Arachnophonia: Abbey Road – The Inside Story of the World’s Most Famous Recording Studio

Editor’s note: Arachnophonia (“Arachno” = spider / “-phonia” = sound) is a regular feature on our blog where members of the UR community can share their thoughts about resources from the Parsons Music Library‘s collection.

All links included in these posts will take you to either the library catalog record for the item in question or to additional relevant information from around the web.

Today’s installment of Arachnophonia is by student assistant Alexandra (class of 2026) and features a book about the history of Abbey Road Studios in London. Thanks, Alex!

Abbey Road: The Inside Story of the World’s Most Famous Recording Studio by David Hepworth

Abbey Road by David Hepworth

The Beatles have been an iconic part of music history since their original formation in the 60s, and well after their break-up with their impression ever-lasting on today’s music and music culture. With over 33 million monthly listeners on Spotify alone, The Beatles impression has continued through the present day generation. Fans today, whether a new fan or old, know what the Abbey Road crossing is. While the Beatles originated from Liverpool, the Abbey Road album (1969) features a picture outside the studio they often used in London. Fans today visit the crosswalk to see the studio as well as recreate the famous picture. Some may ask why fans go all the way to St. John’s Wood in London to see this? David Hepworth answers this question in his new release focused on the studio itself. Paul McCartney even gives insights into the history and the magic that lies within the studio.

I was originally inspired to write something about the Beatles since they have been a very influential band to my music taste and I find myself listening to their music quite often. I was drawn to this specific book as it talks more about the studio on Abbey Road. Although I am from the US, my family lives in London currently and we live down the road from this very crosswalk. This summer while training for a 10k, I would run past this crosswalk everyday and by the tons of people gathered outside the studio, whether they were waiting to take a recreation photo on the sidewalk or waiting to enter into the studio itself. It always amazed me how even if it was completely miserable out, cold and raining as it typically is, these people would still be there. And all of them would still be smiling and having a completely wonderful time. It made me wonder: What is so special about the inside of that studio? Is it that amazing? And while I’ve never taken a visit to the studio in my 2.5 years living there, after reading this book and learning more about it, it is on my must-visit list for when I return over winter or summer break!

Parsons Playlists: Rainy Night

Welcome back to Parsons Playlists! Today’s playlist is curated by Music Library student assistant Alexandra (class of 2026) and features music for a rainy night.

Rainy Night

rainy night window

Here is a playlist of songs I find myself wanting to listen to when relaxing and doing my homework looking out my window to cold rainy weather.

Bruno Major – “Easily”

Mac DeMarco – “Blue Boy”

Loving – “Visions”

The Beatles – “Blackbird”

Billy Joel – “She’s Got a Way”

The Mamas & The Papas – “Dream A Little Dream Of Me”

Gregory Alan Isakov – “Big Black Car”

Djo – “Chateau (Feel Alright)”

Frank Sinatra – “It Had To Be You”

The Beatles – “Something”

Pink Floyd – “Breathe (In the Air)”

Here is a link to the whole playlist on YouTube: https://youtube.com/playlist?list=PLU94rco57ZezxGRDhYQLHOOLg88FRfl1b&si=hP0k0rAv1xNLhbZO

Parsons Playlists: Oldies But Goodies

Welcome back to Parsons Playlists! Today’s playlist is curated by Music Library student manager Marissa (class of 2025) and features a collection of oldies.

Oldies But Goodies

Looking for some 60s/70s/80s/90s tunes to jam out to with your parents? Or, do you want to explore a different era of music on your own? I’ve gathered together my top picks for an “Oldies but Goodies” vibe.

Elton John – “Goodbye Yellow Brick Road”

Billy Joel – “Movin’ Out (Anthony’s Song)”

The Beatles – “Help!”

Fugees – “Killing Me Softly With His Song”

The Monkees – “Daydream Believer”

Edison Lighthouse – “Love Grows (Where My Rosemary Goes)”

King Harvest – “Dancing in the Moonlight”

Fleetwood Mac – “Rhiannon”

Queen – “Don’t Stop Me Now”

ABBA – “Voulez Vous”

Glen Campbell – “Southern Nights”

Maxine Nightingale – “Right Back Where We Started From”

Here is a link to the whole playlist on YouTube: https://youtube.com/playlist?list=PLEPpzeK8v3s09B3ivoIti76W67R2c2j9B&si=IjPb6SdYLo5ICFBT

Parsons Playlists: Letting Go Of My Thoughts

Welcome back to Parsons Playlists! Today’s playlist is curated by Music Library student assistant Luis (class of 2025) and features songs to help you decompress after a busy day.

