Archive for the 'African American' Category

Teaching Geography with Children’s Literature: The Journey of Oliver K. Woodman

                                           The Journey of Oliver K. Woodman by Darcy Pattison: Book Cover      

Young Tameka wants her favorite uncle, Ray, to visit her in California.  Ray is too busy with his job in South Carolina to travel to Tameka’s home; so, he sends Oliver K. Woodman, a hand-crafted wooden man, in his place.  The Journey of Oliver K. Woodman, written by Darcy Pattison and illustrated by Joe Cepeda, recounts Oliver’s cross-country trek in which he depends on the kindness of strangers to reach his destination.  Pattison’s whimsical story is wonderfully told through postcards and letters.  Cepeda’s lovely pictures, painted with oil over acrylic on board, make not only Oliver, but the entire story come alive.

Connections

The Journey of Oliver K. Woodman includes a United States map which charts Oliver’s journey from coast to coast.  This creates a good tie-in to geography lessons for any elementary level class (VA SOL’s K.3-5, 1.4-6, 2.4-6, and 3.6).  This book could serve as the inspiration for a joint Social Studies/English project where the student uses correspondence and geographic research to document an imagined trip.  

Additional Resources

  • Spark your creativity with ideas from Helping Your Child Learn Geography, a U.S. Department of Education website.
  • Teach letter-writing skills by starting a pen pal program with people across town, across country, or across oceans.  Consider these suggestions before you begin.
  • National Geographic’s Geospy game is a fun way for kids to learn the locations of countinents, countries and states.

BookThe Journey of Oliver K. Woodman
Author:  Darcy Pattison
Illustrator: Joe Cepeda
Publisher:  Harcourt, Inc.
Publication Date: March, 2003
Pages: 56
Grade Range: K-5
ISBN-13: 9780152023294

Poetry in the Classroom - A Wreath for Emmett Till

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After participating in the writing of a crown sonnet this year, I’ve been thinking a lot about the discipline, skill and sheer force of will that must have been required of Marilyn Nelson to write A Wreath for Emmett Till. This narrative poem, describing the events and emotion surrounding the lynching of Emmett Till in 1955, is written in the form of a heroic crown of sonnets. Let’s step back for a minute and think about what that means. A sonnet is a 14 line poem written in iambic pentameter. A crown of sonnets is a sequence of A sequence of sonnets in which the last line of each sonnet is the first line of the following sonnet. In addition, the first line of the first sonnet also serves as the last line of the last sonnet. A heroic crown is a sequence of 15 sonnets, written in the same manner as a crown of sonnets. The difference is that in the heroic crown the last sonnet is composed entirely of the first lines of the previous 14 sonnets. One of the things that makes this heroic crown such an achievement is the the last sonnet is also an acrostic poem, in which the first letters of each line spell out the phrase “RIP Emmett L. Till.”One of the sonnets in this crown is written from the perspective of the tree witnessing the lynching, and echoes some of the sentiments expressed in Paul Laurence Dunbar’s poem The Haunted Oak.

Pierced by the screams of a shortened childhood,
my heartwood has been scarred for fifty years
by what I heard, with hundreds of green ears.
That jackal laughter. Two hundred years I stood
listening to small struggles to find food,
to the songs of creature life, which disappears
and comes again, to the music of the spheres.
Two hundred years of deaths I understood.
Then slaughter axed one quiet summer night,
shivering the deep silence of the stars.
A running boy, five men in close pursuit.
One dark, five pale faces in the moonlight.
Noise, silence, back-slaps. One match, five cigars.
Emmett Till’s name still catches in the throat.

The poems in this crown are not easy to read. They are unsettling, shocking, and sad, but this is an important event in the history of our nation that needs to be told again and again. The book ends with a short biography of Emmett Till, extensive notes on the 15 sonnets, and an artist’s note. The tempera illustrations by Philippe Lardy quietly reflect the themes and moods of the sonnets. Most of the books I have highlighted to date have all been for the elementary classroom. This one is most appropriates for grades 8-12. This is an amazing piece of poetry that will lend itself to interdisciplinary study in both English and social studies.

Here are some additional resources for introducing this work and the events surrounding it in the classroom.

Poetry in the Classroom - Dear Mr. Rosenwald

Imagine attending a school where wind sweeps through cracks in the walls, rain drips from the ceiling, and indoor heating and plumbing are noticeably absent. It may seem unbelievable, but for many African American children attending segregated schools, these conditions (and often worse) were the reality in public education.

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With her book Dear Mr. Rosenwald, Carol Boston Weatherford uses poetry to tell the story of how one community came together to build a new school–a Rosenwald School. The narrative begins with the poem 1921: One-Room School. Here is an excerpt.

My teacher, Miss Mays, said,
You can’t judge a school
by the building. When the roof leaks,
she calls us vessels of learning.
When the floor creaks, she says
knowledge is a solid foundation.

