Category Archives: Celebrity Heroes

Bob Marley: A Spiritual and Revolutionary Hero through Music

Bob Marley, who still casts a large shadow on the reggae world 39 years after his death, would have turned 75 this week.

By Corinne Devaney

Celebrities are most looked up to as heroes because of their talent, but for Robert Nesta Marley, being one of the first music artists from a third world country to achieve international stardom was the least of his worries.

While other singers may worry about hitting the top charts, Marley introduced the world to the concept of Reggae and Rastafarianism from his own culture while fighting to free other countries that have lost their values due to British colonialism.

Marley was brought up in a crime ridden neighborhood of St. Anne, Jamaica from a Black mother and white father, who had abandoned him when he was young. His heroic transformation began when he was given the help of piano lessons at age ten and began following the Rastafarian religion, which includes elements of Christianity, Pan-Africanism, and anti-imperialism. These spiritual teachings gave him a sense of sociocentricity for his African heritage and Jamaica, which had been fighting for its independence his entire childhood.

Singing about love, peace, and Jamaican social justice, Marley became the “preacher of positivity” with powerful lyrics like, “One love, one heart . . . Let’s get together and feel all right.” When his popularity grew and he knew people were listening, he additionally made it his priority to fight for the rights of other colonized countries in Africa.

By extracting his lyrics from the speeches of political freedom fighters in Zimbabwe, South Africa, and Ethiopia, he brought African civil rights in the world’s center of attention. Marley’s message is revolutionary and motivational, but executed with an amiableness that I’d compare to Mahatma Gandhi.

By staying true to his spirituality, he developed self-awareness about the power of money and its ability to alter the freedom of his mind. Acting upon his thoughts, he dedicated the majority of his time and money to giving back to the country that raised him. Marley organized Jamaican community projects, investing in the schooling systems, and paying to support housing and food to over 6,000 people.

He strived to make his followers mindful of the dangers of fame in his lyrics, “Don’t gain the world and lose your soul, wisdom is better than silver or gold.”

Even having acquired great power and influence in his life, he was a consistently altruistic man that valued his spirituality and love over material possessions. Marley’s biggest setback of his later life was being shot in the breastbone and biceps after an assassination attempt in his hometown. Less than two weeks later he performed in the “Smile Jamaica” concert just a few towns over from where the attack on him had occurred.

The courageous act shows his unstoppable compassion for his country. The near-death experience actually gave him less fear in the face of death and brought him closer to his religion. Looking through his impactful lyrics, I came across a connection between his urge to perform his music and the shooting in one of my favorite songs, “Trenchtown Rock”.

“One good thing about music, when it hits you, you feel no pain.” Unlike the pain of the bullet, music was a strong and peaceful influence over Marley that he believed he had to give to influence others. In fact, he loved giving his music to people so much that he refused medical help for his wounds and his condition worsened when he was diagnosed with melanoma on his world tour visiting the US. He believed the Rastafarian religion was the way for God to heal him and didn’t fear the risk of dying due to his unwavering faith.

When he was advised to have his toe amputated to stop the spread of the disease, he refused because in his religion it is considered a sin to remove part of one’s body, also called the “temple.” Although his life was short, ending at 36, he sure made it worth it. Growing up being the underdog of his small society, his humbling words have stretched across the globe.

I would consider Marley to be a martyr because he died creating music for others and refused to care for his own well-being. His inspiring acts of selflessness and resilience through every milestone of his life makes him my personal hero.

– – – – – – – – – – – – – – – – – – – – –

Corinne Devaney is an  undergraduate student at the University of Richmond. She wrote this essay as part of her course requirement while enrolled in Dr. Scott Allison’s Heroes & Villains class.