Letting Go Of My Thoughts

This a playlist of mostly indie and indie pop artists with a few classic older songs from bands like the Beatles, Led Zeppelin, and Jim Croce. I find that listening to these songs helps me decompress when I’ve had a long day and allows me to ease all the thoughts in my head.

letting go of my thoughts

The Beatles – “Oh! Darling”

Gus Dapperton – “Post Humourous”

Jim Croce – “I Got A Name”

The Brook & The Bluff – “Everything Is Just A Mess”

The Brook & The Bluff – “Misnomer”

Crumb – “Locket”

Led Zeppelin – “Fool in the Rain”

Oh Mercy – “I Feel Possessed”

The Backseat Lovers – “Maple Syrup”

Winterbourne – “Take The Golden”

Ondara – “Lebanon”

Caamp – “No Sleep”

Here is a link to the whole playlist on YouTube: https://youtube.com/playlist?list=PLU94rco57ZexRVDLH8SOqvQpWoNKhUyug

Arachnophonia: The Beatles “Abbey Road”

Editor’s note: Arachnophonia (“Arachno” = spider / “-phonia” = sound) is a regular feature on our blog where members of the UR community can share their thoughts about resources from the Parsons Music Library‘s collection.

All links included in these posts will take you to either the library catalog record for the item in question or to additional relevant information from around the web.

Today’s installment of Arachnophonia is by student manager Danny (class of 2023) and features the classic 1969 Beatles album Abbey Road. Thanks, Danny!

The Beatles
Abbey Road

The Beatles - Abby Road (album cover)

The question that typically comes up every time and again – a question that I find disrespectful to everyone but one, and yet worthy of the highest praise for that one in question – is one that is hotly debated. I have seen friendships one word away from disaster over the lunch table regarding this one question. I have witnessed other’s whole argument lose its pull as soon as someone had a worthy counterargument. I have seen people argue over the topic on Twitter and Instagram as if their opinion was slated in fact. I have seen people get so emotionally invested in this question that their face begins to get red, their eyes stand on the verge of tears, and every single vein in their body is one more second away from exploding. That question – the one I hate – is who is the best musical group ever?

Where does this question even get its basis from? Are we saying some genres are better than others?

Are we saying we can compare every single artist together despite no two artists being the same – with different vocals, different instruments, different cultures, different pacing, different everything? I get humans have the natural inclination to tier and rank – competition drives the world. But honestly, to me, this is an unanswerable and impossible question. Yea, we may be able to rank albums off charting positions and sales numbers. And then logically, we can say the artist that has the most cumulative sales across their whole discography is the best. That is a LOGICAL WAY to determine it. It still blows for literally every other artist other than number one – BUT – that one artist lives enshrined as the best for forever. And yet, despite me not liking that way to derive who is the “best”, it is logical. But, also, on top of the fact that humans have the natural inclination to tier and rank, humans are not the most intelligent. And instead of deciding who is the best logically, we let emotions, opinions, and our own experiences decide for us! As if it is not obvious enough, that is a one-way ticket to disaster. It brings up some pretty interesting debate, however but humans are also stubborn, and we can only imagine that nothing will ever be accomplished.

For those reasons, and just the idea that music should be appreciated for the piece of art it is and its individuality, not ranked against others because Jeff likes drums more than strings, I think that question is pretty lame.

However, I am going to explain a little bit about one album from one group that typically scores high on America’s meaningless “tier list.” Even better, I so happen to love this band, although they are not one of my everyday listens. But, since they have some of the most gripping and innovative music of the 1960s, I thought it would be a worthy choice to write about. And, even funnier, it leads into an interesting contradiction to say that I agree with the world in this case. I do not know if that now pigeonholes me into the broader term of being “basic,” but in this case, I will put aside that argument and agree with the world.
This leads me to this point: If I were to rank all bands, and put my differences aside with that impossible question, I would put the Beatles up at the very top – maybe not one, but top twenty. More specifically, if we were to rank albums, Abbey Road would be even higher.

