Welcome back to Parsons Playlists! Today’s playlist is curated by Music Library student manager Xipeng (class of 2024) which can be enjoyed by moonlight.
Serenaded by the Moon
This is the one of my favorite playlists to have at midnight, either when I am with friends or just enjoy the time to be alone. Turn off the lights, and enjoy this beautiful night!
Welcome back to Parsons Playlists! Today’s playlist is curated by Music Library student manager Christian (class of 2023) and features some iconic drum performances.
The Ultimate Drum Playlist
This playlist features some of the most captivating and complex drum grooves, from jazz to heavy rock.
Welcome back to Parsons Playlists! Today’s playlist is curated by Music Library student assistant Eli (class of 2024) and features jazz/samba music from the great saxophonist Stan Getz.
One of the greatest jazz saxophonists of all time, many know “The Sound” Stan Getz from “The Girl From Ipanema”. Here are more of his greatest works to expand your jazz and samba repertoire.
Welcome back to Parsons Playlists! Today we’re featuring a selection of songs with Funky Bass Grooves as curated by Music Library student manager Christian (class of 2023).
Parsons Playlists: Funky Bass Grooves
A playlist of some great songs with dangerously funky bass lines.
Welcome back to Parsons Playlists! Today we’re featuring a collection of feel good indie/alternative music curated by Music Library student manager Abby (class of 2021).
So here are “some relaxing jazz instrumentals for your late night study sessions” curated by Abby for you:
The Music Library has more resources available than physical items. We’re highlighting some of our digital resources, and including information about them as told by our student employees.
Here’s what student manager Abby (class of 2021) had to say about this resource:
“QwestTV is the first ever streaming service dedicated to Jazz, Soul, Funk & World Music. Created by Quincy Jones and curatedbyothermusiclegends, this service contains hundreds of concerts, documentaries, archives, and exclusive content. And with the “My List” feature, you can keep track of all your favorites. On top of premium streaming video, QwestTV also offers articles, interviews, and album reviews written by professional journalists and renowned jazz experts. With content spanning decades, this service is a powerful research tool and just an all-around awesome resource for any music lover.”
The Music Library has more resources available than physical items. We’re highlighting some of our digital resources, and including information about them as told by our student employees.
Here is what student assistant Allison (class of 2022) had to say about Grove Music Online:
“Grove Music Online is an extensive online music encyclopedia that provides detailed information on composers, their music, and other music scholarship. I like how the resource is run by an editorial board at Oxford University Press so that there isn’t much question regarding the credibility of the content. I looked up Paul Hindemith and George Gershwin and found a lot of information about each of their respective lives along with some articles about their work. Grove Music Online seems like a very valuable resource for researching composers and music in the classical/jazz field.”
Although we are all socially distant at the moment, we thought it might be fun and encouraging to share playlists as a way to connect (with a tip of the hat to our friends at the Modlin Center for the Arts who started sharing playlists a couple of weeks ago).
Editor’s note:Arachnophonia is a regular feature on our blog where members of the UR community can share their thoughts about resources from the Parsons Music Library‘s collection.
Today’s installment of Arachnophonia is by student worker Allison (class of 2022) and features George Gershwin‘s classic piece for orchestra and piano, Rhapsody in Blue. Thanks, Allison!
George Gershwin’s Rhapsody in Blue was premiered in New York on February 12, 1924 by Paul Whiteman and his orchestra, featuring Gershwin on the piano. Whiteman, conductor of the Palais Royal Orchestra, had previously talked with Gershwin about mixing classical music with jazz and decided that Gershwin would premiere a piece at his “Experiment in Modern Music” concert. Although Gershwin had not formally committed to composing a piece, it was already announced in the newspapers so he had to. In just five weeks, the piece was composed and rehearsed, with Gershwin playing the piano part. Interestingly, he left his piano part to be improvised during the world premiere.
Gershwin’s autograph score to Rhapsody in Blue showing the iconic clarinet opening. Image source: https://smtd.umich.edu/ami/gershwin/?p=213
Although somewhat common today, it was groundbreaking in that time period for an orchestra to play a jazz concerto. The premiere of Rhapsody in Blue was wildly successful and opened doors for many future composers to incorporate jazz elements into their music. In addition, by choosing to compose this piece, Gershwin opened many doors for himself as a composer. Prior to Rhapsody in Blue, Gershwin composed scores for Broadway musicals. The piece didn’t change the trajectory of his career but expanded it as he became more well known.
George Gershwin composing at the piano. American composer, 1898-1937. (Source: https://doi.org/10.1093/gmo/9781561592630.article.A2252861)
The first Gershwin piece I heard was An American in Paris while preparing for an audition. I was very intrigued by the piece but never was able to fully appreciate it until playing it with my youth orchestra. Because I loved that piece, I was excited to receive music for another Gershwin piece this semester. Rhapsody in Blue is very different from An American in Paris but both pieces are composed in a manner that is clearly Gershwin.