From the very beginning, the heart, the dreams, and yearning of people longing to be educated comes through. As told by Ovella, a young girl in the community, we meet dedicated people who put their blood and sweat into backbreaking work that doesn’t earn a decent living, and then see them spend that money for the good of the community. We see families and communities at work, at home and church, coming together for the common good. You see, Rosenwald schools were only partially funded through grants from the rural school building program. The balance came from the community. This meant that hard-working, poor folks needed to raise money, acquire land and build that school. The poem New School Rally ends with these words.

Everyone in church stood, clapping.
How on earth will poor people
find money to give away?

How indeed? In the poem Taking Root, we learn that the church gives an acre of land for the new school. In the poems Box Party and Passing the Plate, we learn about the ways in which people worked and sacrificed to raise money. Finally, the seeds of hope begin to grow, as Blueprints for the school are presented. Soon building materials are acquired, a roof is raised, second-hand materials arrive, a playground is built, and a school is born. Every time I read this book, I’m all choked up by the time I get to 1922: White Oak School. It begins this way.

Uncle Bo cut the ribbon at the doorway
and we marched into the new school,
proud as can be. The place sparkled.

The poem that lends its title to the book is the final piece. Ovella completes her first lesson, writing a letter to the man who helped make this new school a reality.

This is a moving and powerful book. I have highlighted the beauty of the language, but cannot fail to mention that the gouache and colored pencil illustrations by R. Gregory Christie remarkably capture and extend the emotion of the poetry. Overall, this is a gorgeous book that deserves a spot on your bookshelf.

Dear Mr. Rosenwald was published in 2006, long after my full-time work in K-12 classrooms ended. I bought it though, for use with my college students in Foundations of Eduction, a class that looks in part at the history of education in America. When we began to the look at the history of schooling for African Americans, I read this book.

Here in Virginia, fourth grade students are immersed in state history and spend time exploring the social and political events in Virginia linked to desegregation and Massive Resistance. I would love to see this book become a source of discussion in telling the story of this part of our nation’s history.

For those of you who wish to use this book or discuss these issues in your classroom, here are some additional resources for instruction.

Teaching Civics with Children’s Literature: The Bus Ride that Changed History

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The Bus Ride that Changed History: The Story of Rosa Parks, written by Pamela Duncan Edwards and illustrated by Danny Shanahan, is a simple book that uses repetitive phrasing to powerfully express its themes of civil rights and civil disobedience. It tells the story of Rosa Parks standing up to the bus law of the time forcing African Americans to sit in the back of the public buses, giving all priority to white passengers. Rosa Parks did not cooperate and refused to give up her seat for a white passenger, as a result she was arrested and put on trial, fueling the civil rights movement. The story itself is structured to point out each character of the event with phrases like “These are the black passengers riding the bus in Montgomery,”"This is Rosa Parks…” and “This is the boycott triggered by the verdict of guilty at the trial…” etc. The pictures offer context for the narrative. All of the paragraphs end with the same phrase and follow a format similar to this example:

This is Rosa Parks, who said “No!” to
the driver who told her to move for the white man
left standing near the seats of the back passengers riding
the bus in Montgomery,
where they enforced a law forbidding
blacks to sit next to whites on buses,
which was overturned because one woman was brave.

The story really emphasizes the bravery Rosa Parks showed by standing up for her right to ride the bus with the simple wording and repetition. It would be a great book to read out loud for a class because of the it carries such a rhythm. Small cartoon children also supplement the narrative with their speech bubbles bringing up questions and offering small facts about that point in history. One such character brings up the obvious question to reiterate to kids: “Why make it so difficult for black people? Shouldn’t they be treated the same as white passengers?” The book presents many serious questions and themes through its story. Reading it can be a great way to start discussing these serious themes with children and get them thinking about the way society works.

Curriculum Connections
The Bus Ride that Changed History: The Story of Rosa Parks
formally satisfies the Virginia SOL for civics: 2.10 - responsibilities of a good citizen - respecting and protecting the rights of others. But the book can also be used to talk about eras in US history like the civil rights movement, or important people of history like Rosa Parks. Students can have a better understanding of laws and how sometimes the law can be unjust.

Additional Resources

  • Here’s a great site with additional information about Rosa Parks and the Montgomery Bus Boycott. Check out biographical information about Rosa Parks and her legacy, news articles and a time line of the civil rights movement.

  • For some great photos of Rosa Parks and a documented interview, check out this site.
  • Here’s a fun coloring page printable of Rosa Parks for kids to color.