Abbey Road album cover outtatke

To begin, Abbey Road is the 11th studio album of the Beatles, their second to last studio album and 11th in just over six years. The group itself is composed of Paul McCartney, John Lennon, George Harrison, and Ringo Starr, although Ringo was not one of the original members of the band (he replaced Pete Best in 1962). Together, the Beatles shot to worldwide prominence outside of their home country of the UK and more specifically their hometown of Liverpool. Their rise to American prominence began in the early 60s as many British bands were beginning to come to America in what was known as the “British Invasion.” If were to use the LOGICAL approach, the Beatles would be the most popular band of all time, selling 183,000,000 albums throughout their history. The album itself was a bit of a distance from some of the previous albums – they almost reverted back to their beginnings. The album did not contain many psychedelic hits as the majority of their later albums did. However, despite this, the band recorded the album at their breaking point; this was the last album that was released when they were all together, as John Lennon had made his exit from the brand prior to commercial release.

The album, in my opinion, demonstrates complete duality. Although the music is praised for being one of their best, with hit after hit, the band’s health, and the health of each of the members were deteriorating behind the scenes. The members were all annoyed with each other and George Martin played saving grace, trying to get the project to the world and to completion, whilst attempting to reduce the trouble brewing between the members. The wear and tear of fame, constant studio work, and trying to deal with it all took a toll on the Beatles by 1969, which caused a lot of the issues. They had faced adversity, as the band would experiment with cocaine, LSD, and marijuana in the mid to late 60s, followed by a crippling heroin addiction by three of the members. Behind the scenes, the Beatles were at their lowest and were struggling in their personal lives. It is still amazing that despite all the negatives, they somehow put their troubles, their conflicts, and their egos aside and created one of the most iconic songs of all time.

Some of my personal favorites off the album, are “Something,” “Here Comes the Sun,” “Oh Darling”, and “Because.” A large portion of the songs that I like most (in this case “Something” and “Here Comes the Sun”) were written by George Harrison. You could almost immediately tell when Harrison was the writer, with a distinct sound. In the case of Abbey Road, his songs were more melodic and slower, a slight diversion from the rock-infused roots that rose the band to prominence. They make for some of the most beautiful songs in their entire discography, but slightly behind my all-time favorite song from them – “While My Guitar Gently Weeps.” In my opinion, that song, with Eric Clapton playing the guitar in the background is the greatest Beatles song. The slower and melodic piece, with the guitar sounding almost as if it really was crying is nothing short of a masterpiece. And so, I consider myself biased in response to my favorites – George’s style and influence was something that resonates with me. That is yet another reason why I dislike ranking. Because in this case, my opinions, and biases seep through heavily.

Finally, as for the most influential and iconic portion of the piece, the Abbey Road album cover has become one the most definitive images of the band. Although an album cover that was very simplistic in nature, the image holds a variety of meaning and captures the Beatles’ spirit and careers all in one image. The image itself features all four Beatles walking along a crosswalk on Abbey Road, which is a street in London where EMI studios, the recording studio of the Beatles was housed. From left to right, there is George Harrison, in a jean shirt, jeans, white boots, long hair and a beard. This encompasses their later years, in which most of the members began to grow their hair out amidst the war years and counter-culture movement. To his right is Paul McCartney in a blueish-grey suit, a cigarette in hand, and a shorter hairstyle that is reminiscent from their pre-fame days. Afterward is Ringo Starr, dressed in a black suit. Finally, John Lennon finishes the image, with his long hair and all white appearance. Although not traditionally associated with the image, John being last in line wearing all white to me symbolizes heaven and the idea that the band is nearing their end. They are looking to the light and waiting for their come to end. The final piece of the album cover that many do not know is that the photographer only took six images of them. The Beatles walked down back and forth along the street three times. This cover image was the fifth image taken, and they were walking away from the studio. If we were to blow up the image, EMI would be on the left. This also foreshadows their immediate exit, as them walking away from EMI hints at their careers together ending.

Abbey Road album cover outtake

Image 3 (of 6) from the Abbey Road album cover shoot. Photo: Iain MacMillan

The everlasting impact of the band and this album is one that will live on forever in the minds and hearts of all music lovers. It is so popular to this date, that in 2019, 246,000 vinyl copies were sold. This comes over fifty years after its initial release. And so, to close, despite saying in the beginning of this piece that I hate rankings and considering a band to be the “best,” if I ever had the chance to make my opinion fact and that that becomes the standard everyone will have to adhere by – I would place Abbey Road in the top 15 albums of all time.

