Arachnophonia: Bob Dylan

Editor’s note: Arachnophonia (“Arachno” = spider / “-phonia” = sound) is a regular feature on our blog where members of the UR community can share their thoughts about resources from the Parsons Music Library‘s collection.

All links included in these posts will take you to either the library catalog record for the item in question or to additional relevant information from around the web.

Today’s installment of Arachnophonia is by student manager Amy (class of 2025) and features Bob Dylan’s first studio album (released in 1962). Thanks, Amy!

Bob Dylan

Bob Dylan (1962)

Bob Dylan’s debut album, released in March 1962 by Columbia Records, marks a pivotal moment in the history of folk and popular music. Recorded over two days in November 1961, the album introduces the world to the raw, authentic voice of 20-year-old Dylan. The opening track, “You’re No Good,” immediately showcases Dylan‘s distinctive vocal style and his ability to infuse traditional songs with new life. The album is a compelling blend of folk standards, bluesy interpretations, and a few original compositions, offering a glimpse into the mind of a burgeoning songwriter and storyteller.

Dylan’s command of the acoustic guitar is evident throughout the album, providing a solid foundation for his poetic and often socially conscious lyrics. “Talkin’ New York” is an autobiographical track detailing Dylan’s early experiences and struggles in the Greenwich Village folk scene. “In My Time of Dyin'” reflects Dylan’s fascination with mortality and traditional blues themes, while “Man of Constant Sorrow” highlights his ability to reinterpret folk classics with a fresh perspective.

The album also features Dylan’s take on the traditional ballad “House of the Risin’ Sun,” a rendition that would influence countless musicians. The haunting quality of this track, combined with Dylan’s distinctive vocal delivery, contributes to the enduring appeal of the song. “Song to Woody” pays homage to Woody Guthrie, one of Dylan‘s most significant influences.

In hindsight, Bob Dylan is a captivating snapshot of an artist on the cusp of greatness. While not an immediate commercial success, the album laid the groundwork for Dylan’s subsequent groundbreaking work. Its influence on the folk revival of the 1960s and its enduring impact on subsequent generations of musicians solidify its place as a seminal piece in the folk and rock canon. Bob Dylan captures the essence of a young artist finding his voice, foreshadowing the revolutionary changes he would bring to the world of music in the years to come.

You can listen to Bob Dylan’s first studio album Bob Dylan at Parsons Music Library.

Arachnophonia: Ariana Grande “Sweetener”

Editor’s note: Arachnophonia (“Arachno” = spider / “-phonia” = sound) is a regular feature on our blog where members of the UR community can share their thoughts about resources from the Parsons Music Library‘s collection.

All links included in these posts will take you to either the library catalog record for the item in question or to additional relevant information from around the web.

Today’s installment of Arachnophonia is by student manager Marissa (class of 2025) and features Ariana Grande’s 2018 album Sweetener. Thanks, Marissa!

Ariana Grande

Sweetener

Ariana Grande - Sweetener

Ariana Grande‘s fourth studio album Sweetener was released in the summer of 2018. Collaborating with other artists like Pharrell Williams, Nicki Minaj, and Missy Elliott, this album is loved by many different audiences. It won Best Pop Vocal Album of the Year in 2019, giving Grande her first Grammy award.

This pop and R&B styled album includes themes of womanhood, romance, and hope in the face of tragedy and loss. The three singles on the album are “No Tears Left to Cry,” “God Is a Woman,” and “Breathin‘,” each charting on the US Billboard Hot 100.

The last track, “Get Well Soon,” is a tribute to the lives lost at the Manchester Arena bombing during her previous tour. There are 40 seconds of silence at the end of this song to commemorate the 22 victims who passed away, bringing the runtime to 5:22 (the date of the concert).

If you’d like to listen to these songs mentioned and more, you can check this CD out from the Parsons Music Library today. You won’t regret it!

Parsons Playlists: Victoria Monét

Welcome back to Parsons Playlists! Today’s playlist is curated by Music Library student manager Amy (class of 2025) and features music by American R&B artist and songwriter Victoria Monét.

Victoria Monét

Victoria Monét

Victoria Monét, a talented R&B artist and songwriter, secured three well-deserved Grammy Awards at the 2024 ceremony, including the coveted title of Best New Artist. Witnessing her triumph filled me with absolute joy, as her musical creations, both as a songwriter and a vocalist, are nothing short of extraordinary. Recognizing that not everyone may be familiar with Victoria’s incredible talent, I decided to curate a playlist featuring some of my favorite songs penned by this exceptional artist.

