Books
In the Eye of the Storm: Contemporary Theatre in Barcelona. Lewisburg (Pennsylvania): Bucknell University Press, 2009.
Alegorías de la disidencia: El teatro de Agustín Gómez-Arcos (Spanish edition of Allegories of Dissent). Almería: Instituto de Estudios Almerienses, Diputación de Almería, Spain, 2002. 222 pp.
—Spanish press coverage in El País (1 July 2002, 17 July 2002), La Voz de Almería (20 March 2002, 1 July 2002), and El Ideal (Andalucía) (30 June 2002).
Allegories of Dissent: The Theater of Agustín Gómez-Arcos. Lewisburg, (Pennsylvania): Bucknell University Press, 1998. 304 pp.
—Selected by Choice for its annual list of “Outstanding Academic Titles.”
Editions
Barcelona Plays. Ed and trans. with Marion P. Holt. New York: Martin E. Segal Theatre Center/The Graduate Center-CUNY, 2008.
—Four contemporary Catalan plays in translation: Salamander, by Josep Maria Benet i Jornet; Strangers, by Sergi Belbel; Barcelona, Map of Shadows, by Lluïsa Cunillé; and It’s Raining in Barcelona, by Pau Miró.
Homage to Catalan Theater. Special monographic issue of Estreno: Cuadernos del Teatro Español Contemporáneo 24.2 (Fall 1998).
Articles in refereed journals
“The Sala Beckett and the Zero Degree of Theatricality: From Lluïsa Cunillé to Carles Batlle.” Special issue: Catalan Theatre 1975-2006: Politics, Identity and Performance. Ed. Maria Delgado, David George, and Lourdes Orozco. Contemporary Theatre Review 17.3 (August 2007): 370-84.
“Rodrigo García’s Ruins.” Preface to Compré una pala en Ikea para cavar mi tumba. Spanish play by Rodrigo García. Estreno (Spring 2005): 16-18.
“El jardín de las delicias: Visiones del pánico y del barroco en el teatro de Arrabal.” Special issue: Fernando Arrabal. Ed. Anxo Abuín. El Extramundi y los Papeles de Iria Flavia (Revista de la Fundación Cela, Iria Flavia, Galicia, Spain) 16 (Spring 2005): 43-54.
“Imagining Europe: Carles Batlle’s Combat: Landscape in the Aftermath.” Preface to Catalan play by Carles Batlle. Trans. Sharon G. Feldman, with Pere Bramon and Neil Charlton. PAJ: A Journal of Performance and Art 27.1 (January 2005): 61-64.
“Sergi Belbel’s Theatre of Pain.” Revista Hispánica Moderna 57.1&2 (2004): 241-66.
“Of Appearance and Disappearance: Theatre and Barcelona (Catalunya Invisible, Part II).” Special issue: Barcelona and Modernity. Ed Brad Epps. Catalan Review 18.1-2 (2004): 161-80.
— Partial reprint (in Catalan) in Pausa. 20 (Publication of the Sala Beckett, Barcelona). “Sobre l’aparició i la desaparició: El teatre i Barcelona.” Tercera Época (January 2005). 55-66.
“Catalunya Invisible: Contemporary Theatre in Barcelona.” Special cluster: Barcelona. Ed. Brad Epps. Arizona Journal of Hispanic Cultural Studies 6 (2002): 269-87.
—Partial reprint (in Spanish): “Catalunya invisible: La dramaturgia contemporánea barcelonesa.” Bases metodolóxicas para unha historia comparada das literaturas da peninsula ibérica. Ed. Anxo Abuín González and Anxo Tarrío Varela. Santiago de Compostela: Universidade de Santiago de Compostela, 2005. 401-21.
“El teatre d’enigma de Lluïsa Cunillé.” Catalan Review: International Journal of Catalan Culture 16.1/2 (2002): 141-54.
“‘Un agujero sin límites’: La mirada fenomenológica de Josep M. Benet i Jornet.” Anales de la Literatura Española Contemporánea 24.3 (1999): 473-91.
—Partial reprint (in Catalan): “‘Un forat sense fi’: L’univers calidoscòpic de Josep Maria Benet i Jornet,” in souvenir program for Josep M. Benet i Jornet’s Olors, directed by Mario Gas, Teatre Nacional de Catalunya, Barcelona 8 February-30 April 2000. 11-18.
“Faust in Barcelona: Catalonia’s La Fura dels Baus.” Theatre Forum 15 (Summer/Fall 1999): 34-44.
“Scenes from the Contemporary Barcelona Stage: La Fura dels Baus’s Aspiration to the Authentic.” Theatre Journal 50.4 (December 1998): 447-72.
—Partial reprint (in Spanish) in Historia y crítica de la literatura española. Ed. Francisco Rico and Jordi Gracia. Barcelona: Crítica, 2000. 562-67.
