venir dels dramaturgs catalans: un nou cosmopolitisme.\u201d Visat<\/em>: La Revista Digital de Literatura i Traducci\u00f3 del PEN Catal\u00e0<\/em> 19. April 2015. http:\/\/www.visat.cat\/articles\/cat\/111\/lanar-i-venir-dels-dramaturgs-catalansun-nou-cosmopolitisme.html<\/a><\/p>\n

\u201cCatalan Theatre Scene. A Story of Survival.\u201d Opening editorial for special issue on Catalan drama. In Transit<\/em> 24 (Winter 2014). Monthly Eurocatalan newsletter.<\/p>\n

\u201cJosep M. Benet i Jornet i l\u2019her\u00e8ncia de Desig.<\/em>\u201d Special dossier: Benet i Jornet, un premi d\u2019honor al teatre catal\u00e0. Ed. Jordi Coca. Serra d\u2019Or<\/em> 648 (December 2013): 80-84.<\/p>\n

\u201cEl teatre catal\u00e0: drames p\u00fablics i privats.\u201d L\u2019Aven\u00e7<\/em> 372 (October 2011): 42-51. (Excerpt from A l\u2019ull de l\u2019hurac\u00e0: Teatre catal\u00e0 contemporani. <\/em>Barcelona: L\u2019Aven\u00e7, 2011).<\/p>\n

\u201cLos exilios de Els Joglars.\u201d Special issue: \u201cEl teatro es la verdad suprema\u201d: Els Joglars, medio siglo de vida. Ed. Anna Corral Full\u00e0 . \u00cdnsula: Revista de Letras y Ciencas Humanas <\/em>(Madrid) 773 (May 2011): 6-11.<\/p>\n

\u201cSobre la invisibilidad y la visibilidad: Barcelona y el teatro.\u201d Separata. Instituto de Espa\u00f1a, Madrid, 2010.<\/p>\n

\u201c’American Awakenings.’ Dos nous musicals.\u201d Pausa.<\/em> 28. (Publication of the Sala Beckett, Barcelona). 2008.<\/p>\n

\u201cSobre la invisibilidad y la visibilidad: Barcelona y el teatro de Llu\u00efsa Cunill\u00e9.\u201d Primer Acto: Cuadernos de Investigaci\u00f3n Teatral<\/em> (Madrid) 314 (July 2006): 14-20.<\/p>\n

\u201cDe ausencias, recuerdos y redescubrimiento: El teatro de Agust\u00edn G\u00f3mez-Arcos.\u201d Bux\u00eda<\/em>: Arte y pensamiento 1 (May 2002): 26-35.<\/p>\n

\u201cTheatrical Politics and Political Theatrics in Barcelona.\u201d Special issue: Theatre in Spain. Western European Stages<\/em> (CUNY) 9.1 (Winter 1997): 16-20.<\/p>\n

Interview<\/strong>
\n\u201c’Si me gustan La Fura dels Baus y Moli\u00e8re, no es una contradicci\u00f3n’: Conversaciones con Sergi Belbel.\u201d Espaa\u00f1a Contempor\u00e1nea<\/em> 13.1 (Spring 2001): 71-86.
\n\u201cDos conversaciones con Sergi Belbel: ‘Que me gusten la Fura dels Baus y Moli\u00e8re no es una contradicci\u00f3n’\u201d (Expanded version of above-cited interview). Assaig de Teatre<\/em> (Revista de l’Associaci\u00f3 d’Investigaci\u00f3 i Experimentaci\u00f3 Teatral, Universitat de Barcelona) 12, 13, and 14 (September\/December 1998): 219-38.<\/p>\n","protected":false},"excerpt":{"rendered":"

Books From Barcelona to Broadway to the Silver Screen: \u00c0ngel Guimer\u00e0 in America. In preparation. With Francesc Foguet. Els l\u00edmits del silenci: La censura del teatre catal\u00e0 durant el franquisme. [The Limits of Silence: The Censorship of Catalan Theatre during … Continue reading →<\/span><\/a><\/p>\n","protected":false},"author":95,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-4","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/blog.richmond.edu\/laisfeldman\/wp-json\/wp\/v2\/pages\/4","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.richmond.edu\/laisfeldman\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/blog.richmond.edu\/laisfeldman\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/blog.richmond.edu\/laisfeldman\/wp-json\/wp\/v2\/users\/95"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.richmond.edu\/laisfeldman\/wp-json\/wp\/v2\/comments?post=4"}],"version-history":[{"count":2,"href":"https:\/\/blog.richmond.edu\/laisfeldman\/wp-json\/wp\/v2\/pages\/4\/revisions"}],"predecessor-version":[{"id":299,"href":"https:\/\/blog.richmond.edu\/laisfeldman\/wp-json\/wp\/v2\/pages\/4\/revisions\/299"}],"wp:attachment":[{"href":"https:\/\/blog.richmond.edu\/laisfeldman\/wp-json\/wp\/v2\/media?parent=4"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}