Victoria Monét – “We Might Even Be Falling In Love (Interlude)”

Victoria Monét – “On My Mama”

Victoria Monét – “Coastin’”

Ariana Grande (with Victoria Monét)- “MONOPOLY”

Victoria Monét – “Moment”

Chole x Halle – “Do It”

Ariana Grande – “love language”

Victoria Monét – “Jaguar”

Victoria Monét (feat. Kehlani) – “Touch Me”

Victoria Monét – “Dive”

Victoria Monét – “Ass Like That”

Victoria Monét – “Alright”

Victoria Monét – “Go There With You”

Here is a link to the whole playlist on Youtube: https://youtube.com/playlist?list=PLSwAwMtTLDwj_Kf7CeJxvFP8fYXe6OQw3&si=jQAtNl3RU1Dw-lNE

And here it is on Spotify:

Parsons Playlists: Karol G

Welcome back to Parsons Playlists! Today’s playlist is curated by Music Library student assistant Luis (class of 2025) and features music by Columbian singer Karol G.

Karol G

Karol G

Carolina Giraldo Navarro, better known as KAROL G, is a Latin artist from Medellin, Colombia who has been rising in the music industry as of late. She just won her first Grammy this year and is only continuing to rise in the charts. I have been listening to her a lot recently and wanted to share some of my favorite songs.

Karol G and Peso Pluma – “QLONA”

Karol G – “Amargura”

Karol G – “Mi Ex Tenia Razon”

Karol G and Shakira – “TQG”

Karol G – “Oki Doki”

Karol G – “S91”

Karol G – “Provenza”

Karol G and Maldy – “Gatúbela”

Karol G – “200 Copas”

Karol G and Nicki Minaj – “Tusa”

Karol G – “Bichota”

Karol G feat. Aldo Ranks – “Watati”

Here is a link to the whole playlist on YouTube: https://youtube.com/playlist?list=PLU94rco57ZexyAvMRXc1h915Dj8QO1VdJ&si=RpGUw3IU-GB94b_F

Parsons Playlists: Best K-Pop 2023

Welcome back to Parsons Playlists! Today’s playlist is curated by Music Library student manager Xipeng (class of 2024) and it features some of the best K-pop from 2023.

Best K-pop 2023

K-pop image by Kurihara Akane / flowerakane@MT

Jung Kook feat. Jack Harlow – “3D”

NCT 127 – “Fact Check”

NewJeans – “Super Shy”

XG – “New Dance”

V – “Slow Dancing”

BoyNextDoor – “But Sometimes”

BoyNextDoor – “One and Only”

Riize – “Get a Guitar”

NCT U – “Baggy Jeans”

Le Sserafim – “Eve, Psyche & The Bluebeard’s Wife”

Seventeen – “Super”

BSS feat. Li Young Ji – “Fighting”

Here is a link to the whole playlist on YouTube: https://youtube.com/playlist?list=PLU94rco57Zeww2QgmYwNBOEdF9tAArVOc&si=8Jz7zyFVlcNhwaqj

Check out an extended playlist on Spotify!:

Arachnophonia: Taylor Swift “folklore”

Editor’s note: Arachnophonia (“Arachno” = spider / “-phonia” = sound) is a regular feature on our blog where members of the UR community can share their thoughts about resources from the Parsons Music Library‘s collection.

All links included in these posts will take you to either the library catalog record for the item in question or to additional relevant information from around the web.

Today’s installment of Arachnophonia is by student manager Marissa (class of 2025) and features Taylor Swift’s 2020 album folklore. Thanks, Marissa!

Taylor Swift

folklore

Taylor Swift - folklore (album cover)

During the height of the COVID-19 pandemic in July 2020, American singer-song writer Taylor Swift released her 8th studio album titled folklore. This album was vastly different from anything she had produced previously, drawing in a new crowd of indie folk fans.

While Swift’s usual songs are written about events that took place in her personal life, folklore takes a different route: each song tells a fictional story with the same cast of characters throughout the album. The tracks “cardigan”, “betty”, and “august” all center around a love triangle between the characters Betty, James, and Augustine. Most of these songs include only Taylor Swift‘s vocals, however the track “exile” features the band Bon Iver as well.

If you are interested in anything Taylor Swift, learning more about this love triangle, or are already a fan of indie folk music, I’d recommend checking out this CD today from Parsons Music Library. You can find the item here: folklore.

Arachnophonia: George Harrison “All Things Must Pass”

Editor’s note: Arachnophonia (“Arachno” = spider / “-phonia” = sound) is a regular feature on our blog where members of the UR community can share their thoughts about resources from the Parsons Music Library‘s collection.

All links included in these posts will take you to either the library catalog record for the item in question or to additional relevant information from around the web.

Today’s installment of Arachnophonia is by student manager Danny (class of 2023) and features George Harrison’s 1970 album All Things Must Pass. Thanks, Danny!