If you are so inclined to relisten to this masterpiece, or grace your ears for the first time, you can check out a copy of Abbey Road at Parsons Music Library today.

Parsons Playlists: “The Turn of the Seasons”

Welcome back to Parsons Playlists! Today’s playlist is curated by Music Library student assistant Marissa (class of 2025) songs celebrating the transition from summer to fall.

The Turn of the Seasons

This playlist starts out with that feeling of missing the warm weather and the ease of summer. As the songs go on, the listener feels more accepting of the new season, and is eventually overwhelmed by the excitement of leaves falling and sweater weather.

Taylor Swift – “august”

WILLIS – “I Think I Like When It Rains”

The Beatles – “Yesterday”

Taylor Swift – “right where you left me”

Meryl Streep and Amanda Seyfried – “Slipping Through My Fingers”

Ed Sheeran – “The A Team”

Harry Styles – “As It Was”

Wabie – “Love Me Tomorrow”

Green Day – “Wake Me Up When September Ends”

Post Malone – “Circles”

Ritt Momney – “Put Your Records On”

Coldplay – “Yellow”

Declan McKenna – “Brazil”

Earth Wind & Fire – “September”

Here is a link to the whole playlist on YouTube: https://www.youtube.com/watch?v=nn_0zPAfyo8&list=PLEPpzeK8v3s2_m0TioXsHNJ_80uYGSfCl

Parsons Playlists: Quirky Macca

Welcome back to Parsons Playlists! Today’s playlist is curated by Music Library Associate Melanie and features some Paul McCartney tracks.

This playlist was inspired by Paul McCartney (sometimes known to British fans as “Macca”) and the delightful quirky streak evident throughout his music career. His odder tracks also highlight the startling versatility of his voice and his interest in experimental recording techniques.

Let’s start with 2 versions of the same song. “Coming Up” was the opening track on the 1980 album McCartney II. The song makes use of synthesizers and sped-up vocals using a vari-speed tape machine.

The video for this version actually premiered on Saturday Night Live on May 17, 1980 and features multiple McCartneys and a couple of Linda McCartneys as a (fictional) band called the Plastic Macs.

This version peaked at number 2 on the UK singles chart, while in the U.S. and Canada a live version of the song recorded in Glasgow in 1979 was released and became the hit version peaking at number 1 on the Billboard Hot 100.

McCartney’s old bandmate John Lennon really liked the album version of the song, saying “I thought that ‘Coming Up’ was great, … And I like the freak version that he made in his barn better than that live Glasgow one.” So herewith, a playlist highlighting Macca’s “freaky side”. I might have gotten a bit carried away with this list, but there’s so much fun stuff out there, I couldn’t resist! – MAA

“Coming Up” (McCartney II version, released 1980)

“Coming Up” (Live in Glasgow, December 17, 1979)

“Pretty Little Head” (Dreamy and atmospheric. From Press To Play, released 1986)

“Monkberry Moon Delight” (A scream-y stomper with some of the oddest lyrics you’ll come across. From Ram, released 1971)

“Check My Machine” (Quite literally created as an exercise to check his home recording machine. From McCartney II, released 1980)

“Nod Your Head” (From Memory Almost Full, released 2007)

“Why Don’t We Do It In The Road?” (Short, simple and … lusty. From The Beatles – aka The White Album, released 1968)

“Uncle Albert/Admiral Halsey” (Playful and inventive. From Ram, released 1971)

“We All Stand Together” (Billed as Paul McCartney and the Frog Chorus – appears in the 1984 animated cartoon “Rupert & the Frog Song”. The song was a top 10 hit in the UK.)

“Free Now” (A little musique concrète in collaboration with Youth and Super Furry Animals. From Liverpool Sound Collage, released 2000)

“Où est le Soleil?” (A synth-y electronic vibe en français. The lyrics translate as “Where is the sun? In the head. Work.” From Flowers in the Dirt, released 1989)

“Smile Away” (From Ram, released 1971)

“Wild Honey Pie” (A snippet in the key of F# major (that’s 6 sharps!). From The Beatles’ White Album, released in 1968)

“Kreen-Akrore” (A lo-fi instrumental jam session. From McCartney, released 1970)

“Mary Had A Little Lamb” (Not a rocker at all, it’s a cute little children’s song based on the nursery rhyme. A non-album single, released in 1972.)