Fred Rogers: The Hero Who Helped People Become Their Best Selves

By Scott T. Allison

About 30 years ago, a friend of ours was in the throes of a major depression.  As she lay listlessly on the couch one day, feeling the weight of the world on her shoulders, she flipped through the television channels and came across the classic children’s television program Mister Rogers’ Neighborhood.  Struck by the show’s gentle, loving host Fred Rogers, our friend penned a letter to him, expressing her grief and hopelessness, but also her appreciation for briefly lifting her spirits with his message of love and hope.  A week later, to her great surprise, she received a hand-written letter back from Rogers, who thanked her for writing and gave her encouragement and support.  To this day this framed letter from Rogers hangs on the wall of our friend’s home, and she remains deeply grateful to him for reaching out to her during the most difficult time in her life.

Not surprisingly, Fred Rogers wrote many such letters to his fans.  In an age when celebrity misbehavior and drug use capture most of the headlines, Rogers was a true gentleman whose primary mission in life was to enrich the lives of other people, especially children.  As a young man, Rogers noticed during television’s infancy how the new medium was being misused.  “I went into television because I hated it so,” said Rogers.  “I thought there was some way of using this fabulous instrument to be of nurture to those who would watch and listen.”

Rogers developed a show in 1968 that helped children build self-esteem, conquer their fears, and love others.  Mister Rogers’ Neighborhood encouraged children to become happy and productive citizens.  It was the longest-running program on public television, lasting 33 years and finally ending its run in 2001. Rogers was an American icon of children’s education and a symbol of compassion and morality.  He became such a beloved figure that one day, when the media reported that his car had been stolen, the thieves immediately returned the car to the exact spot from which it was taken, with an apology on the dashboard.  It read, “If we’d known it was yours, we never would have taken it.”

While accepting a Lifetime Achievement Award at the 1997 Emmy Awards Show, Rogers approached the microphone and said, “All of us have special ones who have loved us into being. Would you just take, along with me, ten seconds to think of the people who have helped you become who you are.  Ten seconds of silence.”  Tears began to flow from the eyes of many in the audience.  Rogers finally looked up from his watch and softly said, “Whomever you are thinking about, how pleased they must be to know the difference you feel they’ve made.” Actor LeVar Burton recalls a time when Rogers was invited to a gathering at the White House, and he asked everybody, including President Clinton, to close their eyes for 60 seconds and think about someone who had helped shape them.  Again people wept.  “Fred felt it was critical to acknowledge those who have helped us come into being,” said Burton.  “And Fred’s legacy is that he is that person for so many of us.”

Rogers was awarded the Presidential Medal of Freedom in 2002, and one year later, after Rogers passed away at the age of 74, the U.S. Senate approved a resolution to commemorate his life.  It read, in part, “Through his spirituality and placid nature, Mr. Rogers was able to reach out to our nation’s children and encourage each of them to understand the important role they play in their communities and as part of their families.  More importantly, he did not shy away from dealing with difficult issues of death and divorce but rather encouraged children to express their emotions in a healthy, constructive manner, often providing a simple answer to life’s hardships.”

To the very end of his life, Rogers encouraged people to love one another and to appreciate the deep connections all humans have with each other.  Shortly before he died, while giving a commencement speech at Dartmouth College in 2002, he said, “Our world hangs like a magnificent jewel in the vastness of space.  Every one of us is a part of that jewel, a facet of that jewel.  And in the perspective of infinity, our differences are infinitesimal.  We are intimately related.”

In 2018, a documentary entitled Won’t You Be My Neighbor? based on the life and legacy of Rogers, was released to critical acclaim and became the highest grossing biodoc film of all time.  Now Tom Hanks stars as Fred Rogers in the highly acclaimed film, A Beautiful Day in the Neighborhood.  We are grateful that the world is acknowledging the heroism of such kind, gentle man who has helped so many millions of people become their best selves.

– – – – – – – – – – – –

Grace Kelly: A Friend Indeed

By Rick Hutchins

Movie stars and royalty are often considered heroes by those who find inspiration in their talent, perseverance, generosity and leadership. In those terms, Grace Patricia Kelly, who won an Academy Award at age twenty-four and became Her Serene Highness Princess Grace of Monaco at age twenty-six is twice a hero. However, the true heroism of this remarkable woman is both more personal and more profound.