“National Theater / National Identity: Els Joglars and the Question of Cultural Politics in Catalonia.” Special issue: The Visual Construction of National, Social and Ethnic Identities in Theater and Other Visual Arts. Gestos 25 (Spring 1998): 80-96.
“Sanctifying the Scatological and Debasing the Divine: Postmodernist Allegory and Gómez-Arcos’s Interview de Mrs. Muerta Smith por sus fantasmas.” España Contemporánea 8.1 (Spring 1995): 21-42.
“Los gatos: Gómez-Arcos’s Spectacle of Sacrifice.” Estreno 23.1 (Spring 1995): 38-44.
“Agustín Gómez-Arcos’s Diálogos de la herejía and the Deconstruction of History.” Gestos 18 (November 1994): 61-80.
“Perlimplín: Lorca’s Drama About Theatre.” Estreno 17.2 (Fall 1991): 34-38.
Chapters, prefaces, and other essays
(with John London) “Two Couples, Three Languages, and a Bed.” Program note for Fourplay, written by Sergi Belbel. Translated by Sharon G. Feldman. Tristan Bates Theatre, London, directed by Russell Bolam, 1-20 April 2008.
“Josep M. Benet i Jornet.” Història crítica de la literature catalana. Vol. IV: Literatura del segle XX. Ed. Enric Bou. Barcelona: Vicens Vives, forthcoming 2008.
“Manuel Molins, Una altra Ofèlia i els fantasmes de Shakespeare.” Actes del 1er Simposi Internacional d’Arts Escèniques: El Teatre de Manuel Molins. Alacant: Universitat d’Alacant, forthcoming 2008.
“El teatre català contemporani, l’esfera pública i la figura de l’autor: Retalls de l’època de la transició.” La projecció social de l’escriptor en la literatura catalana contemporània. Barcelona: Punctum/GELCC (Grup d’estudis de literatura catalana contemporània de la Universitat Autònoma de Barcelona), 2007. 563-72.
“Agustín Gómez-Arcos: Eyes Open.” Preface to The Carnivorous Lamb. French novel by Spanish writer Agustín Gómez-Arcos. Trans. William Rodarmor. Vancouver: Arsenal Pulp Press, 2007. 9-26.
“Els paisatges europeus de Carles Batlle.” Afterward to Trànsits. Catalan play by Carles Batlle. Tarragona: Arola, 2007. 135-41.
“Carles Batlle’s European Landscapes” (In German Translation). Afterward to Trànsits. Catalan play by Carles Batlle. Vastorf (Germany): Merlin Verlag, 2007.
“L’habitació del nen de Benet i Jornet o La insuportable elusivitat de l’experiència.” El teatre de Josep M. Benet i Jornet (L’habitació del nen i altres). Collection Catalane 8. Éditions de la Tour Gile: Péronnas (France), 2006. 85-92.
“Els paisatges del teatre català contemporani: de Benet i Jornet a Cunillé.” I Simposi Internacional sobre teatre català contemporani: De la transició a l’actualitat. Barcelona: Institut del Teatre de la Diputació de Barcelona, 2006. 55-70.
“La fragilitat del paisatge.” Preface to Salamandra. Catalan play by Josep M. Benet i Jornet. Barcelona: Proa/Teatre Nacional de Catalunya, 2005. 13-27.
—Partial reprint in souvenir program and press dossier for Josep M. Benet i Jornet’s Salamandra, directed by Toni Casares, Teatre Nacional de Catalunya, Barcelona, October-December 2005.
“Dins la nostra memòria.” Preface to Forasters. Catalan play by Sergi Belbel. Barcelona: Proa/Teatre Nacional de Catalunya, 2004. 19-24.
—Reprint in souvenir program and press dossier for Sergi Belbel’s Forasters, directed by Sergi Belbel, Teatre Nacional de Catalunya, Barcelona September-November 2004. Staged in conjunction with programming for the Fòrum Universal de les Cultures-Barcelona 2004 and the program “Theatres of Europe: A Mirror of Refugee Populations” of the European Theatre Convention.
“Post-Franco Theatre” New Cambridge History of Spanish Literature. Ed. David T. Gies. Cambridge: Cambridge University Press, 2004. 724-38.
“Tornar a casa.” Preface to Oasi. Catalan play by Carles Batlle (“Josep Ametller” Prize 2002). El Galliner/Teatre 193. Edicions 62: Barcelona, 2003. 7-19.
—Partial reprint (in French): “Rentrer à la maison.” Translation Isabelle Bres, Paris: Éditions du Laquet, 2003 and Batlle’s website.
“Agustín Gómez-Arcos.” Modern Spanish Dramatists: A Bio-Biographical Sourcebook. Ed. Mary Parker. Westport, CT: Greenwood Press, 2002. 226-37.