“Hi, Hi, Hi” (Quite a fun little rocker. Banned by the BBC for sexually suggestive lyrics and drug references. A staple of Wings live shows in the 1970s. Non-album single, released 1972)

“Nothing Too Much Just Out of Sight” (A track by The Fireman – a collaboration between McCartney and Youth. From Electric Arguments, released in 2008)

“Magneto and Titanium Man” (A comic book inspired song featuring Marvel characters. Endorsed by Stan Lee and Jack Kirby. From the Wings album Venus & Mars released in 1975.)

“Temporary Secretary” (Another 1980 track from McCartney II. Described in Rolling Stone as an “oddly catchy electro-pop nugget, about a slightly creepy-sounding guy looking to hire a temp.” Can’t argue with that assessment, really.)

“Step Inside Love/Los Paranoias” (This track from the Beatles Anthology 3 begins as a demo of a song for Cilla Black and morphs into an amusing jam session. Recorded in 1968. Released in 1996.)

“Oo You” (From McCartney, released 1970)

“Old Siam Sir” (From the seventh and final Wings studio album Back to the Egg, released in 1979)

“Flaming Pie” (A track from the 1997 album also entitled Flaming Pie.)

“You Know My Name (Look Up The Number)” (A rather nutty music hall comedy number recorded between 1967 and 1969 and released as the B-Side to “Let It Be” in 1970. Listen for McCartney’s sleazy lounge singer character!)

Here is the whole playlist on YouTube: https://youtube.com/playlist?list=PLU94rco57Zey6hqfXCEL9s9O3V6ZfkYRk

And here’s a (slightly longer) version of the playlist on Spotify:

Parsons Playlists: “POV: 1:30am and you have two finals tomorrow”

Welcome back to Parsons Playlists! Today’s playlist is curated by Music Library student manager Danny (class of 2023) and it may be somewhat relatable during exam season. Hang in there!

POV: 1:30am and you have two finals tomorrow

coffee

MARINA – “Oh No!”

The 1975 – “UGH!”

Roy Orbison – “Crying”

Cast of Hamilton – “Helpless”

The Beatles – “Help!”

Janelle Monáe feat. Zoë Kravitz – “Screwed”

Snow Patrol – “This Isn’t Everything You Are”

Rhys Lewis – “Better Than Today”

Tate McRae – “feel like shit”

That Poppy – “Lowlife”

Mabel, Jax Jones & Galantis – “Good Luck”

The Killers – “Everything Will Be Alright”

Drake feat. Sampha – “Too Much”

The Vaccines – “I Can’t Quit”

Jane Krakowski – “A Trip To The Library”

Lauv – “Adrenaline”

blackbear feat. Stalking Gia – “wish u the best”

The Story So Far – “If I Fall”

Here is a link to the whole playlist on YouTube:
https://youtube.com/playlist?list=PLU94rco57ZezBO2PYAYVXq9avemL-zl0w

And here it is on Spotify:

Arachnophonia: “Rocky Raccoon”

Editor’s note: Arachnophonia (“Arachno” = spider / “-phonia” = sound) is a regular feature on our blog where members of the UR community can share their thoughts about resources from the Parsons Music Library‘s collection.

All links included in these posts will take you to either the library catalog record for the item in question or to additional relevant information from around the web.

Today’s installment of Arachnophonia is by student manager Allison (class of 2022) and features “Rocky Raccoon”, a 1968 song by the Beatles. Thanks, Allison!

The Beatles – “Rocky Raccoon”

Rocky Raccoon  illustration by Jim McHugh

Rocky Raccoon illustration by Jim McHugh of mcillustrator.com (used with permission of artist)

I was first introduced to “Rocky Raccoon” in middle school during a guitar lesson. My teacher gave me the song to learn because I was gaining more interest in The Beatles and he thought it was a fun one. This further introduced me to some of the more eclectic and trippy songs among their lengthy discography.

The Beatles were an English rock band during the 1960s. Although their music is still very prevalent today, the band was only together for approximately a decade. Throughout this period, they produced numerous albums which were all regarded very highly by their global audience. “Rocky Raccoon” was one of many songs on The Beatles’ “White album” which was released in 1968.

Throughout the years, “Rocky Raccoon” has remained one of my favorite songs by The Beatles and is definitely one of my favorite songs to play on guitar. What I like most about the song is the chord progression. It’s written in a way that you could just keep playing it over and over. It may just be a silly song about a raccoon; however, the chord progression is what makes the song in my opinion.