In 1951, the Stork Club in New York City was a popular haunt of celebrities from both Hollywood and Washington. Grace Kelly, at that time, was a young actress of stage and television about to begin a career in film. As she dined with some friends and colleagues one night, she was witness to what was an all-too-common event in those days — a woman being refused service because of the color of her skin. That woman turned out to be Josephine Baker, an internationally famous singer and exotic dancer (herself a hero of WWII and the Civil Rights Movement), who, at that time, was a far bigger celebrity than Grace Kelly.

With no thought to the possible consequences to her own career, Kelly left her dinner, took Baker by the arm and departed for more welcoming pastures (to their credit, her companions followed suit). She vowed never to return to the Stork Club and she kept that promise. From that night onward, Grace Kelly and Josephine Baker were lifelong friends.

The next several years brought amazing changes for Kelly. She quickly became one of America’s most beloved actresses. In 1955, she headed the U.S. delegation to the Cannes Film Festival and there met Prince Rainier of Monaco. The prince knew a princess when he saw one and a few months later he made a reciprocal trip to the United States where he proposed marriage.

Josephine Baker’s fortunes, unfortunately, did not fare as well. Branded a communist by the HUAC, likely as a consequence of her charges of racism against the Stork Club, whose owner was a friend of J. Edgar Hoover, she was banned from the U.S.  Her luck went downhill from there, but her friend did not forget her. When her difficulties ultimately resulted in bankruptcy, Princess Grace gave her a villa for herself and the twelve multiethnic orphans she had adopted in better times, and offered financial support as well. In fact, Baker’s final show, a glowingly reviewed retrospective performance in Paris, given only days before her death, was financed (and attended by) the princess and her prince.

In 1982, Princess Grace suffered a stroke behind the wheel of her car; she died as a result of injuries suffered in the crash. Throughout her short life, she proved herself a true philanthropist, always using her fame and wealth and status to promote the betterment of mankind, work that still continues today through the Princess Grace Foundation. However, nothing exemplifies her heroic character more than that one selfless act of friendship to a stranger, in the days when that was all she had to offer.

– – – – – – – – – – –

Rick Hutchins was born in Boston, MA, and has been an avid admirer of heroism since the groovy 60s. In his quest to live up to the heroic ideal of helping people, he has worked in the health care field for the past twenty-five years, in various capacities. He is also the author of Large In Time, a collection of poetry, The RH Factor, a collection of short stories, and is the creator of Trunkards. Links to galleries of his art, photography and animation can be found on http://www.RJDiogenes.com.

This is Hutchins’ sixth guest blog post here.  His first two, on astronaut and scientist Mae Jemison and the Fantastic Four’s Reed Richards, will appear in our new book Heroic Leadership: An Influence Taxonomy of 100 Exceptional Individuals.

Christopher Lee: Heroic Prince of Darkness

christopher_lee1By Rick Hutchins

On the silver screen, he was best known for portraying an evil that brought terror to the hearts of the innocent and the brave. For his artistry, he was knighted by Prince Charles of England.

In reality, in the darkest decade in living memory, he fought the greatest evil mankind has ever known.

Perhaps he was knighted for the wrong reason.

Sir Christopher Lee was born in 1922, his father a colonel of the King’s Royal Rifle Corps, whose service dated back to the Boer War, and his mother a descendent of Charlemagne, whose beauty was preserved in art and sculpture. His first acting role was at the age of six in a school play. He was never very good at academics or sports, but he excelled in the arts. All of this is common knowledge.

But some people have unknown depths. Some lives rival the adventures of Pulp fiction.

At the onset of the second World War, Lee volunteered for the Finnish forces, but did not see combat. Two years later, he volunteered for the Royal Air Force, but a medical condition prevented him from flying. Determined to serve, he then volunteered for RAF Intelligence and it was there that he truly flourished. After coming to the attention of his superior officers for his skill at decodinglee-dracula German ciphers (he was fluent in several languages), he was transferred to North Africa, where he served with the Long Range Desert Group. Here, he penetrated behind enemy lines, infiltrating Axis bases from Egypt to Benghazi to sabotage enemy aircraft and installations.