All Things Must Pass
George Harrison

George Harrison - All Things Must Pass (1970)

When analyzing each of the Beatles independently, their lives, and their careers, I often always associate each of the members with each other. I find comfort in coming back to their time as the Beatles. I rarely step out of the Beatles discography and engage with the solo art of each of the four. If you are an avid music listener, this is where you can place your condemnation upon me. Because, I must admit, I have missed out on a lot of music by these four. All four Beatles had taken solo careers and were highly successful. Although I knew this to be true, I still could not bring myself to actually listen. I have no doubt heard some of the famous songs written by one of the four, but never chose to immerse myself in their entire discography.

It was only very recently that I had heard a song by Paul McCartney in his solo career that I had never heard that made me want to scour the internet and find as much as I could about these four men and the masterpieces they put together outside of their time with the Beatles. Stylistically, I assumed a lot of their music would end up being similar to the songs they released while together. Going back to my original thought, that song was “Live and Let Die” by Paul and his band Wings, made to be the theme in the James Bond film of the same name. I had heard the song at 5:00 am over spring break on the radio, waiting in the car for my Amtrak to arrive and take me back to the University of Richmond. And afterward, instead of playing the next song, there was a bit of a discussion by the radio DJ about the song. Usually, I am not a fan of these, which is why I typically just connect my Spotify account and play accordingly, but, I am glad I listened. In it, the DJ said that McCartney needed only 15 minutes to come up with the main structure of the song. That absolutely blew me away. If McCartney can create one of the most iconic movie songs in the history of cinematic production in just fifteen minutes, then I could only imagine how many other songs he had the potential to release.

McCartney was fun and I had my short fix on his music with Wings, but I really wanted to then see the works of George Harrison, whose music constantly became underappreciated and one-upped by Paul and John during their tenure with the Beatles. I knew he must have had a lot of pent up music that he wanted to have released with the Beatles that was passed up on. This music surely had to be released during his solo career.

And, if I am being completely honest, although I believed this, I never actually listened to any of his albums. The only non-Beatles engagement I had with him was “Got My Mind Set On You” from his album Cloud Nine, and the songs that were released by The Traveling Wilburys. The Traveling Wilburys are a fascinating story, and probably worthy to have their own post another day. So, I decided randomly that I would pick an album that was earlier in his solo career. The winner was All Things Must Pass, George’s first album after the breakup of the Beatles.

All Things Must Pass, released in 1970, was unapologetically George. As mentioned earlier, a lot of George’s music was not really put into Beatles works and the other members were not 100% sold on his abilities as a writer. His role was ultimately to play the guitar and act as backup vocals. Years of beautiful work were ultimately kept to himself, as he was not going to release these songs alone while in the studio with the Beatles. I for one actually like George’s songs the most. And so, his style and his writing were way more pleasing to my ears than the other songs of the quartet.

The album is a long one, so I will recommend to be ready. It has a run time of 106 minutes long (1 hour and 46 minutes), and features six sides that were later transformed into two discs. One of the more interesting artists that joined forces with George on the album was Eric Clapton. The relationship between the two has generated some extremely powerful and good music. One of my favorite Beatles songs, “While My Guitar Gently Weeps,” features Eric Clapton’s guitar prominently, creating an elegant sound that creates a weeping noise.

All in all, I do not want to spoil much of the beauty that comes through in this album, and I would advise having a listen. If you want a physical CD copy, come to the Parsons Music Library on the third floor of the Modlin Center (second floor of Booker Hall) and check it out today.

All Things Must Pass poster insert (1970)

George Harrison photographed at Friar Park, 1970 – poster insert for original release of All Things Must Pass

Arachnophonia: Amy Winehouse “Back To Black”

Editor’s note: Arachnophonia (“Arachno” = spider / “-phonia” = sound) is a regular feature on our blog where members of the UR community can share their thoughts about resources from the Parsons Music Library‘s collection.

All links included in these posts will take you to either the library catalog record for the item in question or to additional relevant information from around the web.

Today’s installment of Arachnophonia is by student manager Amy (class of 2025) and features Amy Winehouse’s 2007 album Back To Black. Thanks, Amy!

Amy Winehouse

Back To Black

Amy Winehouse - Back to Black

Amy Winehouse’s album Back to Black has been my top album since I was 16. Not only is the unique quality of her voice astounding but her lyrics perfectly encapsulate the realities of an abusive relationship.

Back to Black was Winehouse’s sophomore album and the title track, “Rehab,” suggested the album would be nothing like its predecessor Frank (released in 2003). Frank sounded as if Winehouse had taken the lyrics of an artist like Michael Bublé and added a bit of hip-hop to it, the most notable piece was her voice.

These raspy painful notes that begin “Rehab,” a Top 10 hit in the UK and US, point to the three years between Frank and Back to Black being far from easy. After Frank debuted, Winehouse began a very topsy-turvy relationship with Blake Fielder-Civil, a music video assistant. Fielder-Civil has come forward and admitted to being Winehouse’s introduction to hard drugs. The two would get into physical and verbal altercations in public, the catalysis of this being Fielder-Civil leaving Winehouse at one point for his ex-girlfriend.