Book:  The Bus Ride that Changed History: The Story of Rosa Parks
Author:
Pamela Duncan Edwards
Illustrator: Danny Shanahan
Publisher: Houghton Mifflin Company
Publication Date: 2005
Pages: 32 pages
Grades: 2-5
ISBN: 0618449116

Teaching History with Children’s Literature: George Washington Carver

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Did you know that George Washington Carver developed hundreds of uses for peanuts, sweet potatoes, and soybeans? In George Washington Carver, a biography by Tonya Bolden, students can read the inspirational and impressive life of George Washington Carver, the brilliant “Wizard of Tuskegee.”

Whether teaching subjects such as botany and chemistry or techniques such as deep plowing and crop rotation, Carver sought to instill in his students the belief that it was best to treasure nature and not just take from it.

‘The farmer whose soil produces less every year, is unkind to it in some way,’ he stated in The Negro Farmer, a Tuskegee-based journal. Those who were unkind to the soil- ’soil robbers,’ he called them - were ultimately harming themselves.

The book emphasizes Carver’s love for nature and preservation of the planet. He believed that any substance a person might need could be produced from plants.

Curriculum Connections
This biography can be used to teach scientific method, agriculture, history, and art to elementary school students. In conjunction with a botany lesson, students can explore how farmers keep soil healthy, through methods like crop rotation.

In Virginia, George Washington Carver can be used to teach Social Studies SOL 1.2, which asks students to describe the stories of American leaders such as George Washington Carver and their contributions to our country.

Additional Resources

  • George Washington Carver was an agricultural genius, a scientist, and a writer, but did you know that he was also an artist? Explore this extensive art curriculum that teaches about George Washington Carver’s methods.
  • The US Department of Agriculture provides printable puzzles, riddles, math practice, and coloring pages from an activity book about George Washington Carver.
  • This lesson plan incorporates biology in the exploration of George Washington Carver’s processes, products, and accomplishments.

Book: George Washington Carver
Author/Illustrator: Tonya Bolden
Publisher: Abrams Books for Young Readers
Publication Date: 2008
Pages: 41 pages
Grades: 1-5
ISBN: 9-780810-993662

Nonfiction Monday - I, Matthew Henson: Polar Explorer

I am always on the lookout for strong biographies to add to my teaching collection. I stumbled across I, Matthew Henson shortly after the new year and after reading just a few pages, knew I had to have it. Here’s how it begins.

I did not walk forty miles
from the nation’s capital
to Baltimore’s busy harbor to eye
ships from a dock. Though just thirteen
I yearned for a taste of the adventures
that I had heard old sailors speak of,
to explore the seven seas
and somehow find my calling.

I did not start as a cabin boy, climb
the ranks to able-bodied seaman,
sail five continents, and learn
trades and foreign tongues to be shunned
by white crews who thought blacks
were not seaworthy. I did not chart
this course to drift in humdrum jobs
ashore. My dreams had sails.

And what dreams they were. In language that is lyrical and poetic, accompanied by vibrant pastels, readers learn how Henson serendipitously met Robert Peary while working as a clerk. Once he signed on with Peary, his life was never the same. In haunting words and images, we are taken north again and again with Henson. The images are stark and help us to understand how arduous these trips were. Henson made this trip seven times between 1891 and 1909. A trip like this would be difficult today, with all our advanced technologies. Knowing this makes the feat accomplished by Henson that much more extraordinary.

In his time with Peary, Henson sailed to Greenland, where he befriended the native peoples, learned the Inuit language, learned to hunt and track on ice, and honed many more skills that would help him eventually reach the North Pole. On April 6, 1909, six men reached the North Pole. One was black, one was white, and fur were native. The text ends here, but the Author’s Note explains that when the explorers returned, they were greeted with controversy. Dr. Frederick Cook, who sailed on an earlier expedition with Henson and Peary, claimed he reached the Pole in 1908. But this was not the only difficulty Henson faced. America was not willing to accept an African American hero in 1909.

It took years for Henson to achieve the recognition he deserved. In 1944 he was finally awarded duplicate of the Congressional silver medal given to Peary. In 1988 he was moved to Arlington National Cemetery, where he is buried beside Peary.

This book works on many levels, not only because of the beauty of the writing, but also the strength of the illustrations. I can’t say enough about how lovely this book is. I highly recommend it.

Book: I, Matthew Henson: Polar Explorer
Author: Carole Boston Weatherford
Illustrator: Eric Velasquez
Publisher: Walker Books for Young Readers
Publication Date: 2008
Pages: 32
Grades: K-5
ISBN-10: 0802796885
ISBN-13: 978-0802796882
Source of Book: Personal copy purchased at a local independent bookstore

To learn more about the author, be sure to visit The Brown Bookshelf. As part of their 28 Days Later project, Carole Boston Weatherford will be featured on February 20th. And if you didn’t know it, Weatherford’s book Birmingham, 1963 was just awarded the 2008 Lee Bennett Hopkins Poetry Award.

This review was written for Nonfiction Monday. Head on over to Anastasia Suen’s blog and check out the round-up of posts.