In addition to several near-death experiences while serving near the front lines, Lee was felled by malaria six times during the North African campaign, and returned to duty each time.

Following the Axis surrender in North Africa and the Allied invasion of Italy, Lee began Intelligence work for the Army. During this time, he served with the Gurkhas, suffering yet another brush with death, and took part in planning a potential assault on the Nazi’s Alpine Fortress. Lee was then returned to the Air Force, where he was promoted and posted to Air Force Headquarters to work with the Special Operations Executive, conducting espionage, sabotage, and reconnaissance missions in Occupied Europe.

When the war ended, Lee worked with the Central Registry of War Criminals, tracking down Nazi fugitives and turning them over to the authorities for interrogation and indictment. He duties brought him several times to Nazi concentration camps, where he witnessed the aftermath of the Holocaust firsthand.

Flight Lieutenant Christopher Lee retired from active duty in 1946. This is the bare bones of what we know of his activities in the second World War. His full service record remains classified to this day.

Lee was decorated for his heroism in wartime by Czechoslovakia, Yugoslavia, Poland, and Great Britain. He was appointed a Commander of the Venerable Order of St. John. He was knighted for his services to charity. These, of course, are in addition to the many well-deserved honors he received for his inimitable work in film.

On screen, he portrayed the darkest of villains; on the stage of life, he was truly the noblest of heroes.

– – – – – – – – – – –

Rick Hutchins was born in Boston, MA, and has been an avid admirer of heroism since the groovy 60s. In his quest to live up to the heroic ideal of helping people, he has worked in the health care field for the past twenty-five years, in various capacities. He is also the author of Large In Time, a collection of poetry, The RH Factor, a collection of short stories, and is the creator of Trunkards. Links to galleries of his art, photography and animation can be found on http://www.RJDiogenes.com.

This is Hutchins’ eleventh guest blog post here.  His first two, on astronaut and scientist Mae Jemison and the Fantastic Four’s Reed Richards, can be found in our book Heroic Leadership.

Fred Astaire and Ginger Rogers: Heroic Dancing Virtuosos

By Scott T. Allison and George R. Goethals

One popular genre of hero stories focuses on the tale of the buddy heroes.  These are heroes who pair up, enjoy great chemistry, display friendly friction, and perform heroic acts together that they could not perform individually.  Buddy hero stories have long graced the silver screen, television, and novels.  Examples include Bonnie and Clyde, Butch Cassidy and the Sundance Kid, Thelma and Louise, Starsky and Hutch, Cagney and Lacey, The Hardy Boys, Tango and Cash, and The Blues Brothers.  Buddy hero stories differ from hero-sidekick stories in that buddy heroes are equals with complementary skill sets.  With buddy heroes, there is no dominant star; each is a force, and working together they can produce magic.

In the performing arts, perhaps no pair of heroes was more dominant and more revered than the dance team of Fred Astaire and Ginger Rogers.  As with many buddy heroes, Astaire and Rogers were an unlikely pair.  Astaire was balding, less than handsome, and somewhat awkward as an actor.  His dancing, however, was poetry in motion, astonishing in its rhythm and technical virtuosity.

Ginger Rogers was beautiful, seductive, and comedic.  Her dancing was a notch below that of Astaire, but her playful coquettish style and natural charisma complemented him well.  Katherine Hepburn once observed, “He gives her class and she gives him sex.”  Together, Astaire and Rogers were greater than the sum of their parts.  No other dance team could compare.

Fred Astaire and Ginger Rogers appeared in ten musical films together and revolutionized the musical film genre.  They dazzled audiences with their inventive flair.  Astaire was especially singled out for his skill and creativity on the dance floor.  Famed theater producer Jerome Robbins noted that “Astaire’s dancing looks so simple, so disarming, so easy, yet the understructure, the way he sets the steps on, over or against the music, is so surprising and inventive.” His perfectionism was legendary, yet he remained humble.  “I’ve never yet got anything 100% right,” he said. “Still it’s never as bad as I think it is.”