“Ignasi Garcia i l’art de l’autenticitat.” Preface to Reconstrucció dels fets. Catalan play by Ignasi Garcia. Entreacte (Revista de l’Associació d’Actors i Directors Professionals de Catalunya. Col.lecció Teatre-Entreacte (October 2000): 1-4.
“Performance Theory. Desde lo político a lo espectacular: El caso de Els Joglars.” El hispanismo en los Estados Unidos: discursos críticos/prácticas textuales. Ed. José M. del Pino and Francisco La Rubia Prado. Literatura y Debate Crítico. Madrid: Visor, 1999. 169-90.
—Partial reprint (in Spanish) in Historia y crítica de la literatura española. Ed. Francisco Rico and Jordi Gracia. Barcelona: Crítica, 2000. 557-62.
“Un nen a l’escala.” Preface to El criptograma. Catalan translation of The Cryptogram, by David Mamet. Trans. Carlota Subirós. Prefaces Sergi Belbel and Sharon G. Feldman. Barcelona: Proa/Teatre Nacional de Catalunya, 1999. 9-19, 25-28.
—Partial reprint in souvenir program for Catalan production of David Mamet’s The Cryptogram, directed by Sergi Belbel, Teatre Nacional de Catalunya, Barcelona 8 April-30 May 1999. 6-9.
—Partial reprint in program for Catalan production of David Mamet’s Els boscos (The Woods), directed by Julio Manrique, Sala Beckett, 13 September-8 October 2006.
“Agustín Gómez-Arcos en el ocaso del exilio: Los primeros años parisinos.” Agustín Gómez-Arcos: un hombre libre. Ed. Gabriel Núñez. Almería: Instituto de Estudios Almerienses, 1999. 37-56.
“Ello dispara de Fermín Cabal: Hacia una configuración posmoderna del espacio textual/teatral.” De lo particular a lo universal: El teatro español del siglo XX y su contexto. Ed. John P. Gabriele. Teoría y práctica del teatro 2. Madrid: Iberoamericana, Frankfurt: Vervuert, 1994. 230-39.Barcelona
Articles in non-refereed journals
“American Awakenings: dos nous musicals.” Pausa. 28 (Publication of the Sala Beckett, Barcelona) (December 2007):
“Sobre la invisibilidad y la visibilidad: Barcelona y el teatro de Lluïsa Cunillé.” Primer Acto: Cuadernos de Investigación Teatral (Madrid) 314 (July 2006): 14-20.
“De ausencias, recuerdos y redescubrimiento: El teatro de Agustín Gómez-Arcos.” Buxía: Arte y pensamiento 1 (May 2002): 26-35.
“Theatrical Politics and Political Theatrics in Barcelona.” Special issue: Theatre in Spain. Western European Stages (CUNY) 9.1 (Winter 1997): 16-20.
Catalan play translations
In Tuscany. English translation of A la Toscana, by Sergi Belbel. Work in progress.
At the Thirteenth Hour of the Night. English translation of L’habitació del nen (a les tretze de la nit), by Josep Maria Benet i Jornet. Unpublished manuscript.
Strangers. English translation of Forasters, by Sergi Belbel. Barcelona Plays. Ed. Sharon G. Feldman and Marion P. Holt. New York: Martin E. Segal Theatre Center (CUNY), forthcoming 2008.
It’s Raining in Barcelona. English translation of Plou a Barcelona, by Pau Miró. Barcelona Plays. Ed. Sharon G. Feldman and Marion P. Holt. New York: Martin E. Segal Theatre Center (CUNY), forthcoming 2008.
Combat: Landscape in the Aftermath. English translation, with Pere Bramon and Neil Charlton, of Combat: Paisatge per a després d’una batalla, by Carles Batlle. PAJ: A Journal of Performance and Art 27.1 (January 2005): 65-81. (Excerpt included in book of promotional material prepared by the Institut Ramon Llull for the Frankfurt Book Fair 2007.)
Suite. English translation of Suite, by Carles Batlle. Commissioned by National Theatre of Catalunya and European Public Theatre Project (established by the European Theatre Convention), 2000.
Desire. English translation of Desig, by Josep Maria Benet i Jornet. Modern Catalan Plays. Ed. David George and John London. London: Methuen Drama, 2000.
Fourplay (also titled The Marriage Bed). English translation of Tàlem, original Catalan play by Sergi Belbel. Modern Catalan Plays. Ed. David George and John London. London: Methuen Drama, 2000.
Interview
“‘Si me gustan La Fura dels Baus y Molière, no es una contradicción’: Conversaciones con Sergi Belbel.” España Contemporánea 13.1 (Spring 2001): 71-86.
“Dos conversaciones con Sergi Belbel: ‘Que me gusten la Fura dels Baus y Molière no es una contradicción’” (Expanded version of above-cited interview). Assaig de Teatre (Revista de l’Associació d’Investigació i Experimentació Teatral, Universitat de Barcelona) 12, 13, and 14 (September/December 1998): 219-38.