Fielder-Civil leaving was the inspriation for the song “Back to Black.” It described the dark moments of depression she felt after he left. It also described how she went back to abusing alcohol after he left because she didn’t have anything else to cope with.

Another of her famous singles “Love is a Losing Game,” a long metaphor for love being an unfair game, the song, while quite simple with lyrics like “Know you’re a gambling man/ Love is a losing hand,” is considered to be one of Winehouse’s most powerful songs because of its deep meaning.

My personal favorite song, “Tears Dry on Their Own” is an anthem for those who need the hard truth: it is time to get over it. In an interview with BBC, Winehouse described her inspiration for the song: “I was with someone that I couldn’t really be with and I knew it wouldn’t last. But I think because I knew it couldn’t last, it’s kinda like saying, “I’m upset, but I know I’ll get over it, I guess.”

After a stint in rehab and an arrest for marijuana possession, Winehouse won five Grammy Awards in 2008, an award ceremony she was not able to attend as the US denied her visa on grounds of use and abuse of narcotics. That same year, Back to Black was said to be the second-highest selling album in the world. Winehouse died of accidental alcohol poisoning on July 23, 2011.

Parsons Playlists: Early on the Other Side of the World

Welcome back to Parsons Playlists! Today’s playlist is curated by Music Library student assistant Nikoloz (class of 2026) and features some Russian songs from the 2000s-2010s.

Early on the Other Side of the World

This playlist includes Russian songs from the early 2000s, and some from 2010s. I myself am not Russian, but these songs were commonly heard on TV growing up in Georgia, very early in my childhood.

moscow-kremlin-sunny-winter-morning-moscow-winter-moscow-kremlin-sunny-winter-morning-moscow-winter-112262112

t.A.T.u. – “Nas Ne Dagoniat (They Won’t Catch Up)”

Yuriy Shatunov – “Белые розы (White Roses)”

Seryoga – “Черный Бумер (Black BMW)”

Aidamir Mugu – “Chorniye Glaza (Black Eyes)”

Grigory Leps & Ani Lorak – “Zerkala (Mirrors)”

Timati feat. Grigory Leps – “Лондон (London)”

Grigory Leps & Irina Allegrova – “Я тебе не верюp (I Don’t Believe You)”

Grigory Leps – “Я ТЕБЯ НЕ ЛЮБЛЮ (I Don’t Love You)”

Grigory Leps – “Самый лучший день (The Best Day)”

Animals – “До скорой встречи (See You Soon)”

Brigade – “Моя игра (My game)”

Here is a link to the whole playlist on YouTube: https://youtube.com/playlist?list=PLU94rco57Zexp0mUcjLZCaEptvdNZXapC

Arachnophonia: Elton John – “Rocket Man”/”Goodbye Yellow Brick Road”

Editor’s note: Arachnophonia (“Arachno” = spider / “-phonia” = sound) is a regular feature on our blog where members of the UR community can share their thoughts about resources from the Parsons Music Library‘s collection.

All links included in these posts will take you to either the library catalog record for the item(s) in question or to additional relevant information from around the web.

Today’s installment of Arachnophonia is by student manager Kiran (class of 2024) and features a biography of and albums by Elton John. Thanks, Kiran!

Elton John
Rocket Man: The Life of Elton John by Mark Bego
Goodbye Yellow Brick Road by Elton John

Rocket Man: The Life of Elton John by Mark Bego

Farwell Yellow Brick Road – The Closing Chapter on Elton John’s Magical Journey

For people in my generation, Elton John was the singer we grew up listening to when our parents were tired of listening to 2010s pop and Disney Channel stars. He (and songwriting partner Bernie Taupin) were the masterminds behind the
music & lyrics we somehow all knew even if we didn’t recognize the name. Needless to say, Elton John has been an influential artist on multiple generations and continues to be one of the biggest names in the music industry.

Elton John - Goodbye Yellow Brick Road

This year, he took to the stage one last time and began his very last world tour. John, now 75, has played over 3,500 concerts since his career took off in 1969. The “Farwell Yellow Brick Road” tour began in 2018 and was halted due to COVID-19. In early November of 2022, John completed the North America leg at Dodgers Stadium, as a nod to one of his earliest shows in which he performed in a bedazzled Dodgers uniform. He will continue touring in Europe this summer with about 60 shows left before he takes his final bow.

John has taken on numerous projects during his career, from creating the hit “Can You Feel The Love Tonight” to an entire soundtrack for Gnomeo and Juliet. You can read more about him at Parsons Music Library or listen to one of his many famous albums in our CD section!

Promotional poster for Elton John's Farewell Yellow Brick Road tour

Promotional poster for Elton John’s Farewell Yellow Brick Road tour