Alastair Macaulay from the New York Times once wrote, “Dancing together, Astaire and Rogers expressed many of love’s moods: courtship and seduction, repartee and responsiveness, teasing and challenge, the surprise of newfound harmony, the happy recapture of bygone romance, the giddy exhilaration of high spirits and intense mutual accord, the sense of a perfect balance of power, the tragedy of parting and, not least, the sense of love as role playing.”

Fred Astaire himself acknowledged that Ginger Rogers was by far his best dance partner.  “After a while everyone else who danced with me looked wrong,” he said.  “Ginger was brilliantly effective. She made everything work for her. Actually she made things very fine for both of us and she deserves most of the credit for our success.”  Although Astaire was singled out more often for his dancing prowess, many people appreciated Rogers’ great talent and believed she was underrated.  Said one fan, “Remember, Ginger Rogers did everything that Fred Astaire did, backwards and on high heels.”

Below is a collage of dance routines performed by the great Fred Astaire and Ginger Rogers.

Emma Watson: Wizard and Hero

By Carolyn Flannery, Nora Tocheny, & Briana Robinson

British actress and model Emma Watson was born on April 15, 1990. She became a household name when, at the age of nine, she was cast as the strong, charismatic Hermione Granger in the Harry Potter movie series. Watson auditioned for the part as Hermione because her friends did and because it would “be a laugh”. Although she didn’t take the audition seriously, her drama teacher and casting agents saw great potential in her.

She starred in eight Harry Potter movies, and has gone on to attract prominent roles in other movies and television shows. Her acting career has earned her many awards, such as the Young Artist Award, two Otto Awards, Child Performance of the Year Award, and many more.

Even though Emma Watson had many cinematic successes, becoming a world famous actress did not steer Emma Watson away from continuing her education. In 2009, Watson attended the prestigious Brown University while continuing her role as Hermione Granger in the Harry Potter franchise. She took a year off from her education to act in several movies, but eventually received her bachelor’s degree in English Literature.

Not only is Emma Watson known as an accomplished actress, she was also named a Goodwill Ambassador for UN Women and has traveled to Bangladesh, Zambia, and Uruguay to advocate for human rights. In her September 20 speech for the United Nations, she launched the new HeforShe campaign that aims to bring men into the fight for gender equality. This speech earned her a standing ovation and began a national conversation about gender and feminism.

The HeforShe campaign advocates for gender equality as a human rights issue involving both sexes, a message Watson clearly expressed in her speech. Watson proclaims that feminism has become synonymous with “man-hating”, a negative stigma that has thwarted the advancement of gender equality. As a self-declared feminist, Watson explains how both women and men are targets of gender bias, and she urges both men and women to work together to modify today’s social norms. Emma Watson focuses her message to men and women of all ages.  She spoke out for human equality, motivating everyone to take a stand for what they believe in by saying, “If not you, who? If not now, when?”

Emma Watson embodies the qualities of a hero through her strong dedication to achieving her goals and advocating for worthy causes. She is an incredibly successful actress, and has many more achievements that are central in her everyday life. Her acting has brought her worldwide fame, and she uses her fame in a positive way to actively support humanitarian efforts. For example, she supports UNICEF on her official fan page and asks her fans to donate.

Watson also is involved with smaller charities, such as Blue Peter’s Mission Nutrition, and Wild Trout Trust. She has collaborated with Peopletree, a fair trade ecologically friendly fashion company that establishes production facilities in developing countries to provide community members with economic support through employment opportunities. Emma Watson has had a positive and enduring influence on society and has advanced numerous humanitarian causes, making her a role model and modern day hero.

– – – – – – – – – – – – – – – – – – – – –

Carolyn Flannery, Nora Tocheny, & Briana Robinson are undergraduate students at the University of Richmond. They wrote this essay as part of their course requirement while enrolled in Dr. Scott Allison’s Social Psychology class.

– – – – – – – – – – – – – – – – – – – – – – – – – – – – –