It was 50 years ago today …

The BeatlesSgt. Pepper’s Lonely Hearts Club Band album was released on June 1, 1967 in the UK and on June 2, 1967 in the US. It became the soundtrack for the fabled “Summer of Love” both influencing and reflecting the flower powered youth culture of the time, but its appeal has proven to be timeless.

Beatles - Sgt. Pepper album cover

The Beatles stopped touring in August of 1966, and took some time off. The group reconvened in November of that year and spent over 400 hours in the studio between November 1966 and April 1967 completing the album. (This was a far cry from their first foray into EMI Studios to record their first album in 1963 — that entire album was recorded in less than 24 hours!) This studio time led to all sorts of interesting musical experimentation and since the group had decided they were done with touring, there was no need to worry about whether the songs could be produced live on stage. The album as a whole is a fascinating almalgamation of harmonium, harpsichord, brass band, fairground noises, harp, psychedelia, Leslie speaker tweaking, multi-tracking, tape loops, full orchestra, crashing apocalyptic piano chords, dog whistles and more. The Beatles’ musical ideas required lots of technical innovation from producer George Martin and studio engineers.

Sgt. Pepper gatefold

The eclectic mix of songs was loosely held together by the “concept” of a fictional Edwardian alter-ego Sgt. Pepper Band and the songs are wonderfully joyful. From the psychedelic marching band music that introduces us to Sgt. Pepper’s Lonely Hearts Club Band, to the psychedelic imagery of “Lucy in the Sky With Diamonds” ( title inspired by a drawing by John Lennon’s young son, Julian), to the music hall whimsy of McCartney’s “When I’m Sixty-Four”, to the spiritual tone of Harrison’s sitar-laced “Within You Without You”, to the amazing shifting tones, full orchestral crescendo and avant garde surrealism of “A Day In The Life” (one of the greatest ever Lennon/McCartney collaborations in this author’s opinion), there is much to enjoy, right through to the startling tape loop ending inserted into the run-out groove of the original LPs (and included on CD reissues if you wait for it). The Beatles drew inspiration from varied sources like an 1843 circus poster (“Being For The Benefit Of Mr. Kite”), a TV cornflakes commercial (“Good Morning, Good Morning”), news stories about runaway teens (“She’s Leaving Home”) or car accidents (“A Day in the Life”).

An alternate take from the Sgt. Pepper cover photo session

An alternate take from the Sgt. Pepper cover photo session

There is just as much to enjoy in a perusal of the album art itself. The cover features a pop art inspired collage of various folks (famous and not so famous) that the Beatles chose as inspirational to them, elaborate gatefold sleeve packaging (with bonus cardboard mustaches and pseudo-military insignia in early pressings) and includes the lyrics to all of the songs printed on the back cover, something that had never been done before with a pop album.

Sgt. Pepper back cover with lyrics

Sgt. Pepper signaled that pop & rock music could also be considered high art or even progressive social expression and more than just disposable entertainment. Musicologists cite Sgt. Pepper as continuing the musical maturation of the Beatles as a group that began with Revolver and Rubber Soul. It was also extremely influential on the development of progressive rock with its emphasis on studio experimentation, elaborate instrumentation and insistence on pushing the boundaries beyond conventional subject matter and track lengths. The album has been an influence on countless others since its release in 1967.

Here’s a sampling of a few of (many) parody takeoffs on the iconic cover:

Frank Zappa and the Mothers of Invention – We’re Only In It For The Money

Frank Zappa & The Mother's Of Invention

The SimpsonsThe Yellow Album

Simpsons - "The Yellow Album"

The RutlesSgt. Rutter’s Only Darts Club BandRutles - Sgt. Rutter

Golden Throats – a compilation of critically lambasted cover songs

Golden Throats

Sgt. Pepper’s Lonely Hearts Club Band consistently ranks in critics and fans listings of best albums of all time. Among numerous accolades and awards, it is ranked # 1 in Rolling Stone’s 500 Greatest Albums of All Time. It’s included in the Library of Congress’s National Recording Registry and is one of the best-selling albums of all time.

Whether Sgt. Pepper is an old favorite or if it’s brand new to you, this classic album / cultural touchstone is well worth a listen!

Sgt. Pepper cut outs insert

Sgt. Pepper cut outs insert